Traditions
35 digitized articles
Bourgue, Daniel
The Horn in France
Historical overview of the horn in France by Daniel Bourgue, covering instruments, makers, pedagogy and the evolution of tone and playing style.
Brass Bulletin No 1 · 1971
Horn· History· Equipment· Technique· French school· Sound
Krueger, Harold E.
An American trumpet player's impressions of european brass performances
An American trumpet player reflects on European brass traditions, comparing education, amateur practice and professional performance across both continents.
Brass Bulletin No 5 · 1973
Society· American school· Orchestral playing
Salmen, Walter
Russian music and musicians before 1700
with special regard to Brass Music
Overview of Russian music and musicians before 1700, exploring early traditions, influences and the role of brass instruments.
Brass Bulletin No 7 · 1974
History· Repertoire· Russian school· Historical instruments
Tucci, Robert
The tuba in Europe
Why does the tuba sound different across Europe? Robert Tucci explores national styles, instruments and orchestral traditions.
Brass Bulletin No 11 · 1975
Tuba· Report· Equipment· Sound· German school
Hall, Jack
The saga of the cornet and six of its outstanding artists
The cornet reached extraordinary heights in the 19th century. Jack Hall traces the rise of its greatest virtuosi and a remarkable era of technical brilliance.
Brass Bulletin No 12 · 1975
Trumpet· Cornet à pistons· History· Solo playing· American school
Lelong, Fernand · Coutet, Robert
The tuba in France
How did the tuba emerge as an orchestral force? Fernand Lelong and Robert Coutet trace its path—from serpent to Sax—and its rapid rise.
Brass Bulletin No 13 · 1976
Tuba· History· Equipment· Historical instruments· Instrument making
Everett, Thomas
A brief glimpse at the USSR
What does a musical trip to the USSR reveal? Between discipline, powerful sound, and vivid exchanges, this account uncovers a different brass culture.
Brass Bulletin No 14 · 1976
Report· Teaching· Russian school· Orchestral playing
Höltzel, Michael
My contacts with the United States
From a simple request to an unexpected invitation: this account dives into Indiana University—between dazzling technique and the search for true musicality.
Brass Bulletin No 15 · 1976
Report· Teaching· American school· German school
Höltzel, Michael
My contacts with the United States
About horns and how to play them
Double horn, descant, natural horn — which path? This article explores American vs German approaches and what it means to train a complete horn player.
Brass Bulletin No 17 · 1977
Horn· Report· Professional life· American school· German school
Sauer, Ralf
Emory Brace Remington
A Profile
“The trombone must sing.” Ralph Sauer profiles Emory Remington—legendary teacher whose vocal approach shaped generations and redefined brass pedagogy.
Brass Bulletin No 21 · 1978
Trombone· Teaching· Encounters· Sound· American school
Bush, Irving
Tell it the way it is:
A viewpoint of professional trumpet playing in the United States
A brutal reality check: Irving Bush exposes the gap between musical dreams and professional truth—revealing the harsh economics behind a career in trumpet playing.
Brass Bulletin No 22 · 1978
Trumpet· Professional life· Report· Freelance· Auditions
Orvid, G. · Riaouzov, S.
Mikhail Innokentiévitch Tabakov (1877-1958)
Founder of the Soviet trumpet school
A towering figure of trumpet history: Tabakov shaped generations—including the legendary Timofei Dokchitzer—and laid the foundations of the Soviet trumpet school.
Brass Bulletin No 22 · 1978
Trumpet· History· Teaching· Russian school· Sound
Mathez, Jean-Pierre
Maurice André
Biography
From the mine to the Conservatoire: Maurice André recalls his early years—revealing the chance, discipline, and destiny behind one of the greatest trumpet careers.
Brass Bulletin No 24 · 1978
Trumpet· Encounters· French school
Mathez, Jean-Pierre
Maurice André
Biography
From circus gigs to Bach with Karajan: Maurice André reveals how relentless work, discipline, and daily technical refinement shaped one of the greatest trumpet careers.
Brass Bulletin No 25 · 1979
Trumpet· Encounters· French school· Solo playing
Selianin, Anatoly
Vassily Gueorguievitch Brandt (1869–1923)
Biography
Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.
Brass Bulletin No 26 · 1979
Trumpet· History· Teaching· Russian school· Sound
Stevens, Thomas
The Trumpet in the USA
Across competitions, teaching and equipment in the U.S., trumpet practice exposes clashing ideas of musicality, raising the question of shared standards beyond national styles
Brass Bulletin No 27 · 1979
Trumpet· Society· American school· Interpretation
Ree Wekre, Frøydis
The Leningrad School of Horn Playing
From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.
Brass Bulletin No 27 · 1979
Horn· History· Teaching· Russian school· Interpretation
Stevens, Thomas
The Trumpet in the USA
The Piston C Trumpet in American Orchestras
American orchestral trumpeters reveal how Bach C trumpets, hall acoustics and extensive modifications shaped playing traditions in major ensembles.
