Repertoire
147 articles
Dahlqvist, Reine
J. G. Albrechtsberger (1736-1809)
Concertino for chromatic trumpet
Study by Reine Dahlqvist arguing that Albrechtsberger’s 1771 Eb concertino was intended for Jew’s harp rather than keyed or slide trumpet.
Brass Bulletin No 1 · 1971
Trumpet· History· Repertoire· Equipment· Historical instruments· Keyed trumpet
Tarr, Edward H.
The Baroque trumpet, the high trumpet and the so-called Bach trumpet
Edward H. Tarr examines the Baroque trumpet and clarifies the origins and meaning of the so-called “Bach trumpet.”
Brass Bulletin No 2 · 1972
Trumpet· History· Equipment· Repertoire· Historical instruments· Sound
Baumann, Hermann
Which Horn for which Music?
Article discussing the choice of horn according to repertoire, comparing instruments, sound ideals and stylistic requirements.
Brass Bulletin No 3 · 1972
Horn· Equipment· Repertoire· Historical instruments· Sound
Tarr, Edward H.
The Baroque trumpet, the high trumpet and the so-called Bach trumpet
Continuation of Edward H. Tarr’s study on the Baroque trumpet, examining the high trumpet and further clarifying the concept of the “Bach trumpet.”
Brass Bulletin No 3 · 1972
Trumpet· History· Equipment· Repertoire· Historical instruments· Sound
Meek, Harold
Some observation prompted by H. Baumann: Which Horn for which Music
Commentary responding to H. Baumann’s article (BB 3), offering critical observations and contributing to the ongoing debate on horn playing.
Brass Bulletin No 4 · 1973
Horn· Equipment· Repertoire· Historical instruments· Ideas
Mathez, Jean-Pierre
Snapshot: the American Brass Quintet in Europe
Report on the American Brass Quintet’s tour in Europe, highlighting performances, reception and the ensemble’s role in chamber brass music.
Brass Bulletin No 5 · 1973
Encounters· Repertoire· Interpretation· Sound
Globokar, Vinko
Possibilities for development of brass instruments (1967)
Experimental study by Vinko Globokar on extended techniques for brass instruments, covering microtonality, voice-instrument interaction and new sound production methods.
Brass Bulletin No 5 · 1973
Technique· Equipment· Repertoire· Contemporary Music· Improvisation
Stevens, Thomas
I chose to address myself to new music rather than new trumpet
Thomas Stevens argues that progress in trumpet playing depends on better training, repertoire and musical thinking rather than on equipment.
Brass Bulletin No 5 · 1973
Trumpet· Repertoire· Contemporary Music
Mathez, Jean-Pierre
Conversation by the fireside
A fireside conversation with Philip Jones, Elgar Howarth and Michael Laird—an intimate exchange on brass playing, ensemble culture and musical thinking.
Brass Bulletin No 7 · 1974
Encounters· Repertoire· Brass Ensemble· Contemporary Music
Salmen, Walter
Russian music and musicians before 1700
with special regard to Brass Music
Overview of Russian music and musicians before 1700, exploring early traditions, influences and the role of brass instruments.
Brass Bulletin No 7 · 1974
History· Repertoire· Russian school· Historical instruments
Orval, Francis
Reflections on the horn
Francis Orval reflects on horn playing, discussing tone production, breathing and the influence of French and German traditions on sound and style.
Brass Bulletin No 9 · 1974
Horn· Technique· Equipment· Repertoire· Sound· Instrument making
Janetzky, Kurt
Impossible?
Kurt Janetzky challenges the notion of the “impossible” in brass playing, arguing that technical limits evolve and that demanding repertoire—past or present—should never be dismissed as unplayable.
Brass Bulletin No 10 · 1975
Horn· Repertoire· Technique· Interpretation· Ideas
Perantoni, Daniel
Contemporary systems and trends for the tuba
New music, new rules: Daniel Perantoni explores extended techniques, graphic notation and the evolving language of the tuba.
