Indice completo degli articoli

Mathez, Jean-Pierre

Editorial

Progress by Stages

Between technical routine and lived experience, musical growth emerges through setbacks, observation and the gradual shaping of an individual voice.

Damm, Peter

300 Years of the Horn

in the Dresden Court Orchestra

From Dresden’s court musicians to Hampel’s hand-horn technique, virtuoso players and court repertoire shaped a decisive shift in horn playing and orchestral writing.

Coutet, Robert

Henri Renart (1887-1979)

Interview

Henri Renart looks back on a remarkable musical life, from the wind bands of northern France to Paris’s leading orchestras, performing under renowned conductors while witnessing decades of change in performance, recording, teaching, and brass playing.

Elias, Joel

Basics in breathing

An Outline to a Better Sound

From breathing awareness to sound production, practical exercises link physical relaxation, air control and rhythmic precision in everyday brass playing.

Leuba, Christopher

A study of musical intonation

Resultant tones, harmonic series ratios and chord spacing challenge equal temperament, linking acoustics and practical ensemble intonation.

Ringger, Rolf Urs

Serious Music this Side of the Ghetto

Between Darmstadt serialism and neo-tonality, the place of serious music in society is questioned through Berg, Schönberg and the post-war avant-garde.

Stamp, James

Practical Hints

A preparatory adaptation of a Clarke technical study reframes finger technique, airflow, and efficiency through a progressive approach to daily practice.

Mathez, Jean-Pierre

Editorial

10 Years of Brass Bulletin

Ten years after its launch, a small specialist publication reaches readers in more than sixty countries, reflecting how a shared artistic community took shape across borders.

Agrell, Jeffrey

The first european horn symposium

A week in Trossingen brought leading horn players, Mozart debates, natural-horn controversies and lasting friendships at a landmark European gathering.

Mende, Emilie

Dr. h.c. Bernoulli (1904-1980)

Necrology of a great collector

From a Swiss castle filled with 700 brass instruments to the Historical Museum Basel, a collector’s life reflects decades of dedication, scholarship and hospitality.

Mathez, Jean-Pierre

Empire Brass Quintet

Portrait in brief

From New York to Boston, five brass players built a chamber music identity rooted in Ewald, early music and a string-quartet approach to ensemble sound.

Davies, John

Brass and Strings

A note on personality types among musicians

Behind the formal discipline of the symphony orchestra, contrasting views of brass and string players reveal enduring questions about personality, class and musical culture.

Stevens, Thomas

The Trumpet in the USA

Gadgets II

Mouthpiece backbores for piccolo and C trumpet are compared through practical performer testing, linking equipment choices to sound, volume and intonation.

Bobo, Roger

Arnold Jacobs

Interview

Two tuba giants meet in 1979 Chicago, where Arnold Jacobs turns technique, sound, orchestral life and pedagogy into a lasting musical ethic.

Stamp, James

Practical Hints

A single Clarke study becomes a lesson in note placement, breath control and continuity, as James Stamp reshapes a familiar exercise through preparation.

Ricquier, Michel

The subconscious, a useful friend

From yogic practices to auto-hypnosis, mental conditioning and visualisation are linked to performance, self-control, and the body's hidden responses.

Leuba, Christopher

A study of musical intonation

From harmonic-series tuning to valve-slide adjustments on the horn, practical listening and resonance become more reliable guides than equal temperament alone.

Ferron, Emile

Harmonics or partials?

Behind every brass note lies a compromise between acoustical theory and instrument design, as E. Ferron questions what players call a harmonic.

Mathez, Jean-Pierre

Editorial

Beyond technique and instruction, musical growth depends on trusted relationships, where friendship becomes both a measure of progress and a safeguard against isolation.

Leuba, Christopher

A study of musical intonation

From wind quintets to brass sections, balance, overtones and perception shape intonation in ways that often diverge from measurable frequency.

Olsen, Deborah M.

Music in an American Frontier Communal Society

Aurora Colony

In a German communal settlement on the Oregon frontier, bands, choirs and original compositions shaped daily life as strongly as faith, work and education.

Gorovoj, Sergej

Viktor Venglowski

Musician and Teacher

From the Leningrad Philharmonic to the Conservatoire, one trombonist shaped repertoire, ensembles and generations of players across the Soviet Union.

