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BrassBulletin

International Magazine for Brass Players

Tuba

All articles related to Tuba

Free
No. 18 • 1977 Digitized

And approach the realm of making beautiful music

A rare and powerful call from maestro Roger Bobo: at the height of the “Tuba Explosion”, he challenges players to define — at last — the ideal instrument.

By Roger Bobo

Equipment Acoustics Instrument making Valves Intonation
How and why I became a musician Free
No. 56 • 1986 Digitized

Part 7

How and why I became a musician

Edouard Gros recalls wartime variety work in Geneva, intensive tuba practice and the audition that led to a secure orchestral post and 32 years in Berne.

By Edouard Gros

Encounters Professional life Auditions Orchestral playing
How and why I became a musician
No. 55 • 1986 Digitized

Part 6

How and why I became a musician

In wartime Switzerland, an unexpected encounter in Basel gives Edouard Gros his first F tuba, opening a new musical path amid military service and orchestral rivalries.

By Edouard Gros

Encounters History
Tubas in Jazz and Popular Music Free
No. 56 • 1986 Digitized

Part 1

Tubas in Jazz and Popular Music

Euphonium virtuosos, dance bands and Bill Bell’s example shape the tuba’s early history in jazz and popular music, challenging assumptions about its technical limits.

By Michel Laplace

History Jazz Historical instruments
No. 76 • 1991 Awaiting digitization

Jens Bjorn-Larsen

Historic winner

By Jean-Pierre Mathez

Encounters Competition
No. 121 • 2003 Awaiting digitization

Jon Sass - Confidences of a happy tuba player

By Jon Sass

Encounters
No. 63 • 1988 Awaiting digitization

The low-down... with Marc Steckar

By Jean-Pierre Mathez

Encounters
No. 95 • 1996 Awaiting digitization

Markneukirchen 1996

31st annual international instrumental competition • Horn • Tuba

By Jean-Pierre Mathez

Competition
No. 103 • 1998 Awaiting digitization

Stadl-Paura Tuba Festival 1998

By Jeremy Mathez

Report Event
No. 119 • 2002 Awaiting digitization

Shuko Kuramoto - Fairy magic on the tuba

By Jean-Pierre Mathez

Encounters
John Fletcher
No. 47 • 1984 Digitized

John Fletcher

Is Big Always Beautiful?

As brass instruments grew larger and louder, John Fletcher saw something being lost: the individual voice, clarity and character that make a player heard.

By Thomas Aitken

Encounters Sound Interpretation
No. 112 • 2000 Awaiting digitization

Brno - Tuba Competition 2000

By Katerina Baranova

Competition
The tuba in Europe
No. 11 • 1975 Digitized

The tuba in Europe

Why does the tuba sound different across Europe? Robert Tucci explores national styles, instruments and orchestral traditions.

By Robert Tucci

Report Equipment Sound German school Orchestral playing
The history of the big York-Hirsbrunner Tuba
No. 40 • 1982 Digitized

The history of the big York-Hirsbrunner Tuba

The instrument maker's point of view

A legendary orchestral tuba became the starting point for rethinking how craftsmanship, industrial methods and musical results rarely follow the same path.

By Peter Hirsbrunner

Instrument Makers Equipment Instrument making
No. 114 • 2001 Awaiting digitization

12 Tubists in search of a future...

By Jean-Pierre Mathez

Report
No. 116 • 2001 Awaiting digitization

A voyage with Roland Szentpali, Hungarian tubist and composer

By Levente Kövesdi

Encounters Repertoire
How and why I became a musician
No. 53 • 1986 Digitized

Part 4

How and why I became a musician

In Geneva on the eve of war, Edouard Gros navigates Ansermet’s demanding orchestra, summer trumpet engagements and the sudden upheaval of military mobilisation.

By Edouard Gros

Professional life History Orchestral playing Freelance
Free
No. 21 • 1978 Digitized

Yes or no? Beware!

Do we or do we not play transcriptions?

“Transcriptions: yes or no? Beware.” Roger Bobo challenges tubists to rethink repertoire, taste, and tradition in a bold call for musical judgment and artistic freedom.

By Roger Bobo

Repertoire Interpretation Contemporary Music Ideas
How and why I became a musician
No. 51 • 1985 Digitized

Part 2

How and why I became a musician

A teenage double bassist in 1920s Lausanne turns family resistance, scout orchestras and hard-earned engagements into the beginnings of a professional life.

By Edouard Gros

Professional life Orchestral playing
How and why I became a musician Free
No. 50 • 1985 Digitized

Part 1

How and why I became a musician

A father determined to keep his son from music unwittingly gives him the foundations for a life shaped by orchestras, discipline and an irresistible vocation.

By Edouard Gros

Professional life
No. 98 • 1997 Awaiting digitization

From the bombardon to the Vienna concert tuba

The Vienna tuba has been part of the "Vienna sound" and the Vienna Opera (Vienna Philharmonic) for 160 years

By Gerhard Zechmeister

History Equipment
John Fletcher Free
No. 27 • 1979 Digitized

John Fletcher

Interview

From brass bands to chamber ensembles, John Fletcher reflects on the rapid rise of young British tubists and the changing role of the instrument.

By Jean-Pierre Mathez

Encounters Society Sociology Solo playing Brass Ensemble
No. 120 • 2002 Awaiting digitization

Jon Sass

A giant tuba, a giant on the tuba

By Jean-Pierre Mathez

Encounters
No. 92 • 1995 Awaiting digitization

Harri Lidsle

Master stroke of a young Finnish tubist

By Jean-Pierre Mathez

Report Encounters Repertoire
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