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BrassBulletin

International Magazine for Brass Players

Interpretation

55 articles available online

300 Years of the Horn in Bohemia Free
No. 31 • 1980 Digitized

300 Years of the Horn in Bohemia

An unsigned portrait from the Dresden court links the rise of Bohemian horn playing to the ceremonial world of Baroque hunting culture.

By Kurt Janetzky

History Society Historical instruments Interpretation Sociology
Impossible? Member
No. 10 • 1975 Digitized

Impossible?

Kurt Janetzky challenges the notion of the “impossible” in brass playing, arguing that technical limits evolve and that demanding repertoire—past or present—should never be dismissed as unplayable.

By Kurt Janetzky

Repertoire Technique Interpretation Ideas
Editorial Free
No. 32 • 1980 Digitized

Editorial

Progress by Stages

Between technical routine and lived experience, musical growth emerges through setbacks, observation and the gradual shaping of an individual voice.

By Jean-Pierre Mathez

Teaching Health Nerves Interpretation Ideas
The trombone in Maurice Ravel's Boléro Free
No. 19 • 1977 Digitized

Part 2

The trombone in Maurice Ravel's Boléro

Boléro as ordeal: Jean Douay reveals stage fright, pressure, and the weight of the final solo—where one moment can elevate or undermine the entire orchestra.

By Jean Douay

Repertoire Orchestral playing Interpretation
Editorial Free
No. 28 • 1979 Digitized

Editorial

From cultural codes to personal sincerity, Jean-Pierre Mathez questions how musicians recognise truth across styles, traditions and musical languages.

By Jean-Pierre Mathez

Society Interpretation Sociology
The hunting horn Free
No. 39 • 1982 Digitized

The hunting horn

Long-held beliefs about the French hunting horn are challenged as forgotten playing practices and Baroque traditions reshape its early history and repertoire.

By Jacques Poncet

History Repertoire French school Historical instruments Interpretation
On the question of articulation in the horn concertos by W. A. Mozart Free
No. 22 • 1978 Digitized

On the question of articulation in the horn concertos by W. A. Mozart

How should Mozart really sound? Peter Damm questions traditional editions and reveals how articulation—often missing—must be rebuilt through style, listening, and musical judgment.

By Peter Damm

Repertoire Technique Articulation Interpretation
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The Digital Edition brings together the articles already digitized as searchable online texts—not simply as scans or PDF files—along with their original illustrations, notes, authorship, issue information, and available translations. Related-article suggestions currently include only this digitized material.

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We preserve the original text, language, illustrations, captions, footnotes, and editorial context as faithfully as possible. The presentation is adapted for comfortable online reading, and obvious transcription or scanning errors may be corrected. The substance and character of the published article remain unchanged.

Which languages are available?

Brass Bulletin was published in English, French, and German throughout its history. Italian and Spanish translations were added from issue No. 60 onward.

On the Italian and Spanish sites, articles from issues 1–59 are therefore shown in English by default.

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New articles are added almost daily, with approximately one complete issue digitized each week. The pace may vary depending on the preparation, image work, and editorial checking required.

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The complete Brass Bulletin collection contains 1,246 articles published between 1971 and 2003. The full index is already available online, allowing readers to discover every article in the collection, including those whose complete text has not yet been digitized.

Digitization began in February 2026. Each article is carefully prepared for online reading, checked, and connected to its issue, authors, subjects, and illustrations. At the current pace of digitization, the complete collection is expected to be available online by February 2028.

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