Indice completo degli articoli

Perrins, Barrie

Some thoughts on the euphonium and euphonium technique

The euphonium revealed: Barrie Perrins explores its history, technique, and expressive power—making a compelling case for its place as one of brass’s most versatile solo voices.

Damm, Peter

On the question of articulation in the horn concertos by W. A. Mozart

How should Mozart really sound? Peter Damm questions traditional editions and reveals how articulation—often missing—must be rebuilt through style, listening, and musical judgment.

Hickman, David

Herbert L. Clarke (1867-1945)

His Career

From struggle to legend: Part 4 traces Herbert L. Clarke’s rise from hardship to global fame—touring, recording, teaching, and shaping modern cornet playing.

Agrell, Jeffrey

Zen and the Art of Horn playing

Beyond technique: Jeffrey Agrell explores how Zen challenges Western thinking—revealing a new path to awareness, focus, and deeper musical experience in horn playing.

Beyer, Werner

Reminiscence of trombonists of the past

Echoes of the past: Werner Beyer traces great trombonists from the 17th century to Wagner’s era—revealing how tradition, players, and instruments shaped the modern orchestra.

Bush, Irving

Tell it the way it is:

A viewpoint of professional trumpet playing in the United States

A brutal reality check: Irving Bush exposes the gap between musical dreams and professional truth—revealing the harsh economics behind a career in trumpet playing.

Thein, Heinrich

The contrabass trombone

Picture and sketches, taking particularly into account the construction principles (1973)

From Praetorius to Wagner: Heinrich Thein traces the evolution of the contrabass trombone—revealing how history, acoustics, and design shaped this powerful orchestral voice.

Orvid, G. · Riaouzov, S.

Mikhail Innokentiévitch Tabakov (1877-1958)

Founder of the Soviet trumpet school

A towering figure of trumpet history: Tabakov shaped generations—including the legendary Timofei Dokchitzer—and laid the foundations of the Soviet trumpet school.

Mathez, Jean-Pierre

Editorial

More than a magazine: a call to musicians. This editorial reveals Brass Bulletin’s mission—to inspire, connect, and survive through the support of its readers.

Underwood, Lee

Glenn Ferris - Profile

Beyond fame and labels: Glenn Ferris rejects the music business game—defining a raw, uncompromising vision of creativity, freedom, and what it means to truly play.

Glover, Stephen L.

Early trumpet music in Schwerin

Hidden sources revealed: Stephen Glover uncovers early trumpet music in Schwerin—offering new insights into wind bands, performance practice, and the evolution of brass.

Kurath, Willi

Tuba and Euphonium today

A new era for low brass: Willy Kurath explores how modern tuba and euphonium design—driven by innovation and collaboration—redefines sound, technique, and solo potential.

Périnelli, René · Mouton, J.-L.

How to regulate the trumpet, applicable to all valve instruments

A hidden key to performance: Perinelli and Mouton reveal how precise valve regulation transforms response, intonation, and sound—down to a tenth of a millimetre.

Thein, Heinrich

The contrabass trombone

Picture and sketches, taking particularly into account the construction principles (1973)

Inside the workshop of innovation: Heinrich Thein reveals how rethinking every detail—from valves to bell—transforms the contrabass trombone into a modern orchestral instrument

Agrell, Jeffrey

Zen and the Art of Horn playing

Beyond technique: Jeffrey Agrell explores the clash between intellect and intuition—arguing that true musical expression begins where analysis ends.

Mathez, Jean-Pierre

Editorial

A life that shaped a century: Jean-Pierre Mathez introduces the extraordinary rise of Maurice André—an artist whose brilliance transformed the modern trumpet.

Heyde, Herbert

On the early history of valves and valve instruments in Germany (1814-1833)

At the origin of modern brass: Herbert Heyde uncovers the true story of valve invention—revealing rivalries, experiments, and the breakthrough that transformed musical history.

Mathez, Jean-Pierre

Maurice André

Biography

From the mine to the Conservatoire: Maurice André recalls his early years—revealing the chance, discipline, and destiny behind one of the greatest trumpet careers.

Mathez, Jean-Pierre

Editorial

A warning from the machine: Jean-Pierre Mathez reflects on Kaufmann’s robot—questioning whether technology is shaping music… or slowly replacing the human artist.