Brass Bulletin No 11 · 1975
Tuba· Technique· Repertoire· Interpretation· Contemporary Music
Krol, Bernhard
Why pretend to be Mozart?
The concerto’s cadenza: copy of style — or bold but true?
Should a cadenza imitate the past—or speak in today’s voice? Bernhard Krol questions the tradition of stylistic imitation and argues for cadenzas that bridge past and present with authenticity.
Brass Bulletin No 12 · 1975
Repertoire· Ideas· Interpretation
Ischer, Robert
Savoir de quelle note on parle
(only in French)
Can pitch be defined clearly without a shared reference? Ischer exposes confusion (octaves, partials/harmonics) and calls for an acoustic basis.
Brass Bulletin No 12 · 1975
Repertoire
Fulkerson, James
Indeterminate instrumentation
A Way of Extending Instrumental Technic
Can technique go beyond notation? James Fulkerson explores new instrumental possibilities and argues that improvisation is key to expanding both technique and musical thinking.
Brass Bulletin No 12 · 1975
Technique· Repertoire· Contemporary Music· Improvisation
Douay, Jean
The trombone in Maurice Ravel's Bolero
How should Boléro’s trombone solo be played? After 100 performances, Jean Douay challenges conventions and argues for a more supple, controlled approach.
Brass Bulletin No 13 · 1976
Trombone· Repertoire· Technique· Interpretation· Orchestral playing
Damm, Peter
Why pretend to be Mozart?
Reply to Bernhard Krol
Should a cadenza imitate Mozart? Peter Damm argues for stylistic fidelity without imitation—at the heart of a debate with Bernhard Krol.
Brass Bulletin No 14 · 1976
Repertoire· Interpretation· Ornaments
General Brass Catalogue
A special issue for the brass world: the General Catalogue brings together instruments, music, and accessories—offering a unique global overview.
Brass Bulletin No 16 · 1976
Equipment· Repertoire
Meissner, Marc
Ornamentation of baroque music for brass
Baroque ornamentation forgotten? Without it, performances become dull and repetitive. This article argues for a return to style, freedom, and creative interpretation.
Brass Bulletin No 17 · 1977
Repertoire· Ornaments· Interpretation
Fenigstein, Victor
Scraps of Thoughts and Memories concerning “Passages” for trumpet and strings
Between waiting and movement, Passages reimagines soloist and orchestra—inviting exploration, listening, and the acceptance of the unexpected.
Brass Bulletin No 18 · 1977
Trumpet· Repertoire· Contemporary Music· Ideas
Douay, Jean
The trombone in Maurice Ravel's Boléro
Boléro as ordeal: Jean Douay reveals stage fright, pressure, and the weight of the final solo—where one moment can elevate or undermine the entire orchestra.
Brass Bulletin No 19 · 1977
Trombone· Repertoire· Orchestral playing· Interpretation
Bobo, Roger
From the pen of Roger Bobo
A bold statement from Roger Bobo: limiting yourself to your instrument’s repertoire is musical imprisonment — true musicianship begins beyond boundaries.
Brass Bulletin No 19 · 1977
Repertoire· Ideas
General brass catalogue
A special issue format begins: Brass Bulletin 20 introduces the General Brass Catalogue—offering direct access to instruments, makers, and international brass news.
Brass Bulletin No 20 · 1977
Repertoire
Bobo, Roger
Yes or no? Beware!
Do we or do we not play transcriptions?
“Transcriptions: yes or no? Beware.” Roger Bobo challenges tubists to rethink repertoire, taste, and tradition in a bold call for musical judgment and artistic freedom.
Brass Bulletin No 21 · 1978
Tuba· Repertoire· Interpretation· Contemporary Music
Karjalainen, Kauko
The brass septet tradition in Finland
A hidden tradition revealed: over 200 Finnish brass septets shaped regional music life—blending military roots, festivals, and composers like Sibelius into a living legacy.
Brass Bulletin No 21 · 1978
History· Repertoire· Sociology
Damm, Peter
On the question of articulation in the horn concertos by W. A. Mozart
How should Mozart really sound? Peter Damm questions traditional editions and reveals how articulation—often missing—must be rebuilt through style, listening, and musical judgment.