Stamp, James

Practical Hints

Working from a Clarke study, a modified routine links tone stability to velocity, showing how secure sound supports precision as tempo increases.

Cramer, William F.

Blowing as a body function

Breathing habits, posture and body mechanics converge in a practical view of tone production, where William F. Cramer questions prevailing assumptions.

Bobo, Roger

Arnold Jacobs

Interview

From Curtis to Chicago, a tuba player's path crosses Reiner, Koussevitzky and Ormandy, while teaching evolves toward breathing, thought and musical function.

Ferron, Emile

Instrument Making and the Ear

From hearing physiology to workshop testing, E. Ferron links instrument design, acoustics and perception, where no two ears judge sound in quite the same way.

Schwandt, Uwe

Herpes labialis (lip sores)

A brass players' affliction

For brass players, a common lip condition can mean weeks away from the instrument, linking embouchure, health habits and recurring interruptions.

Sommerhalder, Max

Working with the Posaunenchor

From Württemberg youth groups to mass brass gatherings in Ulm, a community tradition links faith, education and amateur brass playing across generations.

Mathez, Jean-Pierre

Editorial

New editorial formats separate current news from long-form content while creating new links between performers, composers, and the evolving brass community.

Sluchin, Benny

Playing and singing simultaneously on brass instruments

From Weber and Vivier to contemporary solo works, singing into the brass instrument becomes a multiphonic technique shaped by notation, acoustics, and practice.

Reifsnyder, Robert

The Euphonium in America

A Short History

Euphonium terminology, bore sizes, and band instrumentation shifted across Europe and America, from Sax and Conn to Gilmore, Sousa, and Fennell.

Barantsev, Anatoly

Vitaly Bujanowsky

The world's Golden Horn

Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.

Willener, Alfred

The Haydn Trumpet Concerto

As editions, instruments and traditions diverge, Haydn’s trumpet concerto becomes a lens on notation, style and the shifting meaning of performance.

Searfoss, David P.

The Audition System

Why American Musicians Emigrate?

Behind orchestral vacancies in North America, travel costs, subjective selection and hidden hiring practices help explain a growing flow of musicians abroad.

Nakayama, Fujio

Japanese painting from the 18th century

An 18th-century Okinawan scroll preserves a ceremonial procession where Chinese-derived instruments, including the rapa trumpet, marked diplomatic exchange with Japan.

Olsen, Deborah M.

Music in an American Frontier Communal Society

Aurora Colony

Music shaped daily life in Aurora’s communal colony, from civic ceremonies and political events to touring brass bands that carried its identity across the American West.

Hiller, Albert

The Trumpet in the Works of Jean-Philippe Rameau

From court entertainments to operatic dances, Rameau’s trumpet writing reveals uncommon technical demands and a broader palette of Baroque brass practice.

Stamp, James

Practical Hints

A progressive adaptation of Clarke’s No. 91 uses slurs, accents and dynamic shaping to build speed while preserving tone stability and control.

Mathez, Jean-Pierre

Editorial

International Competitions - Time, a perishable commodity...

From competition juries to the accelerating pace of modern life, Jean-Pierre Mathez questions the judgments and pressures shaping musicians and their careers

Goodwin, John

Brass instrument research at Surrey University

Acoustics, materials, bore design, and player perception meet in Surrey research linking laboratory measurements with the realities of brass performance.

Sluchin, Benny

Playing and singing simultaneously on brass instruments

From interval production and tone generation to contemporary repertoire, simultaneous playing and singing becomes a demanding extension of brass technique.

Agrell, Jeffrey

Interview with Hans Pizka

From Vienna horn traditions and natural-horn training to orchestral style and pedagogy, Hans Pizka reflects on the foundations of horn playing and musical identity.

Willener, Alfred

The Haydn Trumpet Concerto

André, Wobisch, Dokshitzer, Stringer and others reveal how tempo, phrasing, ornamentation and cadenzas reshape Haydn's trumpet concerto.

Stamp, James

Practical Hints

Tone stability remains the foundation of velocity as James Stamp reshapes a Clarke study into a preparatory exercise linking sound control with fluent technical playing.

Weiner, Howard

The trombone: changing times, changing slide positions

From Virgiliano to Praetorius and Eisel, early sources reshape long-held assumptions about trombone tuning, slide positions and historical playing practice.

