Explore institutional access Explore institutional access

Trombone

All articles related to Trombone

Romersa, Henry

National Trombone Workshop (USA)

Report on the first National Trombone Workshop (1971), highlighting pedagogy, leading performers and the legacy of Emory Remington.

Brass Bulletin No 2 · 1972

Trombone· Event· Teaching· Report

The trombone in Belgium

Mertens, Albert

The trombone in Belgium

Published in memory of its author, this article reflects on the trombone tradition in Belgium and his lasting contribution.

Brass Bulletin No 5 · 1973

Trombone· History· Technique· Equipment· Historical instruments· Valves

The trombone with 6 independent valves

Leloir, Edmond

The trombone with 6 independent valves

Technical analysis of the trombone with six independent valves, examining its mechanics, extended range and potential for new repertoire.

Brass Bulletin No 5 · 1973

Trombone· Equipment· Instrument Makers· History· Valves· Instrument making

Lip vibration characteristics

Lloyd, Leno

Lip vibration characteristics

of the trombone embouchure in performance

Study of lip vibration in trombone performance, analyzing embouchure behavior and its impact on sound production and control.

Brass Bulletin No 7 · 1974

Trombone· Technique· Teaching· Sound· Range

Schnorhk, Roland

International Competition of Geneva CIEM 1973

Trombone

Report on the 1973 Geneva International Competition (CIEM) for trombone, covering performances, participants and artistic standards.

Brass Bulletin No 7 · 1974

Trombone· Competition· Report

An interview with Jean Douay

Mathez, Jean-Pierre

An interview with Jean Douay

What does it take to stay at the top of a major orchestra? Jean Douay shares insights on discipline, pressure and the realities behind the trombone section.

Brass Bulletin No 10 · 1975

Trombone· Encounters

The trombone: changing times, changing slide positions

Huber, Heinrich

The trombone: changing times, changing slide positions

Did trombonists always use seven positions? Heinrich Huber reveals how history, theory and early music reshaped the slide.

Brass Bulletin No 11 · 1975

Trombone· Technique· History· Historical instruments· Intonation

Low register development for the trombone

Fulkerson, James

Low register development for the trombone

Should you really drop the jaw for low notes? James Fulkerson challenges this idea and proposes a more stable approach to extend the low register.

Brass Bulletin No 13 · 1976

Trombone· Technique· Range· Sound

The trombone in Maurice Ravel's Bolero

Douay, Jean

The trombone in Maurice Ravel's Bolero

Part 1

How should Boléro’s trombone solo be played? After 100 performances, Jean Douay challenges conventions and argues for a more supple, controlled approach.

Brass Bulletin No 13 · 1976

Trombone· Repertoire· Technique· Interpretation· Orchestral playing

The trombone in Maurice Ravel's Boléro

Douay, Jean

The trombone in Maurice Ravel's Boléro

Part 2 – End

Boléro as ordeal: Jean Douay reveals stage fright, pressure, and the weight of the final solo—where one moment can elevate or undermine the entire orchestra.

Brass Bulletin No 19 · 1977

Trombone· Repertoire· Orchestral playing· Interpretation

Sauer, Ralf

Emory Brace Remington

A Profile

“The trombone must sing.” Ralph Sauer profiles Emory Remington—legendary teacher whose vocal approach shaped generations and redefined brass pedagogy.

Brass Bulletin No 21 · 1978

Trombone· Teaching· Encounters· Sound· American school

Reminiscence of trombonists of the past

Beyer, Werner

Reminiscence of trombonists of the past

Echoes of the past: Werner Beyer traces great trombonists from the 17th century to Wagner’s era—revealing how tradition, players, and instruments shaped the modern orchestra.

Brass Bulletin No 22 · 1978

Trombone· History· Orchestral playing· Historical instruments

The contrabass trombone

Thein, Heinrich

The contrabass trombone

Part 1

Picture and sketches, taking particularly into account the construction principles (1973)

From Praetorius to Wagner: Heinrich Thein traces the evolution of the contrabass trombone—revealing how history, acoustics, and design shaped this powerful orchestral voice.

