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Traditions

35 digitized articles

Bourgue, Daniel

The Horn in France

Historical overview of the horn in France by Daniel Bourgue, covering instruments, makers, pedagogy and the evolution of tone and playing style.

Brass Bulletin No 1 · 1971

Horn· History· Equipment· Technique· French school· Sound

An American trumpet player's impressions of european brass performances

Krueger, Harold E.

An American trumpet player's impressions of european brass performances

An American trumpet player reflects on European brass traditions, comparing education, amateur practice and professional performance across both continents.

Brass Bulletin No 5 · 1973

Society· American school· Orchestral playing

Russian music and musicians before 1700

Salmen, Walter

Russian music and musicians before 1700

with special regard to Brass Music

Overview of Russian music and musicians before 1700, exploring early traditions, influences and the role of brass instruments.

Brass Bulletin No 7 · 1974

History· Repertoire· Russian school· Historical instruments

The tuba in Europe

Tucci, Robert

The tuba in Europe

Why does the tuba sound different across Europe? Robert Tucci explores national styles, instruments and orchestral traditions.

Brass Bulletin No 11 · 1975

Tuba· Report· Equipment· Sound· German school

The saga of the cornet and six of its outstanding artists

Hall, Jack

The saga of the cornet and six of its outstanding artists

The cornet reached extraordinary heights in the 19th century. Jack Hall traces the rise of its greatest virtuosi and a remarkable era of technical brilliance.

Brass Bulletin No 12 · 1975

Trumpet· Cornet à pistons· History· Solo playing· American school

The tuba in France

Lelong, Fernand · Coutet, Robert

The tuba in France

How did the tuba emerge as an orchestral force? Fernand Lelong and Robert Coutet trace its path—from serpent to Sax—and its rapid rise.

Brass Bulletin No 13 · 1976

Tuba· History· Equipment· Historical instruments· Instrument making

A brief glimpse at the USSR

Everett, Thomas

A brief glimpse at the USSR

What does a musical trip to the USSR reveal? Between discipline, powerful sound, and vivid exchanges, this account uncovers a different brass culture.

Brass Bulletin No 14 · 1976

Report· Teaching· Russian school· Orchestral playing

My contacts with the United States

Höltzel, Michael

My contacts with the United States

Part 1

From a simple request to an unexpected invitation: this account dives into Indiana University—between dazzling technique and the search for true musicality.

Brass Bulletin No 15 · 1976

Report· Teaching· American school· German school

My contacts with the United States

Höltzel, Michael

My contacts with the United States

Part 2 – End

About horns and how to play them

Double horn, descant, natural horn — which path? This article explores American vs German approaches and what it means to train a complete horn player.

Brass Bulletin No 17 · 1977

Horn· Report· Professional life· American school· German school

Sauer, Ralf

Emory Brace Remington

A Profile

“The trombone must sing.” Ralph Sauer profiles Emory Remington—legendary teacher whose vocal approach shaped generations and redefined brass pedagogy.

Brass Bulletin No 21 · 1978

Trombone· Teaching· Encounters· Sound· American school

Tell it the way it is:

Bush, Irving

Tell it the way it is:

A viewpoint of professional trumpet playing in the United States

A brutal reality check: Irving Bush exposes the gap between musical dreams and professional truth—revealing the harsh economics behind a career in trumpet playing.

Brass Bulletin No 22 · 1978

Trumpet· Professional life· Report· Freelance· Auditions

Mikhail Innokentiévitch Tabakov (1877-1958)

Orvid, G. · Riaouzov, S.

Mikhail Innokentiévitch Tabakov (1877-1958)

Founder of the Soviet trumpet school

A towering figure of trumpet history: Tabakov shaped generations—including the legendary Timofei Dokchitzer—and laid the foundations of the Soviet trumpet school.

Brass Bulletin No 22 · 1978

Trumpet· History· Teaching· Russian school· Sound

Maurice André

Mathez, Jean-Pierre

Maurice André

Part 1

Biography

From the mine to the Conservatoire: Maurice André recalls his early years—revealing the chance, discipline, and destiny behind one of the greatest trumpet careers.

Brass Bulletin No 24 · 1978

Trumpet· Encounters· French school

Maurice André

Mathez, Jean-Pierre

Maurice André

Part 2

Biography

From circus gigs to Bach with Karajan: Maurice André reveals how relentless work, discipline, and daily technical refinement shaped one of the greatest trumpet careers.

Brass Bulletin No 25 · 1979

Trumpet· Encounters· French school· Solo playing

Vassily Gueorguievitch Brandt (1869–1923)

Selianin, Anatoly

Vassily Gueorguievitch Brandt (1869–1923)

Biography

Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.

Brass Bulletin No 26 · 1979

Trumpet· History· Teaching· Russian school· Sound

The Trumpet in the USA

Stevens, Thomas

The Trumpet in the USA

Part 1

Across competitions, teaching and equipment in the U.S., trumpet practice exposes clashing ideas of musicality, raising the question of shared standards beyond national styles

Brass Bulletin No 27 · 1979

Trumpet· Society· American school· Interpretation

The Leningrad School of Horn Playing

Ree Wekre, Frøydis

The Leningrad School of Horn Playing

From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.

Brass Bulletin No 27 · 1979

Horn· History· Teaching· Russian school· Interpretation

The Trumpet in the USA

Stevens, Thomas

The Trumpet in the USA

Part 2

The Piston C Trumpet in American Orchestras

American orchestral trumpeters reveal how Bach C trumpets, hall acoustics and extensive modifications shaped playing traditions in major ensembles.