Olsen, Deborah M.

Music in an American Frontier Communal Society

Aurora Colony

Aurora’s bands, chamber groups and restored instruments show how communal faith, German heritage and American public life met in sound, from parlors to parades.

Mathez, Jean-Pierre

Editorial

As music becomes increasingly industrialized, Jean-Pierre Mathez argues for restoring local musical communities where composers, performers and audiences shape a shared identity.

Stevens, Thomas

The Trumpet in the USA

The Confidence Pill

Stage fright meets medical research as performers, physicians and early beta-blocker studies reshape the debate over confidence, fairness and public performance.

Jeurissen, Herman

The Midwinter Horn

De Midwinterhoorn

A Christmas horn tradition from eastern Netherlands preserves ancient construction, ritual and performance, linking rural practice with Leopold Mozart's Sinfonia pastorella.

Sumerkin, Viktor

Pyotr Naumovich Volkov (1877-1933)

First trombone professor at St. Petersburg Conservatory

From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.

Sluchin, Benny

Playing and singing simultaneously on brass instruments

From Weber's Concertino to Berlioz's chord writing, acoustic principles explain how combination tones emerge from simultaneous playing and singing on brass.

Willener, Alfred

The Haydn Trumpet Concerto

Haydn’s trumpet concerto becomes a study of manuscript detail, performance choices, and the fragile ways listeners receive a familiar work.

Quinque, Rolf

ASA-Method, ASA-Technic

Virtuosity grows from disciplined work on scales, articulation and reading, arguing that consistent fundamentals matter more than chasing the upper register.

Kenny, P. · Davies, John

The Measurement of Mouthpiece Pressure

Objective measurements on trumpet players challenge common beliefs about mouthpiece pressure, showing stable individual patterns across pitch, dynamics and playing level.

Burum, Heinz

My Experiences with Colleagues and Pupils

in 50 Years as trumpet player and trumpet teacher

Across five decades, Heinz Burum links trumpet embouchure, mouthpiece design and teaching practice to concrete cases from orchestras, pupils and colleagues.

Jones, Philip

1981 Geneva International Competition

Readers Letters

Philip Jones responds to the Geneva 1981 debate, arguing for fairer jury decisions, balanced repertoire, and the enduring value of international trumpet competitions.

Mathez, Jean-Pierre

Editorial

As concert life shifts away from brass, the future of the instrument depends on artistic standards, thoughtful programming and the commitment of every performer.

Sumerkin, Viktor

Vladislav Mykhaylovich Blazhevich (1881-1942)

Trombonist, Composer and Teacher

From village band to the Moscow Conservatoire and the Bolshoi, a lifelong commitment to performance, teaching and wind music shaped Soviet trombone tradition.

Agrell, Jeffrey

Listening

Musical listening begins where judgment ends, as Jeffrey Agrell questions habits of criticism, recordings and expectation that shape every performance.

Hiller, Albert

Unknown Treasures for Trumpet Ensembles

Processional Music from 18th century Bavaria

Forgotten Bavarian monastery archives preserve hundreds of ceremonial trumpet works, where local tradition and practical performance survived long after their cultural world disappeared.

Bowsher, J. M. · Watkinson, P. S.

Manufacturers' Opinions about Brass Instruments

Between workshop lore and acoustic certainty, brass makers’ claims expose a restless debate over metal, finish, resonance, and playing quality.

Ehmann, Wilhelm

100 Years of Kuhlo's Posaunenchor Book

A century-old brass choir book reveals how revivalist faith, Bach chorales, folk song, and practical notation reshaped church music.

Mathez, Jean-Pierre

Editorial

Behind a musician’s instrument lies a quiet industrial battle, as European, American and Japanese makers compete to shape the future of brass playing.

Menzel, Ursula

Early Brass Instruments and Restoration

Restoring historic brass instruments means deciding what to preserve, what to undo and how modern methods can serve objects shaped by another musical age.

Willener, Alfred

James Stamp, subtle teaching

Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.

Buck, Wilfried

A Miracle Pill for Stage Fright?

What happens when performance anxiety is treated like a medical condition rather than a musical one, and where does that boundary ultimately lead?

Bourgue, Daniel

The French Hunting horn, its history, its technique and its music

Centuries-old hunting signals still shape performance today, where technique, ritual and oral tradition preserved a musical language unlike any other brass practice.