Brass Bulletin No 22 · 1978

Trombone· History· Equipment· Historical instruments· Instrument making

Glenn Ferris - Profile

Underwood, Lee

Glenn Ferris - Profile

Beyond fame and labels: Glenn Ferris rejects the music business game—defining a raw, uncompromising vision of creativity, freedom, and what it means to truly play.

Brass Bulletin No 23 · 1978

Trombone· Encounters· Professional life· Freelance· Jazz

The contrabass trombone

Thein, Heinrich

The contrabass trombone

Part 2 – End

Picture and sketches, taking particularly into account the construction principles (1973)

Inside the workshop of innovation: Heinrich Thein reveals how rethinking every detail—from valves to bell—transforms the contrabass trombone into a modern orchestral instrument

Brass Bulletin No 23 · 1978

Trombone· Equipment· Instrument making· Valves

The classical solo concerto for trombone and its interpreters in the 19th century

Beyer, Werner

The classical solo concerto for trombone and its interpreters in the 19th century

From Queisser to Ferdinand David: the rise—and disappearance—of the classical trombone concerto in the 19th century reveals a forgotten golden age of virtuosity.

Brass Bulletin No 25 · 1979

Trombone· History· Repertoire· Solo playing

Interview with Miles Anderson

Mathez, Jean-Pierre

Interview with Miles Anderson

Jean-Pierre Mathez traces Miles Anderson’s path from early training to orchestral and freelance work, expanding on the tension between livelihood and artistic pursuit.

Brass Bulletin No 26 · 1979

Trombone· Encounters· Professional life· Freelance· Solo playing

Anton Hansen (1877-1947)

Gade, Per

Anton Hansen (1877-1947)

Part 1

Father of trombone playing in Scandinavia

From Nørrebro cafés to the Royal Orchestra, Anton Hansen’s early years reveal the shift from valve to slide trombone in Scandinavian orchestras.

Brass Bulletin No 27 · 1979

Trombone· History· Professional life· Orchestral playing· Auditions

Anton Hansen (1877-1947)

Gade, Per

Anton Hansen (1877-1947)

Part 2

Father of trombone playing in Scandinavia

Berlin, Leipzig and Copenhagen diary pages show Hansen testing slide-trombone ideals against Weschke, orchestral practice and Carl Nielsen.

Brass Bulletin No 28 · 1979

Trombone· History

The alto trombone and contemporary concepts of trombone timbre

Runyan, William E.

The alto trombone and contemporary concepts of trombone timbre

Alto trombone timbre from Vienna to Brahms, orchestral balance, period practice, and why bright brass sounds gradually disappeared.

Brass Bulletin No 28 · 1979

Trombone· Repertoire· Equipment· Historical instruments· Sound

A woman trombonist, Yvelise Girard

Douay, Jean

A woman trombonist, Yvelise Girard

Women and Brass

From Paris conservatories to police bands, a young trombonist confronts isolation, scrutiny and ambition as women slowly enter the brass world.

Brass Bulletin No 29 · 1980

Trombone· Society· Professional life· Sociology· Auditions

Anton Hansen (1877-1947)

Gade, Per

Anton Hansen (1877-1947)

Part 3 – End

Father of trombone playing in Scandinavia

From Sibelius to Paris, Anton Hansen’s later career links Scandinavian trombone playing with French repertoire, teaching, and orchestral reform.

Brass Bulletin No 29 · 1980

Trombone· History· Teaching· French school· Orchestral playing

Benny Sluchin

Mathez, Jean-Pierre

Benny Sluchin

Portrait in brief

Between Paris, Cologne and Tel Aviv, Benny Sluchin brings mathematics, acoustics and contemporary performance into the brass world.

Brass Bulletin No 30 · 1980

Trombone· Encounters· Professional life· Contemporary Music· Solo playing

The double-slide trombone

Manzora, Boris G.

The double-slide trombone

museum-piece with a future?

As virtuosity reshaped 20th-century brass playing, Boris G. Manzora argued that the forgotten double-slide trombone could redefine technique and range.

Brass Bulletin No 30 · 1980

Trombone· Equipment· Instrument Makers· Historical instruments· Instrument making

A Trombone Martyr

Sluchin, Benny

A Trombone Martyr

Auguste Léonard de la Tuilerie

A Paris apothecary turned trombone evangelist challenges 19th-century musical habits, imagining the slide trombone as the future voice of harmony.

