Scuola russa
13 articoli digitalizzati
Salmen, Walter
Russian music and musicians before 1700
with special regard to Brass Music
Overview of Russian music and musicians before 1700, exploring early traditions, influences and the role of brass instruments.
Brass Bulletin No 7 · 1974
Storia· Repertorio· Scuola russa· Strumenti storici
Everett, Thomas
A brief glimpse at the USSR
What does a musical trip to the USSR reveal? Between discipline, powerful sound, and vivid exchanges, this account uncovers a different brass culture.
Brass Bulletin No 14 · 1976
Reportage· Insegnamento· Scuola russa· Pratica orchestrale
Orvid, G. · Riaouzov, S.
Mikhail Innokentiévitch Tabakov (1877-1958)
Founder of the Soviet trumpet school
A towering figure of trumpet history: Tabakov shaped generations—including the legendary Timofei Dokchitzer—and laid the foundations of the Soviet trumpet school.
Brass Bulletin No 22 · 1978
Tromba· Storia· Insegnamento· Scuola russa· Suono
Selianin, Anatoly
Vassily Gueorguievitch Brandt (1869–1923)
Biography
Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.
Brass Bulletin No 26 · 1979
Tromba· Storia· Insegnamento· Scuola russa· Suono
Ree Wekre, Frøydis
The Leningrad School of Horn Playing
From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.
Brass Bulletin No 27 · 1979
Corno· Storia· Insegnamento· Scuola russa· Interpretazione
Dokschidser, Timofey
Articulation or bowing on the trumpet
Trumpet articulation becomes a precise study of attack, sustain, release and legato, linking tongue, breath, lips and sound in Dokshitser’s method.
Brass Bulletin No 30 · 1980
Tromba· Tecnica· Insegnamento· Scuola russa· Articolazione
Dokschidser, Timofey
Articulation or bowing on the trumpet
Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.
Brass Bulletin No 31 · 1980
Tromba· Tecnica· Insegnamento· Articolazione· Lingua
Gorovoj, Sergej
Viktor Venglowski
Musician and Teacher
From the Leningrad Philharmonic to the Conservatoire, one trombonist shaped repertoire, ensembles and generations of players across the Soviet Union.
Brass Bulletin No 34 · 1981
Trombone· Incontri· Insegnamento· Scuola russa· Pratica orchestrale
Barantsev, Anatoly
Vitaly Bujanowsky
The world's Golden Horn
Called one of the Soviet school’s finest performers by Shostakovich, Vitaliy Buyanovskiy shaped horn playing through performance, teaching and composition.
Brass Bulletin No 35 · 1981
Corno· Incontri· Vita professionale· Scuola russa· Pratica orchestrale
Sumerkin, Viktor
Pyotr Naumovich Volkov (1877-1933)
First trombone professor at St. Petersburg Conservatory
From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.
Brass Bulletin No 37 · 1982
Trombone· Storia· Insegnamento· Scuola russa· Pratica orchestrale
Sumerkin, Viktor
Vladislav Mykhaylovich Blazhevich (1881-1942)
Trombonist, Composer and Teacher
From village band to the Moscow Conservatoire and the Bolshoi, a lifelong commitment to performance, teaching and wind music shaped Soviet trombone tradition.
Brass Bulletin No 38 · 1982
Trombone· Storia· Insegnamento· Scuola russa· Pratica orchestrale
Barantsev, Anatoly
Akim Alexeyevich Kozlov
A Trombone Artist
Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.
Brass Bulletin No 40 · 1982
Trombone· Incontri· Insegnamento· Scuola russa· Pratica orchestrale
Usov, Yuri
Sergey Nikolaevich Yeryomin (1903-1975)
The Distinguished Soviet Trumpeter and Teacher
Between Soviet military bands, the Bolshoi and the Moscow Conservatory, Yeryomin helped shape a trumpet tradition in which virtuosity remained a means, not an end.
Brass Bulletin No 42 · 1983
Tromba· Incontri· Insegnamento· Scuola russa· Pratica orchestrale