Scott, Sue

The Streitwieser Foundation Historic Trumpet Museum

A private collection built through one musician's lifelong search became an unexpected center for brass history, where every instrument carries a story beyond its display.

Poncet, Jacques

The hunting horn

Long-held beliefs about the French hunting horn are challenged as forgotten playing practices and Baroque traditions reshape its early history and repertoire.

Gotthold, Jean

Thoughts on the Bass Trombone

Long before modern standards took hold, bass trombones existed in many forms, raising questions that still shape orchestral writing and performance today.

Hiller, Albert

Jean-Baptiste Prin (1669-1742)

A tromba marine virtuoso

A forgotten string instrument leads to an unexpected treasury of Baroque trumpet music, challenging long-held assumptions about repertoire and performance.

Baechler, Christian

Nerves, Pills and Doping

Behind a debate once confined to musicians lies a wider shift in how performance anxiety, medication and professional responsibility began to be separated instead of confused.

Mathez, Jean-Pierre

Editorial

As costs rose and ambitions grew, an editorial from 1983 captures the fragile balance between sustaining an international brass journal and preserving its vision.

Mathez, Jean-Pierre

Yamaha, an ambitious giant

Behind the rise of a future industrial giant lies an unexpected lesson in craftsmanship, cultural exchange and the discipline that reshaped wind instrument making.

Bürger, Edgar

Mouthpiece pressure in Horn Playing

Graduation project in technical method

Long before sensors entered the practice room, one horn student measured embouchure pressure by hand, challenging assumptions that still shape brass pedagogy.

Thein, Heinrich · Thein, Max

Alto Trombone - New Modell

A forgotten solution to Baroque virtuosity meets modern orchestral demands, where historical ideals and practical performance no longer follow the same path.

Hirsbrunner, Peter

The history of the big York-Hirsbrunner Tuba

The instrument maker's point of view

A legendary orchestral tuba became the starting point for rethinking how craftsmanship, industrial methods and musical results rarely follow the same path.

Agrell, Jeffrey

Jazz and the Horn

The horn was once considered incompatible with jazz until changing ideas of sound and musicians like John Graas quietly overturned that certainty.

Barantsev, Anatoly

Akim Alexeyevich Kozlov

A Trombone Artist

Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.

Bernsdorff-Engelbrecht, Ch.

Horn and Harp

Virtuoso showpieces once filled concert halls, yet today the rare pairing of horn and harp preserves a forgotten musical world shaped by performers themselves.

Holland, Jack

An Introduction to "In Tune"

the Scale of Just Intonation

Long before electronic tuners, brass players faced a choice between mathematical order and acoustic truth, with consequences that still shape ensemble playing today.

Mathez, Jean-Pierre

Editorial

When careers pause and certainty fades, real progress begins in private, where discipline, friendship and chamber music reshape what it means to be a musician.

Lewy, Rudolf

The Wrong Brass?

Between blind fidelity and reckless modernisation, instrument substitutions force performers to decide when the score’s wording serves—or betrays—the music.

Davidson, Louis

The attack

Precision often begins with doing less, not more—a principle Louis Davidson places at the heart of trumpet playing with surprising practical consequences.

Agrell, Jeffrey

Jazz and the Horn

Julius Watkins

A pioneering career, landmark recordings and collaborations with jazz legends gave the French horn a place it had never occupied before.

Mathez, Jean-Pierre

Musical Piracy

Plagiarism, Photocopying

Long before digital piracy, publishers and performers were already confronting plagiarism, photocopying and blurred artistic ownership across the brass world.

Dejonker, Philippe-Henri · Orval, Francis · Miller, R. · Sneppe, R.

Oscillatory Mechanism of the Glotis in Horn Playing

A horn note may begin before it is heard, as subtle vocal-fold oscillations appear to prepare the airflow that the lips will ultimately shape.

Gorovoj, Sergej

Science and Technology in Trombone Teaching

What if tone production depended less on instinct than on understanding how the instrument, the lips and the air function as one interconnected system?

Hood, Boyde

10 Outstanding Trumpet Players in the Los Angeles Area

Behind the polished sound of Los Angeles studio trumpet playing stood remarkably similar training, disciplined routines, and a craft shaped by constant stylistic demands.