Brass Bulletin No 31 · 1980

Trombone· History· Society· Ideas· Sound

The contrabass sackbut

Lister, Richard

The contrabass sackbut

a modern copy

A reconstructed 17th-century contrabass sackbut revives forgotten low brass practice, from Venetian polychoral music to modern performance challenges.

Brass Bulletin No 31 · 1980

Trombone· Equipment· Instrument Makers· Historical instruments· Instrument making

Viktor Venglowski

Gorovoj, Sergej

Viktor Venglowski

Musician and Teacher

From the Leningrad Philharmonic to the Conservatoire, one trombonist shaped repertoire, ensembles and generations of players across the Soviet Union.

Brass Bulletin No 34 · 1981

Trombone· Encounters· Teaching· Russian school· Orchestral playing

The trombone: changing times, changing slide positions

Weiner, Howard

The trombone: changing times, changing slide positions

From Virgiliano to Praetorius and Eisel, early sources reshape long-held assumptions about trombone tuning, slide positions and historical playing practice.

Brass Bulletin No 36 · 1981

Trombone· History· Technique· Historical instruments· Intonation

Pyotr Naumovich Volkov (1877-1933)

Sumerkin, Viktor

Pyotr Naumovich Volkov (1877-1933)

First trombone professor at St. Petersburg Conservatory

From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.

Brass Bulletin No 37 · 1982

Trombone· History· Teaching· Russian school· Orchestral playing

Vladislav Mykhaylovich Blazhevich (1881-1942)

Sumerkin, Viktor

Vladislav Mykhaylovich Blazhevich (1881-1942)

Trombonist, Composer and Teacher

From village band to the Moscow Conservatoire and the Bolshoi, a lifelong commitment to performance, teaching and wind music shaped Soviet trombone tradition.

Brass Bulletin No 38 · 1982

Trombone· History· Teaching· Russian school· Orchestral playing

Thoughts on the Bass Trombone

Gotthold, Jean

Thoughts on the Bass Trombone

Long before modern standards took hold, bass trombones existed in many forms, raising questions that still shape orchestral writing and performance today.

Brass Bulletin No 39 · 1982

Trombone· Technique· Equipment· Valves· Mouthpiece

Alto Trombone - New Modell

Thein, Heinrich · Thein, Max

Alto Trombone - New Modell

A forgotten solution to Baroque virtuosity meets modern orchestral demands, where historical ideals and practical performance no longer follow the same path.

Brass Bulletin No 40 · 1982

Trombone· Instrument Makers· Equipment

Akim Alexeyevich Kozlov

Barantsev, Anatoly

Akim Alexeyevich Kozlov

A Trombone Artist

Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.

Brass Bulletin No 40 · 1982

Trombone· Encounters· Teaching· Russian school· Orchestral playing

Science and Technology in Trombone Teaching

Gorovoj, Sergej

Science and Technology in Trombone Teaching

What if tone production depended less on instinct than on understanding how the instrument, the lips and the air function as one interconnected system?

Brass Bulletin No 41 · 1983

Trombone· Teaching· Acoustics· Sound· Breathing

On the Sackbut or Harmonic Trumpet

Trichet, Pierre

On the Sackbut or Harmonic Trumpet

From Pierre Trichet’s Traité des Instruments de Musique (c. 1640)

A seventeenth-century description of the sackbut captures its moving slide, chromatic freedom and bass role at a moment when the instrument was still being defined.

Brass Bulletin No 45 · 1984

Trombone· History· Equipment· Historical instruments

The Polyphonic Trombone

Hübler, Klaus-K.

The Polyphonic Trombone

A suggested notation system

When trombone slide, overtones, breath and valves become independent musical voices, conventional notation reaches its limits and a new system becomes necessary.

Brass Bulletin No 45 · 1984

Trombone· Repertoire· Technique· Contemporary Music

The Trombone in the Sacred Works of W. A. Mozart

Sluchin, Benny

The Trombone in the Sacred Works of W. A. Mozart

In Mozart’s sacred music, the trombone moved beyond choral reinforcement to striking solo roles that preserve the sound and practice of eighteenth-century Salzburg.

