Interpretazione
55 articoli disponibili online
Membro
Nerves, Pills and Doping
Behind a debate once confined to musicians lies a wider shift in how performance anxiety, medication and professional responsibility began to be separated instead of confused.
Di Christian Baechler
Membro
Parte 3
A study of musical intonation
From wind quintets to brass sections, balance, overtones and perception shape intonation in ways that often diverge from measurable frequency.
Di Christopher Leuba
Membro
Parte 3
Maurice André
Biography
Maurice André reflects on maturity—balancing performance, recordings and teaching, refining his approach to instruments and audience, and preparing for the limits of a virtuoso career.
Di Jean-Pierre Mathez
Membro
Parte 1
A study of musical intonation
Resultant tones, harmonic series ratios and chord spacing challenge equal temperament, linking acoustics and practical ensemble intonation.
Di Christopher Leuba
Gratuito
Editorial
So your trumpet plays in tune
Keyboard tuning, just intonation and string phrasing place brass players between conflicting pitch systems, as Thomas Stevens outlines practical compromises.
Di Thomas Stevens
Membro
Parte 2
A study of musical intonation
From harmonic-series tuning to valve-slide adjustments on the horn, practical listening and resonance become more reliable guides than equal temperament alone.
Di Christopher Leuba
Membro
Parte 1
Ornaments in 18th-century Horn Concertos?
Performance once depended as much on informed invention as on written notes, and early horn concertos still carry that forgotten freedom in plain sight.
Di Peter Damm
Membro
Parte 2
Articulation or bowing on the trumpet
Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.
Di Timofey Dokschidser
Membro
Barry Tuckwell
Interview
Between the London Symphony Orchestra, international solo tours and Mozart or Strauss concertos, Barry Tuckwell reflects on sound, risk and musical instinct.
Di Jean-Pierre Mathez
Membro
John Fletcher
Is Big Always Beautiful?
As brass instruments grew larger and louder, John Fletcher saw something being lost: the individual voice, clarity and character that make a player heard.
Di Thomas Aitken
Membro
Contemporary systems and trends for the tuba
New music, new rules: Daniel Perantoni explores extended techniques, graphic notation and the evolving language of the tuba.
Di Daniel Perantoni
Gratuito
Parte 1
The Trumpet in the USA
Across competitions, teaching and equipment in the U.S., trumpet practice exposes clashing ideas of musicality, raising the question of shared standards beyond national styles
Di Thomas Stevens
Membro
The subconscious, a useful friend
From yogic practices to auto-hypnosis, mental conditioning and visualisation are linked to performance, self-control, and the body's hidden responses.
Di Michel Ricquier
Gratuito
Editorial
As concert life shifts away from brass, the future of the instrument depends on artistic standards, thoughtful programming and the commitment of every performer.
Di Jean-Pierre Mathez
Gratuito
Parte 4
Ornaments in 18th-century Horn Concertos?
Changes and modifications of tempo
Tempo, dynamics and cadenzas expose how much an 18th-century horn concerto once depended on choices that modern notation and instruments can easily obscure.
Di Peter Damm
Snapshot: the American Brass Quintet in Europe
Report on the American Brass Quintet’s tour in Europe, highlighting performances, reception and the ensemble’s role in chamber brass music.
Di Jean-Pierre Mathez
Membro
Conversation with Ludwig Güttler
Between Bach, historical instruments and modern virtuosity, Ludwig Güttler argues for a trumpet tradition shaped by declamation, research and a refusal of musical purism.
Di Christian Blümel, Gerd Radeke
Gratuito
Transcription fundamentals
Between Bach fugues and Mozart concertos, Ralph Sauer questions where brass transcription renews a work — and where it merely imitates.
Di Ralf Sauer
Gratuito
The first european horn symposium
A week in Trossingen brought leading horn players, Mozart debates, natural-horn controversies and lasting friendships at a landmark European gathering.
Di Jeffrey Agrell
Membro
An American trumpet player's impressions of european brass performances
An American trumpet player reflects on European brass traditions, comparing education, amateur practice and professional performance across both continents.
Di Harold E. Krueger
Membro
Parte 1
The Haydn Trumpet Concerto
As editions, instruments and traditions diverge, Haydn’s trumpet concerto becomes a lens on notation, style and the shifting meaning of performance.
Di Alfred Willener
Ornamentation of baroque music for brass
Baroque ornamentation forgotten? Without it, performances become dull and repetitive. This article argues for a return to style, freedom, and creative interpretation.
Di Marc Meissner
Membro
Parte 2
The Haydn Trumpet Concerto
André, Wobisch, Dokshitzer, Stringer and others reveal how tempo, phrasing, ornamentation and cadenzas reshape Haydn's trumpet concerto.
Di Alfred Willener
Yes or no? Beware!
Do we or do we not play transcriptions?
“Transcriptions: yes or no? Beware.” Roger Bobo challenges tubists to rethink repertoire, taste, and tradition in a bold call for musical judgment and artistic freedom.
Di Roger Bobo