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Breathing

23 digitized articles

Harding, John

The lead trumpet player

A survey of training, practice and equipment

Article on lead trumpet playing, covering training, practice methods and equipment for achieving accuracy, endurance and style.

Brass Bulletin No 4 · 1973

Trumpet· Technique· Equipment· Encounters· Teaching· Sound· Breathing

Singing lessons for brass players?

Knodt, Heinz

Singing lessons for brass players?

Explores how vocal training can benefit brass players, improving breathing, phrasing, tone production and musical expression.

Brass Bulletin No 5 · 1973

Technique· Teaching· Health· Breathing

The column of air

Bouché, Robert

The column of air

A System of Breathing for Brass Players

Explains the role of the air column in brass playing, focusing on breath support, airflow control and their impact on tone, articulation and sound quality.

Brass Bulletin No 5 · 1973

Technique· Teaching· Endurance· Range

Horn singing

Saxton, Earl S.

Horn singing

Earl S. Saxton advocates a “singing” approach to horn playing, emphasizing tone production through vibration, breath control and vocal-inspired technique.

Brass Bulletin No 10 · 1975

Horn· Technique· Breathing· Sound

A scientific study of pulmonary function

Bing, William W.

A scientific study of pulmonary function

As applied to wind instrument playing, with emphasis on the study of lung function in trumpet playing

Do trumpet players breathe differently? William W. Bing shows not really—except for greater lung capacity tied to endurance, with no harmful effects.

Brass Bulletin No 13 · 1976

Health· Breathing· Endurance

A talk with Rolf Quinque

Mathez, Jean-Pierre

A talk with Rolf Quinque

What if strength is the wrong approach? Rolf Quinque traces his shift from force to mastery through controlled breathing, discipline, and relaxed playing.

Brass Bulletin No 14 · 1976

Trumpet· Technique· Teaching· Breathing· Endurance

Advices from an expert brass clinician: Robert Pichaureau, Paris

Willener, Alfred

Advices from an expert brass clinician: Robert Pichaureau, Paris

What if everything you control is wrong? This radical approach to brass playing shifts focus away from the embouchure — back to the true origin of breath and sound.

Brass Bulletin No 18 · 1977

Trumpet· Technique· Teaching· Breathing· Sound

Belfrage, Bengt

Brass players athletes

Brass players are athletes. Bengt Belfrage reveals how training, recovery, breathing, and mental focus—borrowed from sport—can transform performance and endurance.

Brass Bulletin No 21 · 1978

Technique· Health· Endurance· Breathing

Some thoughts on the euphonium and euphonium technique

Perrins, Barrie

Some thoughts on the euphonium and euphonium technique

The euphonium revealed: Barrie Perrins explores its history, technique, and expressive power—making a compelling case for its place as one of brass’s most versatile solo voices.

Brass Bulletin No 22 · 1978

Euphonium· Equipment· Technique· Sound· Breathing

Ricquier, Michel

Breathing and the physiological mask

Air is not everything: Michel Ricquier challenges the “air column” myth, revealing how breathing and the “physiological mask” together unlock control, power, and ease.

Brass Bulletin No 22 · 1978

Technique· Breathing· Mental approach

Orval, Francis

Phonetics in the articulation and expression of the language of music

Rethinking articulation: Francis Orval challenges traditional teaching—revealing how phonetics, language, and psychology shape sound, phrasing, and musical expression.

Brass Bulletin No 23 · 1978

Technique· Teaching· Articulation· Tongue

ASA-Method

Quinque, Rolf

ASA-Method

From Bach’s clarino tradition to modern piccolo trumpet playing, extreme high-register technique is tied here to breath support, pressure control and disciplined endurance.

Brass Bulletin No 29 · 1980

Trumpet· Technique· Teaching· Breathing· Range

Zen and the Art of Horn playing

Agrell, Jeffrey

Zen and the Art of Horn playing

Part 4 – End

From meditation to distance running, horn playing becomes a way of quieting mental noise, linking breath, concentration, and daily life.

Brass Bulletin No 29 · 1980

Horn· Health· Nerves· Breathing

Relaxation and musical performance

Ricquier, Michel

Relaxation and musical performance

Breath, fingers and muscular tension form a hidden technical chain in wind playing, as Michel Ricquier links virtuosity to bodily awareness.

Brass Bulletin No 29 · 1980

Health· Teaching· Nerves· Breathing

The founders of the French Trumpet School

Laplace, Michel

The founders of the French Trumpet School

Merri Franquin, Eugène Foveau and Raymond Sabarich

Franquin, Foveau and Sabarich appear through their Paris careers, teaching legacies, recordings and role in shaping modern French trumpet playing.

Brass Bulletin No 29 · 1980

Trumpet· History· Teaching· French school· Sound

Basics in breathing

Elias, Joel

Basics in breathing

An Outline to a Better Sound

From breathing awareness to sound production, practical exercises link physical relaxation, air control and rhythmic precision in everyday brass playing.

Brass Bulletin No 32 · 1980

Technique· Teaching· Breathing· Sound

Practical Hints

Stamp, James

Practical Hints

Part 4

A single Clarke study becomes a lesson in note placement, breath control and continuity, as James Stamp reshapes a familiar exercise through preparation.

Brass Bulletin No 33 · 1981

Technique· Teaching· Range· Breathing

Blowing as a body function

Cramer, William F.

Blowing as a body function

Breathing habits, posture and body mechanics converge in a practical view of tone production, where William F. Cramer questions prevailing assumptions.

Brass Bulletin No 34 · 1981

Technique· Teaching· Breathing· Sound

Arnold Jacobs

Bobo, Roger

Arnold Jacobs

Part 2 – End

Interview

From Curtis to Chicago, a tuba player's path crosses Reiner, Koussevitzky and Ormandy, while teaching evolves toward breathing, thought and musical function.

Brass Bulletin No 34 · 1981

Tuba· Encounters· Professional life· Auditions· Orchestral playing

The attack

Davidson, Louis

The attack

Precision often begins with doing less, not more—a principle Louis Davidson places at the heart of trumpet playing with surprising practical consequences.

Brass Bulletin No 41 · 1983

Trumpet· Technique· Teaching· Articulation· Tongue

Oscillatory Mechanism of the Glotis in Horn Playing

Dejonker, Philippe-Henri · Orval, Francis · Miller, R. · Sneppe, R.

Oscillatory Mechanism of the Glotis in Horn Playing

A horn note may begin before it is heard, as subtle vocal-fold oscillations appear to prepare the airflow that the lips will ultimately shape.

Brass Bulletin No 41 · 1983

Horn· Technique· Research· Breathing· Articulation

Science and Technology in Trombone Teaching

Gorovoj, Sergej

Science and Technology in Trombone Teaching

What if tone production depended less on instinct than on understanding how the instrument, the lips and the air function as one interconnected system?

Brass Bulletin No 41 · 1983

Trombone· Teaching· Acoustics· Sound· Breathing

Tonguing

Davidson, Louis

Tonguing

A tiny shift in tongue movement changes speed, endurance and clarity, turning articulation from a mechanical attack into one of the trumpet player’s subtlest tools.

Brass Bulletin No 44 · 1983

Trumpet· Technique· Teaching· Articulation· Tongue

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