Brass Bulletin No 46 · 1984

Trombone· Repertoire· History· Interpretation

Maurice Ravel and the new trombone

Laplace, Michel

Maurice Ravel and the new trombone

Dance-band trombonists reshaped orchestral expectations in the 1920s and 30s, leaving their mark on Ravel’s Boléro and a generation of players.

Brass Bulletin No 47 · 1984

Trombone· History· Technique· Articulation· Jazz

Fundamental trombone performance technique

Cramer, William F.

Fundamental trombone performance technique

Teaching and application

Technique becomes musicianship when breathing, vibration, resonance, articulation and slide movement cease to be separate skills and begin working as one.

Brass Bulletin No 49 · 1985

Trombone· Technique· Teaching· Breathing· Sound

Michel Becquet

Sluchin, Benny

Michel Becquet

Interview

A young Michel Becquet challenges orchestral habits, champions the trombone as a solo voice and reflects on competitions, repertoire, teaching and sound.

Brass Bulletin No 50 · 1985

Trombone· Encounters· Repertoire· Solo playing

The trombone in Jazz and Popular Music

Laplace, Michel

The trombone in Jazz and Popular Music

Part 1

Jazz did not invent the modern trombone: early virtuosos, New Orleans players and changing techniques reveal a more complex path toward flexibility and legato.

Brass Bulletin No 50 · 1985

Trombone· History· Technique· Jazz· Articulation

Joannès Rochut (1881-1952)

Fetter, David

Joannès Rochut (1881-1952)

Trombonist of the Boston symphony Orchestra

Behind a cornerstone of trombone teaching lies Rochut’s path between Paris and Boston, lost manuscripts, orchestral life and the enduring Bordogni legacy.

Brass Bulletin No 50 · 1985

Trombone· History

The trombone in Jazz and Popular Music

Laplace, Michel

The trombone in Jazz and Popular Music

Part 2

The classical Armstrong period (1927-1945)

Jazz trombone changed rapidly between 1927 and 1945, as Armstrong’s influence, big-band playing and new techniques transformed both its language and sound.

Brass Bulletin No 51 · 1985

Trombone· History· Jazz

Winkler, Klaus

Bibliography of works for trombone and organ

Brass Bulletin No 51 · 1985

Trombone· Repertoire

Laplace, Michel

The trombone in Jazz and Popular Music

Part 3 – End

Brass Bulletin No 52 · 1985

Trombone· Report· History

Fonseque, Raymond

Good intonation on the trombone

Brass Bulletin No 52 · 1985

Trombone· Technique

Sluchin, Benny

Trombone workshops

Brass Bulletin No 52 · 1985

Trombone· Report· Event

Mathez, Jean-Pierre · Schnorhk, Roland

Markneukirchen Competition 1986

Brass Bulletin No 55 · 1986

Horn· Trumpet· Trombone· Competition

Struck-Schloen, Michael

Between Furniture Music and Twelve-Note Concerto

Part 2 – End

The trombone in the chamber ensemble at the beginning of modern music (1913-1934)

