BrassBulletin
International Magazine for Brass Players
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Reply to Bernhard Krol
Peter Damm
Should a cadenza imitate Mozart? Peter Damm argues for stylistic fidelity without imitation—at the heart of a debate with Bernhard Krol.
How should Mozart really sound? Peter Damm questions traditional editions and reveals how articulation—often missing—must be rebuilt through style, listening, and musical judgment.
1680-1980, an attempted survey
From Versailles to Bohemia, hunting horns enter orchestral life through makers, players, early works and the Austro-Bohemian tradition.
in the Dresden Court Orchestra
From Dresden’s court musicians to Hampel’s hand-horn technique, virtuoso players and court repertoire shaped a decisive shift in horn playing and orchestral writing.
Special GDR
Long Orchestral tradition