Brass Bulletin No 28 · 1979

Trumpet· Report· Equipment· Instrument making· American school

The founders of the French Trumpet School

Laplace, Michel

The founders of the French Trumpet School

Merri Franquin, Eugène Foveau and Raymond Sabarich

Franquin, Foveau and Sabarich appear through their Paris careers, teaching legacies, recordings and role in shaping modern French trumpet playing.

Brass Bulletin No 29 · 1980

Trumpet· History· Teaching· French school· Sound

Anton Hansen (1877-1947)

Gade, Per

Anton Hansen (1877-1947)

Part 3 – End

Father of trombone playing in Scandinavia

From Sibelius to Paris, Anton Hansen’s later career links Scandinavian trombone playing with French repertoire, teaching, and orchestral reform.

Brass Bulletin No 29 · 1980

Trombone· History· Teaching· French school· Orchestral playing

Articulation or bowing on the trumpet

Dokschidser, Timofey

Articulation or bowing on the trumpet

Part 1

Trumpet articulation becomes a precise study of attack, sustain, release and legato, linking tongue, breath, lips and sound in Dokshitser’s method.

Brass Bulletin No 30 · 1980

Trumpet· Technique· Teaching· Russian school· Articulation

Articulation or bowing on the trumpet

Dokschidser, Timofey

Articulation or bowing on the trumpet

Part 2 – End

Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.

Brass Bulletin No 31 · 1980

Trumpet· Technique· Teaching· Articulation· Tongue

Henri Renart (1887-1979)

Coutet, Robert

Henri Renart (1887-1979)

Interview

Henri Renart looks back on a remarkable musical life, from the wind bands of northern France to Paris’s leading orchestras, performing under renowned conductors while witnessing decades of change in performance, recording, teaching, and brass playing.

Brass Bulletin No 32 · 1980

Tuba· Encounters· Professional life· French school· Orchestral playing

Viktor Venglowski

Gorovoj, Sergej

Viktor Venglowski

Musician and Teacher

From the Leningrad Philharmonic to the Conservatoire, one trombonist shaped repertoire, ensembles and generations of players across the Soviet Union.

Brass Bulletin No 34 · 1981

Trombone· Encounters· Teaching· Russian school· Orchestral playing

Vitaly Bujanowsky

Barantsev, Anatoly

Vitaly Bujanowsky

The world's Golden Horn

Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.

Brass Bulletin No 35 · 1981

Horn· Encounters· Professional life· Russian school· Orchestral playing

Pyotr Naumovich Volkov (1877-1933)

Sumerkin, Viktor

Pyotr Naumovich Volkov (1877-1933)

First trombone professor at St. Petersburg Conservatory

From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.

Brass Bulletin No 37 · 1982

Trombone· History· Teaching· Russian school· Orchestral playing

Sluchin, Benny

The Annual Competitions of the Paris Conservatoire

From commissioned works to jury voting, a long-standing examination tradition reveals how brass players progressed through the Paris Conservatoire.

Brass Bulletin No 37 · 1982

Competition· Teaching· French school· Contemporary Music

Vladislav Mykhaylovich Blazhevich (1881-1942)

Sumerkin, Viktor

Vladislav Mykhaylovich Blazhevich (1881-1942)

Trombonist, Composer and Teacher

From village band to the Moscow Conservatoire and the Bolshoi, a lifelong commitment to performance, teaching and wind music shaped Soviet trombone tradition.

Brass Bulletin No 38 · 1982

Trombone· History· Teaching· Russian school· Orchestral playing

100 Years of Kuhlo's Posaunenchor Book

Ehmann, Wilhelm

100 Years of Kuhlo's Posaunenchor Book

A century-old brass choir book reveals how revivalist faith, Bach chorales, folk song, and practical notation reshaped church music.

Brass Bulletin No 38 · 1982

History· Repertoire· Brass Ensemble· German school

The French Hunting horn, its history, its technique and its music

Bourgue, Daniel

The French Hunting horn, its history, its technique and its music

Centuries-old hunting signals still shape performance today, where technique, ritual and oral tradition preserved a musical language unlike any other brass practice.

Brass Bulletin No 39 · 1982

Horn· History· Technique· French school· Historical instruments

The hunting horn

Poncet, Jacques

The hunting horn

Long-held beliefs about the French hunting horn are challenged as forgotten playing practices and Baroque traditions reshape its early history and repertoire.

Brass Bulletin No 39 · 1982

Horn· History· Repertoire· French school· Historical instruments

Akim Alexeyevich Kozlov

Barantsev, Anatoly

Akim Alexeyevich Kozlov

A Trombone Artist

Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.

Brass Bulletin No 40 · 1982

Trombone· Encounters· Teaching· Russian school· Orchestral playing

10 Outstanding Trumpet Players in the Los Angeles Area

Hood, Boyde

10 Outstanding Trumpet Players in the Los Angeles Area

Behind the polished sound of Los Angeles studio trumpet playing stood remarkably similar training, disciplined routines, and a craft shaped by constant stylistic demands.

Brass Bulletin No 41 · 1983

Trumpet· Encounters· Professional life· Freelance· American school

Sergey Nikolaevich Yeryomin (1903-1975)

Usov, Yuri

Sergey Nikolaevich Yeryomin (1903-1975)

The Distinguished Soviet Trumpeter and Teacher

Between Soviet military bands, the Bolshoi and the Moscow Conservatory, Yeryomin helped shape a trumpet tradition in which virtuosity remained a means, not an end.

Brass Bulletin No 42 · 1983

Trumpet· Encounters· Teaching· Russian school· Orchestral playing

Guy Touvron

Mathez, Jean-Pierre

Guy Touvron

Spotlight

Before international fame, Guy Touvron’s path ran through village bands, Maurice André’s class, competitions and a stubborn refusal to behave like a star.

Brass Bulletin No 44 · 1983

Trumpet· Encounters· Professional life· Solo playing· French school

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