Brass Bulletin No 56 · 1986

Trombone· Repertoire

Winkler, Klaus

Trombone and Organ, a Dialog

Part 1

Brass Bulletin No 56 · 1986

Trombone· Repertoire

Winkler, Klaus

Trombone and Organ, a Dialog

Part 2 – End

Brass Bulletin No 57 · 1987

Trombone· Repertoire

Mathez, Jean-Pierre

Branimir Slokar

Biography

Brass Bulletin No 59 · 1987

Trombone· Encounters

Noglik, Bert

Conrad and Johann Bauer

two trombone players

Brass Bulletin No 60 · 1987

Trombone· Encounters

Sluchin, Benny

The Alto Trombone

Part 1

Brass Bulletin No 61 · 1988

Trombone· History· Equipment

Tamiya, Kenji

Tokyo Trombone Quartet

Brass Bulletin No 62 · 1988

Trombone· Encounters

Sluchin, Benny

The Alto Trombone

Part 2 – End

Brass Bulletin No 62 · 1988

Trombone· History· Equipment

Richter, Jörg

The soprano trombone

Brass Bulletin No 62 · 1988

Trombone· History

Mathez, Jean-Pierre

Geneva 1988 - Trombone Competition

Prizes: 1st Jonas Bylund, 2nd Steven Witser, 3rd Joël Vaïsse

Brass Bulletin No 64 · 1988

Trombone· Report· Competition

Lind, Michael

Palmer Traulsen

One of the great masters of the Scandinavian trombone school

Brass Bulletin No 66 · 1989

Trombone· History· Encounters

Slokar, Branimir

In search of a new trombone

Brass Bulletin No 66 · 1989

Trombone· Equipment

Mathez, Jean-Pierre

Toulon 1989

International Competition - Trombone

Brass Bulletin No 67 · 1989

Trombone· Report· Competition

Mathez, Jean-Pierre

David Taylor

or a high class bass trombone

Brass Bulletin No 68 · 1989

Trombone· Encounters

Douay, Jean

André Lafosse (1890-1975)

Master of Trombone

Brass Bulletin No 70 · 1990

Trombone· Encounters

Mathez, Jean-Pierre

Dany Bonvin

Trombone in the blood

Brass Bulletin No 71 · 1990

Trombone· Encounters

Raum, J. Richard

The Alto Trombone

Part 1

In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria

Brass Bulletin No 72 · 1990

Trombone· History· Repertoire

Raum, J. Richard

The Alto Trombone

Part 2

In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria

Brass Bulletin No 73 · 1991

Trombone· History· Repertoire

Mathez, Jean-Pierre

Jean Douay

Trombone in the heart of France

Brass Bulletin No 73 · 1991

Trombone· Encounters

Raum, J. Richard

The Alto trombone

Part 3 – End

In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria

Brass Bulletin No 74 · 1991

Trombone· History· Repertoire

Lapie, Raymond

Sigismund Neukomm (1778-1858) and the trombone

Brass Bulletin No 75 · 1991

Trombone· Repertoire

Sluchin, Benny

The Alto Trombone in the 20th Century Orchestra

Brass Bulletin No 75 · 1991

Trombone· History· Repertoire

Lapie, Raymond

The trombone and chamber music in France

Brass Bulletin No 76 · 1991

Trombone· History· Repertoire

Ouwerkerk, Willem

Bob Brookmeyer

What note do you want to play ?

Brass Bulletin No 76 · 1991

Trombone· Encounters

Raum, J. Richard

The 18th Century Trombone

Part 1

Rumors of its death were premature

Brass Bulletin No 77 · 1992

Trombone· History

Raum, J. Richard

The 18th Century Trombone

Part 2 – End

Rumors of its Death were Premature

Brass Bulletin No 78 · 1992

Trombone· History

Sluchin, Benny

Trombone Quartets

Brass Bulletin No 79 · 1992

Trombone· Report· Repertoire

Suppan, Wolfgang

Rudolf Josel

Austrian trombone master

Brass Bulletin No 80 · 1992

Trombone· Encounters

Mathez, Jean-Pierre

Armin Rosin

Pioneer of the emancipation of the classical trombone in Germany

Brass Bulletin No 81 · 1993

Trombone· Encounters

Elser, Joachim

Johann Doms will be seventy!

Brass Bulletin No 81 · 1993

Trombone· Encounters

Raum, J. Richard

From the Diary of a Court Trombonist, 1727

Brass Bulletin No 82 · 1993

Trombone· History

Mathez, Jean-Pierre

David Bruchez

18 years old, music in his blood, trombone under his arm

Brass Bulletin No 84 · 1993

Trombone· Encounters

Sluchin, Benny

Making mute handling easier

Brass Bulletin No 86 · 1994

Trombone· Technique· Equipment

Raum, J. Richard

Thomas Gschladt

Part 1

An Historical Perspective of an 18th Century Trombonist

Brass Bulletin No 87 · 1994

Trombone· History

Raum, J. Richard

Thomas Gschladt

Part 2

An Historical Perspective of an 18th Century Trombonist

Brass Bulletin No 88 · 1994

Trombone· History

Dibb, Jeremy · Hogg, Simon

The trombone of Gustav Holst (1874-1934)