Mathez, Jean-Pierre

Maurice André

Biography

From circus gigs to Bach with Karajan: Maurice André reveals how relentless work, discipline, and daily technical refinement shaped one of the greatest trumpet careers.

Heyde, Herbert

On the early history of valves and valve instruments in Germany (1814-1833)

From invention to rivalry: the early history of rotary and piston valves reveals a battle of ideas, patents, and craftsmanship that transformed brass instruments forever.

Beyer, Werner

The classical solo concerto for trombone and its interpreters in the 19th century

From Queisser to Ferdinand David: the rise—and disappearance—of the classical trombone concerto in the 19th century reveals a forgotten golden age of virtuosity.

Johnson, Tommy

A guide to commercial tuba playing in the Los Angeles area

Hollywood reality check: Tommy Johnson reveals what it really takes to become a commercial tuba player in Los Angeles—skill, versatility… and patience.

Perrins, Barrie

What is a Brass Band?

Barrie Perrins traces the 19th-century origins, instrumentation and social role of the brass band—from industrial roots to international musical life.

Bobo, Roger

Tuba Editorial

Roger Bobo reflects on orchestral auditions, examining imbalance between candidates and positions and questioning training, selection criteria and prospects for aspiring tubists.

Mathez, Jean-Pierre

Frankfurt Special 1979

Music Fair

Jean-Pierre Mathez surveys the Frankfurt Music Fair, tracing makers, markets and competition, and outlining a brass landscape shaped by adjustment rather than innovation.

Mathez, Jean-Pierre

Renold Schilke at Frankfurt

Interview

Jean-Pierre Mathez reports on Renold Schilke’s views at Frankfurt, addressing fair organisation, maker–musician collaboration, and shifting market dynamics shaped by demand and quality criteria.

Mathez, Jean-Pierre

Maurice André

Biography

Maurice André reflects on maturity—balancing performance, recordings and teaching, refining his approach to instruments and audience, and preparing for the limits of a virtuoso career.

Bloch, Colin

The bell-tuning trumpet

Colin Bloch examines bell- and slide-tuned trumpets, comparing intonation patterns through controlled tests and outlining structural causes behind observed deviations.

Ree Wekre, Frøydis

Being a woman brass player... So what?

Frøydis Ree Wekre reflects on women in brass playing, examining physical assumptions, psychological factors, and practical realities across performance and professional life.

Mathez, Jean-Pierre

Interview with Miles Anderson

Jean-Pierre Mathez traces Miles Anderson’s path from early training to orchestral and freelance work, expanding on the tension between livelihood and artistic pursuit.

Selianin, Anatoly

Vassily Gueorguievitch Brandt (1869–1923)

Biography

Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.

Heyde, Herbert

On the early history of valves and valve instruments in Germany (1814-1833)

Herbert Heyde traces early German valve instruments from Stoelzel’s horns to basses, makers, patents, and shifting brass-band sound.

Varasdy, Frigyes

Contemporary Hungarian Brass Music

From early decline to recent revival, Hungarian brass emerges through pedagogy, competitions and new chamber works, with Varasdy outlining key figures and shifting ensemble practices.

Mathez, Jean-Pierre

Mario Guarneri

Portrait in brief

From San Francisco to New York and Los Angeles, a trumpet career unfolds across major orchestras, recordings and teaching, alongside a sustained commitment to access and contemporary music.

Mathez, Jean-Pierre

Editorial

Virtuosity is framed less as method than perception, opposing formula-driven teaching and pointing to attentive listening as the ground for technical clarity and artistic control

Stevens, Thomas

The Trumpet in the USA

Across competitions, teaching and equipment in the U.S., trumpet practice exposes clashing ideas of musicality, raising the question of shared standards beyond national styles

Gade, Per

Anton Hansen (1877-1947)

Father of trombone playing in Scandinavia

From Nørrebro cafés to the Royal Orchestra, Anton Hansen’s early years reveal the shift from valve to slide trombone in Scandinavian orchestras.

Mathez, Jean-Pierre

John Fletcher

Interview

From brass bands to chamber ensembles, John Fletcher reflects on the rapid rise of young British tubists and the changing role of the instrument.