Brass Bulletin No 28 · 1979
Trumpet· Report· Equipment· Instrument making· American school
Laplace, Michel
The founders of the French Trumpet School
Merri Franquin, Eugène Foveau and Raymond Sabarich
Franquin, Foveau and Sabarich appear through their Paris careers, teaching legacies, recordings and role in shaping modern French trumpet playing.
Brass Bulletin No 29 · 1980
Trumpet· History· Teaching· French school· Sound
Gade, Per
Anton Hansen (1877-1947)
Father of trombone playing in Scandinavia
From Sibelius to Paris, Anton Hansen’s later career links Scandinavian trombone playing with French repertoire, teaching, and orchestral reform.
Brass Bulletin No 29 · 1980
Trombone· History· Teaching· French school· Orchestral playing
Dokschidser, Timofey
Articulation or bowing on the trumpet
Trumpet articulation becomes a precise study of attack, sustain, release and legato, linking tongue, breath, lips and sound in Dokshitser’s method.
Brass Bulletin No 30 · 1980
Trumpet· Technique· Teaching· Russian school· Articulation
Dokschidser, Timofey
Articulation or bowing on the trumpet
Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.
Brass Bulletin No 31 · 1980
Trumpet· Technique· Teaching· Articulation· Tongue
Coutet, Robert
Henri Renart (1887-1979)
Interview
Henri Renart looks back on a remarkable musical life, from the wind bands of northern France to Paris’s leading orchestras, performing under renowned conductors while witnessing decades of change in performance, recording, teaching, and brass playing.
Brass Bulletin No 32 · 1980
Tuba· Encounters· Professional life· French school· Orchestral playing
Gorovoj, Sergej
Viktor Venglowski
Musician and Teacher
From the Leningrad Philharmonic to the Conservatoire, one trombonist shaped repertoire, ensembles and generations of players across the Soviet Union.
Brass Bulletin No 34 · 1981
Trombone· Encounters· Teaching· Russian school· Orchestral playing
Barantsev, Anatoly
Vitaly Bujanowsky
The world's Golden Horn
Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.
Brass Bulletin No 35 · 1981
Horn· Encounters· Professional life· Russian school· Orchestral playing
Sumerkin, Viktor
Pyotr Naumovich Volkov (1877-1933)
First trombone professor at St. Petersburg Conservatory
From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.
Brass Bulletin No 37 · 1982
Trombone· History· Teaching· Russian school· Orchestral playing
Sluchin, Benny
The Annual Competitions of the Paris Conservatoire
From commissioned works to jury voting, a long-standing examination tradition reveals how brass players progressed through the Paris Conservatoire.
Brass Bulletin No 37 · 1982
Competition· Teaching· French school· Contemporary Music
Sumerkin, Viktor
Vladislav Mykhaylovich Blazhevich (1881-1942)
Trombonist, Composer and Teacher
From village band to the Moscow Conservatoire and the Bolshoi, a lifelong commitment to performance, teaching and wind music shaped Soviet trombone tradition.
Brass Bulletin No 38 · 1982
Trombone· History· Teaching· Russian school· Orchestral playing
Ehmann, Wilhelm
100 Years of Kuhlo's Posaunenchor Book
A century-old brass choir book reveals how revivalist faith, Bach chorales, folk song, and practical notation reshaped church music.
Brass Bulletin No 38 · 1982
History· Repertoire· Brass Ensemble· German school
Bourgue, Daniel
The French Hunting horn, its history, its technique and its music
Centuries-old hunting signals still shape performance today, where technique, ritual and oral tradition preserved a musical language unlike any other brass practice.
Brass Bulletin No 39 · 1982
Horn· History· Technique· French school· Historical instruments
Poncet, Jacques
The hunting horn
Long-held beliefs about the French hunting horn are challenged as forgotten playing practices and Baroque traditions reshape its early history and repertoire.
Brass Bulletin No 39 · 1982
Horn· History· Repertoire· French school· Historical instruments
Barantsev, Anatoly
Akim Alexeyevich Kozlov
A Trombone Artist
Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.
Brass Bulletin No 40 · 1982
Trombone· Encounters· Teaching· Russian school· Orchestral playing
Hood, Boyde
10 Outstanding Trumpet Players in the Los Angeles Area
Behind the polished sound of Los Angeles studio trumpet playing stood remarkably similar training, disciplined routines, and a craft shaped by constant stylistic demands.
Brass Bulletin No 41 · 1983
Trumpet· Encounters· Professional life· Freelance· American school
Usov, Yuri
Sergey Nikolaevich Yeryomin (1903-1975)
The Distinguished Soviet Trumpeter and Teacher
Between Soviet military bands, the Bolshoi and the Moscow Conservatory, Yeryomin helped shape a trumpet tradition in which virtuosity remained a means, not an end.
Brass Bulletin No 42 · 1983
Trumpet· Encounters· Teaching· Russian school· Orchestral playing
Mathez, Jean-Pierre
Guy Touvron
Spotlight
Before international fame, Guy Touvron’s path ran through village bands, Maurice André’s class, competitions and a stubborn refusal to behave like a star.
Brass Bulletin No 44 · 1983
Trumpet· Encounters· Professional life· Solo playing· French school