Brass Bulletin No 88 · 1994

Trombone· History· Repertoire

Raum, J. Richard

Thomas Gschladt

Part 3 – End

An Historical Perspective of an 18th Century Trombonist

Brass Bulletin No 89 · 1995

Trombone· History

Sluchin, Benny

Porcia 1994

International Trombone Competition

Brass Bulletin No 89 · 1995

Trombone· Competition

Schnohrk, Roland

Toulon 1995

International trombone competition

Brass Bulletin No 91 · 1995

Trombone· Competition

Raum, J. Richard

An Interview with Christian Lindberg

Brass Bulletin No 91 · 1995

Trombone· Encounters

Mathez, Jean-Pierre

Branimir Slokar, development of a new trombone

Brass Bulletin No 91 · 1995

Trombone· Encounters· Equipment

Mathez, Jean-Pierre

Munich 1995

International ARD Trombone Competition

Brass Bulletin No 92 · 1995

Trombone· Competition

Horch, Thomas

Not much new in Munich

Brass Bulletin No 92 · 1995

Trombone· Competition

van Dijk, Ben

New Thein Bass Trombone Innovations

Brass Bulletin No 92 · 1995

Trombone· Equipment

Fadle, Heinz

Joseph Alessi

A dream career

Brass Bulletin No 93 · 1996

Trombone· Encounters

Barron, Ronald

Being a Concert Trombone

Brass Bulletin No 93 · 1996

Trombone· Professional life· Solo playing

Mathez, Jean-Pierre

Branimir Slokar

A happy trombonist

Brass Bulletin No 95 · 1996

Trombone· Encounters

Mathez, Jean-Pierre

Jacques Mauger, on 7th heaven with the trombone

Brass Bulletin No 96 · 1996

Trombone· Encounters

Guion, David M.

Great, but forgotten trombonists: some biographical sketches

Brass Bulletin No 97 · 1997

Trombone· Report

Hogg, Simon

Interview with Harold Nash

A half century with the trombone on the British music scene

Brass Bulletin No 98 · 1997

Trombone· Encounters

Raum, J. Richard

Schubertian Trombones

Brass Bulletin No 99 · 1997

Trombone· History

Mathez, Jean-Pierre

Prague 1997 celebration of young talents?

Brass Bulletin No 99 · 1997

Horn· Trumpet· Trombone· Competition

Humphries, John

John Smithies, trombonist & enigma

Brass Bulletin No 101 · 1998

Trombone· History· Encounters

Zechmeister, Gerhard

The role of the (contra)bass trombone in the Vienna sound

Part 1

Brass Bulletin No 102 · 1998

Trombone· History· Equipment

Zechmeister, Gerhard

The role of the (contra)bass trombone in the Vienna sound

Part 2 – End

Brass Bulletin No 103 · 1998

Trombone· History· Equipment

Sluchin, Benny

Trombone Attachements - Trends and development

Brass Bulletin No 105 · 1999

Trombone· Equipment

Lapie, Raymond

The trombone according to orchestration treatises (France 1700-1914)

Part 1

Brass Bulletin No 105 · 1999

Trombone· History

Mathez, Jean-Pierre

Slokar Quartet ... since 25 years

Brass Bulletin No 106 · 1999

Trombone· Encounters

Mathez, Jean-Pierre

Christian Lindberg, trombone on fire !

Interview

Brass Bulletin No 107 · 1999

Trombone· Encounters

Lapie, Raymond

The trombone according to orchestration treatises (France 1700-1914)

