Russian school

Part 1

Articulation or bowing on the trumpet

Trumpet articulation becomes a precise study of attack, sustain, release and legato, linking tongue, breath, lips and sound in Dokshitser’s method.

By Timofey Dokschidser

Part 2

Articulation or bowing on the trumpet

Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.

By Timofey Dokschidser

Georgiy Antonovich Orvid

Portrait of a distinguished Soviet trumpeter

A Soviet trumpet virtuoso who shaped generations of musicians, Georgiy Orvid combined an international concert career with teaching, research and cultural leadership.

By Yuri Usov

Vitaly Bujanowsky

The world's Golden Horn

Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.

By Anatoly Barantsev

Professor Timofey Dokshitser

Trumpet Virtuoso and Artist from Moscow

In 1983 Moscow, Timofey Dokshitser weighs virtuosity against musicianship, opening a window onto Soviet trumpet training, orchestral life and artistic discipline.

By Marcel Hollenstein

Vassily Gueorguievitch Brandt (1869–1923)

Biography

Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.

By Anatoly Selianin

Viktor Venglowski

Musician and Teacher

From the Leningrad Philharmonic to the Conservatoire, one trombonist shaped repertoire, ensembles and generations of players across the Soviet Union.

By Sergej Gorovoj

Russian music and musicians before 1700

with special regard to Brass Music

Overview of Russian music and musicians before 1700, exploring early traditions, influences and the role of brass instruments.

By Walter Salmen

Pyotr Naumovich Volkov (1877-1933)

First trombone professor at St. Petersburg Conservatory

From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.

By Viktor Sumerkin

Vladislav Mykhaylovich Blazhevich (1881-1942)

Trombonist, Composer and Teacher

From village band to the Moscow Conservatoire and the Bolshoi, a lifelong commitment to performance, teaching and wind music shaped Soviet trombone tradition.

By Viktor Sumerkin

Akim Alexeyevich Kozlov

A Trombone Artist

Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.

By Anatoly Barantsev

The Leningrad School of Horn Playing

From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.

By Frøydis Ree Wekre

Sergey Nikolaevich Yeryomin (1903-1975)

The Distinguished Soviet Trumpeter and Teacher

Between Soviet military bands, the Bolshoi and the Moscow Conservatory, Yeryomin helped shape a trumpet tradition in which virtuosity remained a means, not an end.

By Yuri Usov

A brief glimpse at the USSR

What does a musical trip to the USSR reveal? Between discipline, powerful sound, and vivid exchanges, this account uncovers a different brass culture.

By Thomas Everett

Mikhail Innokentiévitch Tabakov (1877-1958)

Founder of the Soviet trumpet school

A towering figure of trumpet history: Tabakov shaped generations—including the legendary Timofei Dokchitzer—and laid the foundations of the Soviet trumpet school.

By G. Orvid, S. Riaouzov