Brass Bulletin No 22 · 1978
Horn· Repertoire· Technique· Articulation· Interpretation
Glover, Stephen L.
Early trumpet music in Schwerin
Hidden sources revealed: Stephen Glover uncovers early trumpet music in Schwerin—offering new insights into wind bands, performance practice, and the evolution of brass.
Brass Bulletin No 23 · 1978
Trumpet· Repertoire· History· Historical instruments· Valves
Waldeck, Lewis
Symphonic tuba playing
A warning from the orchestra: Lewis Waldeck challenges modern tuba playing—calling for a return from solo brilliance to the dark, blended power of true symphonic sound.
Brass Bulletin No 23 · 1978
Tuba· Technique· Repertoire· Sound· Interpretation
Beyer, Werner
The classical solo concerto for trombone and its interpreters in the 19th century
From Queisser to Ferdinand David: the rise—and disappearance—of the classical trombone concerto in the 19th century reveals a forgotten golden age of virtuosity.
Brass Bulletin No 25 · 1979
Trombone· History· Repertoire· Solo playing
Agrell, Jeffrey
Dreams and wishes
Things I would like to see happen concerning the horn and horn playing
A set of proposals for the future of the horn: Jeffrey Agrell addresses editions, pedagogy, instruments, and repertoire—from Mozart to contemporary practice.
Brass Bulletin No 25 · 1979
Horn· Equipment· Repertoire· Ideas· Contemporary Music
Varasdy, Frigyes
Contemporary Hungarian Brass Music
From early decline to recent revival, Hungarian brass emerges through pedagogy, competitions and new chamber works, with Varasdy outlining key figures and shifting ensemble practices.
Brass Bulletin No 26 · 1979
Repertoire· Teaching· Contemporary Music
Mathez, Jean-Pierre
Philip Jones
Interview
From South London bands to the Philharmonia, Philip Jones recalls his musical upbringing, orchestral life and the rise of brass ensembles in post-war Britain.
Brass Bulletin No 27 · 1979
Trumpet· Encounters· Repertoire· Brass Ensemble· Orchestral playing
Runyan, William E.
The alto trombone and contemporary concepts of trombone timbre
Alto trombone timbre from Vienna to Brahms, orchestral balance, period practice, and why bright brass sounds gradually disappeared.
Brass Bulletin No 28 · 1979
Trombone· Repertoire· Equipment· Historical instruments· Sound
Sauer, Ralf
Transcription fundamentals
Between Bach fugues and Mozart concertos, Ralph Sauer questions where brass transcription renews a work — and where it merely imitates.
Brass Bulletin No 31 · 1980
Repertoire· Interpretation· Brass Ensemble
Ringger, Rolf Urs
Serious Music this Side of the Ghetto
Between Darmstadt serialism and neo-tonality, the place of serious music in society is questioned through Berg, Schönberg and the post-war avant-garde.
Brass Bulletin No 32 · 1980
Repertoire· Society· Contemporary Music· Sociology
Mathez, Jean-Pierre
Empire Brass Quintet
Portrait in brief
From New York to Boston, five brass players built a chamber music identity rooted in Ewald, early music and a string-quartet approach to ensemble sound.
Brass Bulletin No 33 · 1981
Encounters· Repertoire· Brass Ensemble· Sound
Willener, Alfred
The Haydn Trumpet Concerto
As editions, instruments and traditions diverge, Haydn’s trumpet concerto becomes a lens on notation, style and the shifting meaning of performance.
Brass Bulletin No 35 · 1981
Trumpet· History· Repertoire· Interpretation· Keyed trumpet
Olsen, Deborah M.
Music in an American Frontier Communal Society
Aurora Colony
Music shaped daily life in Aurora’s communal colony, from civic ceremonies and political events to touring brass bands that carried its identity across the American West.