Part 2 – End

Brass Bulletin No 107 · 1999

Trombone· History

Sugihara, Michio

Guebwiller 1999

International competition for tenor trombone and bass trombone

Brass Bulletin No 108 · 1999

Trombone· Competition

Mathez, Jean-Pierre

Ivan Meylemans, a trombone from out of the blue

Brass Bulletin No 108 · 1999

Trombone· Encounters

Mathez, Jean-Pierre

The ingenious Free-Flow rotary valve of René Hagmann

Brass Bulletin No 109 · 2000

Trombone· Equipment

Mathez, Jean-Pierre

Enrique Crespo - seducer and musician in one

Brass Bulletin No 111 · 2000

Trombone· Encounters

Mathez, Jean-Pierre

Michel Becquet

Born to be a musician, born to play trombone

Brass Bulletin No 112 · 2000

Trombone· Encounters

Schnohrk, Roland

Frank Martin, The Ballade for trombone and piano

Brass Bulletin No 113 · 2001

Trombone· Repertoire

Mathez, Jean-Pierre

Roland Schnorhk, Orchestral Soloist

Brass Bulletin No 113 · 2001

Trombone· Encounters

Mathez, Jean-Pierre

The fine story of Andrea Bandini, the Tuscan

Brass Bulletin No 113 · 2001

Trombone· Encounters

Shigeki, Saeki

An historical perspective of the alto trombone

Brass Bulletin No 115 · 2001

Trombone· History

Purser, David

Accidents and good luck-ingredients for a happy career

An autobiographical narrative by trombonist David Purser of England

Brass Bulletin No 117 · 2002

Trombone· Encounters

Krause, Sebastian

Carl Traugott Queisser

God of the trombone

Brass Bulletin No 117 · 2002

Trombone· History

Shifrin, Ken

The solo trombone of the bohemian baroque

Part 1

Brass Bulletin No 119 · 2002

Trombone· History

Mathez, Jeremy

International Competition for Trombone Branimir Slokar

2002, Grenchen (Switzerland)

Brass Bulletin No 119 · 2002

Trombone· Competition

Shifrin, Ken

The solo trombone of the bohemian baroque

Part 2

Brass Bulletin No 120 · 2002

Trombone· History

Batashev, Victor

Anatoly Skobelev - Russian Grand Master of the trombone

Brass Bulletin No 121 · 2003

Trombone· Encounters

Shifrin, Ken

The Moravian brotherhood trombone choirs: neither Moravian nor choirs

Part 3 – End

Brass Bulletin No 121 · 2003

Trombone· History

Viola, Stefano

Stellio Calvetti - Clever Inventor

Brass Bulletin No 121 · 2003

Trombone· Equipment

Kallai, Avishai

Joachim Eggert (1779-1813) - Trombone Pioneer

Brass Bulletin No 123 · 2003

Trombone· History

Loading…

Questions & Answers

How the Digital Edition works

What does the Digital Edition include?

The Digital Edition brings together the articles already digitized as searchable online texts—not simply as scans or PDF files—along with their original illustrations, notes, authorship, issue information, and available translations. Related-article suggestions currently include only this digitized material.

Are the digital articles identical to the originals?

We preserve the original text, language, illustrations, captions, footnotes, and editorial context as faithfully as possible. The presentation is adapted for comfortable online reading, and obvious transcription or scanning errors may be corrected. The substance and character of the published article remain unchanged.

Which languages are available?

Brass Bulletin was published in English, French, and German throughout its history. Italian and Spanish translations were added from issue No. 60 onward.

On the Italian and Spanish sites, articles from issues 1–59 are therefore shown in English by default.

How often are new articles added?

New articles are added almost daily, with approximately one complete issue digitized each week. The pace may vary depending on the preparation, image work, and editorial checking required.

Why aren’t all articles available digitally?

The complete Brass Bulletin collection contains 1,246 articles published between 1971 and 2003. The full index is already available online, allowing readers to discover every article in the collection, including those whose complete text has not yet been digitized.

Digitization began in February 2026. Each article is carefully prepared for online reading, checked, and connected to its issue, authors, subjects, and illustrations. At the current pace of digitization, the complete collection is expected to be available online by February 2028.

Why do some references mention articles that are not available yet?

References in the original articles are preserved even when the material they point to has not yet been digitized. This keeps the historical and editorial record intact. As more issues are added to the Digital Edition, an increasing number of these references will lead to articles that can be read online.

Can I suggest an article or report a transcription error?

Yes. If there is an article you would particularly like to see digitized, or if you notice a possible transcription error or missing detail, please contact us. Reader feedback helps us improve the Digital Edition and prioritize useful connections within the archive.

How can I support Brass Bulletin?

Your support helps fund the preparation, verification, and online publication of the complete collection.

Subscribe to the Digital Edition

Prefer to support us without subscribing?

Make a donation

Search Brass Bulletin.