Ree Wekre, Frøydis

The Leningrad School of Horn Playing

From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.

Heyde, Herbert

On the early history of valves and valve instruments in Germany (1814-1833)

Poverty, patents and workshop rivalries shaped the first German valve instruments, from Blühmel and Stoelzel to the Vienna and Mainz systems.

Agrell, Jeffrey

Zen and the Art of Horn playing

Between breath, reflex, and attention, Jeffrey Agrell links Zen practice with the physical and mental habits that shape brass playing.

Mathez, Jean-Pierre

Barry Tuckwell

Interview

Between the London Symphony Orchestra, international solo tours and Mozart or Strauss concertos, Barry Tuckwell reflects on sound, risk and musical instinct.

Mathez, Jean-Pierre

Philip Jones

Interview

From South London bands to the Philharmonia, Philip Jones recalls his musical upbringing, orchestral life and the rise of brass ensembles in post-war Britain.

Mathez, Jean-Pierre

Editorial

From cultural codes to personal sincerity, Jean-Pierre Mathez questions how musicians recognise truth across styles, traditions and musical languages.

Gade, Per

Anton Hansen (1877-1947)

Father of trombone playing in Scandinavia

Berlin, Leipzig and Copenhagen diary pages show Hansen testing slide-trombone ideals against Weschke, orchestral practice and Carl Nielsen.

Poncet, Jacques

On the sensitivity of brass instruments

Cold-hammered hunting horns retain a tactile memory of sound and playing, leading Jacques Poncet to question how brass instruments evolve in use.

Stevens, Thomas

The Trumpet in the USA

The Piston C Trumpet in American Orchestras

American orchestral trumpeters reveal how Bach C trumpets, hall acoustics and extensive modifications shaped playing traditions in major ensembles.

Runyan, William E.

The alto trombone and contemporary concepts of trombone timbre

Alto trombone timbre from Vienna to Brahms, orchestral balance, period practice, and why bright brass sounds gradually disappeared.

Mathez, Jean-Pierre

Women and Brass

Statements

Female brass players in British orchestras describe auditions, section dynamics and the pressure of proving themselves beyond musical ability.

Mathez, Jean-Pierre

Editorial

At the dawn of the 1980s, Brass Bulletin challenges institutional habits, avant-garde rigidity and brass pedagies through a direct appeal to younger musicians.

Stevens, Thomas

The Trumpet in the USA

Gadgets I

From Schilke soundposts to piccolo trumpet extensions, American performers turned technical frustrations into specialized tools for modern playing.

Quinque, Rolf

ASA-Method

From Bach’s clarino tradition to modern piccolo trumpet playing, extreme high-register technique is tied here to breath support, pressure control and disciplined endurance.

Bobo, Roger

Dynamics in the 80's

From Reykjavik to the Hollywood Bowl, rising concert hall scale and amplified culture reshape orchestral sound, leaving acoustic limits exposed.

Schmidt, Werner Christoph

Five generations of mouthpiece specialists

From Höchstädt to Markneukirchen and beyond, five generations of Schmidts shaped brass mouthpiece design through craft, anatomy and evolving orchestral demands.

Agrell, Jeffrey

Zen and the Art of Horn playing

From meditation to distance running, horn playing becomes a way of quieting mental noise, linking breath, concentration, and daily life.

Limmer, Rudolf

Brass instruments from the musical town of Graslitz

From 18th-century Graslitz to postwar Bavaria, brass makers rebuilt a vanished musical industry around Miraphone, preserving craft through exile and industrial change.

Douay, Jean

A woman trombonist, Yvelise Girard

Women and Brass

From Paris conservatories to police bands, a young trombonist confronts isolation, scrutiny and ambition as women slowly enter the brass world.

Hoza, Vaclav

Tower-watchmen and night-watchmen in Bohemia

From Hussite suspicion of musicians to tower signals over Bohemian towns, horns and trumpets shaped civic life, danger warnings and ritual memory.

Ricquier, Michel

Relaxation and musical performance

Breath, fingers and muscular tension form a hidden technical chain in wind playing, as Michel Ricquier links virtuosity to bodily awareness.

Laplace, Michel

The founders of the French Trumpet School

Merri Franquin, Eugène Foveau and Raymond Sabarich

Franquin, Foveau and Sabarich appear through their Paris careers, teaching legacies, recordings and role in shaping modern French trumpet playing.

Gade, Per

Anton Hansen (1877-1947)

Father of trombone playing in Scandinavia

From Sibelius to Paris, Anton Hansen’s later career links Scandinavian trombone playing with French repertoire, teaching, and orchestral reform.

Janetzky, Kurt

The Trumpet

An exhibition at the Trumpeter's Castel in Bad Säckingen

Natural trumpets from Verona, Nürnberg and Vienna framed a 1979 gathering in Säckingen linking Baroque practice, collecting culture and modern playing.

Stevens, Thomas

Editorial

So your trumpet plays in tune

Keyboard tuning, just intonation and string phrasing place brass players between conflicting pitch systems, as Thomas Stevens outlines practical compromises.

Mathez, Jean-Pierre

Benny Sluchin

Portrait in brief

Between Paris, Cologne and Tel Aviv, Benny Sluchin brings mathematics, acoustics and contemporary performance into the brass world.

Stamp, James

Practical Hints

Built around Herbert L. Clarke’s Technical Studies, these practice routines refine flexibility, intonation and note placement through structured brass exercises.

Dokschidser, Timofey

Articulation or bowing on the trumpet

Trumpet articulation becomes a precise study of attack, sustain, release and legato, linking tongue, breath, lips and sound in Dokshitser’s method.

Manzora, Boris G.

The double-slide trombone

museum-piece with a future?

As virtuosity reshaped 20th-century brass playing, Boris G. Manzora argued that the forgotten double-slide trombone could redefine technique and range.

Haine, M. · De Keyser, I.

The stamps on Sax instruments

Sax instrument stamps reveal makers, addresses, patents and distinctions, giving collectors concrete clues for dating instruments across three generations.

Ferron, Emile

On the sensitivity of brass instruments

Metal, pressure nodes and temperature shifts shape response, timbre and tuning, as Emile Ferron links instrument acoustics to the player’s imprint.

Ricquier, Michel

The use of the mind in instrumental performance

Relaxation, concentration and mental imagery reshape technical practice, linking self-confidence and instrumental control beyond physical training alone.

Janetzky, Kurt

300 Years of the Horn in Bohemia

An unsigned portrait from the Dresden court links the rise of Bohemian horn playing to the ceremonial world of Baroque hunting culture.

Damm, Peter

300 Years of the Horn

1680-1980, an attempted survey

From Versailles to Bohemia, hunting horns enter orchestral life through makers, players, early works and the Austro-Bohemian tradition.

Dokschidser, Timofey

Articulation or bowing on the trumpet

Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.

Sauer, Ralf

Transcription fundamentals

Between Bach fugues and Mozart concertos, Ralph Sauer questions where brass transcription renews a work — and where it merely imitates.

Sluchin, Benny

A Trombone Martyr

Auguste Léonard de la Tuilerie

A Paris apothecary turned trombone evangelist challenges 19th-century musical habits, imagining the slide trombone as the future voice of harmony.

Bishop, Ronald T.

Cleveland Orchestra Audition in 1966

George Szell’s demanding 1966 audition process unfolds through orchestral excerpts, dynamic extremes and the search for absolute ensemble precision.

Lister, Richard

The contrabass sackbut

a modern copy

A reconstructed 17th-century contrabass sackbut revives forgotten low brass practice, from Venetian polychoral music to modern performance challenges.

Stamp, James

Practical Hints

A simplified preparation method adapted from Herbert L. Clarke links transposition, tempo variation and repetition to technical fluency and mental anticipation.

Bach, Markus S.

Women and brass: 3 Portraits

Barbara Stone, Betty Anderson, Kate Kaminga

Three British and Dutch conductors moved from brass band performance to leadership roles, confronting a scene still largely shaped by male traditions.

Mathez, Jean-Pierre

Miroslav Kejmar

Portrait in brief

From Bach’s Brandenburg Concerto to Czech contemporary music, the Prague trumpeter combined Baroque precision with orchestral versatility across Europe.