Brass Bulletin No 35 · 1981
History· Society· Repertoire· Sociology· Brass Ensemble
Hiller, Albert
The Trumpet in the Works of Jean-Philippe Rameau
From court entertainments to operatic dances, Rameau’s trumpet writing reveals uncommon technical demands and a broader palette of Baroque brass practice.
Brass Bulletin No 35 · 1981
Trumpet· History· Repertoire· Historical instruments· Interpretation
Willener, Alfred
The Haydn Trumpet Concerto
André, Wobisch, Dokshitzer, Stringer and others reveal how tempo, phrasing, ornamentation and cadenzas reshape Haydn's trumpet concerto.
Brass Bulletin No 36 · 1981
Trumpet· History· Repertoire· Interpretation· Articulation
Willener, Alfred
The Haydn Trumpet Concerto
Haydn’s trumpet concerto becomes a study of manuscript detail, performance choices, and the fragile ways listeners receive a familiar work.
Brass Bulletin No 37 · 1982
Trumpet· History· Repertoire· Society· Interpretation· Sociology
Hiller, Albert
Unknown Treasures for Trumpet Ensembles
Processional Music from 18th century Bavaria
Forgotten Bavarian monastery archives preserve hundreds of ceremonial trumpet works, where local tradition and practical performance survived long after their cultural world disappeared.
Brass Bulletin No 38 · 1982
Trumpet· Repertoire· History· Brass Ensemble· Historical instruments
Ehmann, Wilhelm
100 Years of Kuhlo's Posaunenchor Book
A century-old brass choir book reveals how revivalist faith, Bach chorales, folk song, and practical notation reshaped church music.
Brass Bulletin No 38 · 1982
History· Repertoire· Brass Ensemble· German school
Poncet, Jacques
The hunting horn
Long-held beliefs about the French hunting horn are challenged as forgotten playing practices and Baroque traditions reshape its early history and repertoire.
Brass Bulletin No 39 · 1982
Horn· History· Repertoire· French school· Historical instruments
Hiller, Albert
Jean-Baptiste Prin (1669-1742)
A tromba marine virtuoso
A forgotten string instrument leads to an unexpected treasury of Baroque trumpet music, challenging long-held assumptions about repertoire and performance.
Brass Bulletin No 39 · 1982
Trumpet· History· Repertoire· Historical instruments
Agrell, Jeffrey
Jazz and the Horn
The horn was once considered incompatible with jazz until changing ideas of sound and musicians like John Graas quietly overturned that certainty.
Brass Bulletin No 40 · 1982
Horn· Repertoire· History· Jazz· Improvisation
Bernsdorff-Engelbrecht, Ch.
Horn and Harp
Virtuoso showpieces once filled concert halls, yet today the rare pairing of horn and harp preserves a forgotten musical world shaped by performers themselves.
Brass Bulletin No 40 · 1982
Horn· Repertoire
Lewy, Rudolf
The Wrong Brass?
Between blind fidelity and reckless modernisation, instrument substitutions force performers to decide when the score’s wording serves—or betrays—the music.
Brass Bulletin No 41 · 1983
Repertoire· Equipment· Historical instruments· Orchestral playing
Damm, Peter
Ornaments in 18th-century Horn Concertos?
Performance once depended as much on informed invention as on written notes, and early horn concertos still carry that forgotten freedom in plain sight.
Brass Bulletin No 42 · 1983
Horn· Repertoire· History· Ornaments· Interpretation
Laplace, Michel
The Trumpet and the Cornet in Jazz and Popular Music
Before Louis Armstrong became the defining figure, jazz already carried competing traditions of tone, style and technique shaped by cornet players across New Orleans and beyond.
Brass Bulletin No 42 · 1983
Trumpet· Cornet à pistons· History· Repertoire· Jazz· Improvisation
Damm, Peter
Ornaments in 18th-century Horn Concertos?
Essential ornaments
Natural horn technique left little room for excess: Peter Damm sets 18th-century ornamentation against the practical limits of range, style and notation.
Brass Bulletin No 43 · 1983
Horn· Repertoire· History· Ornaments· Interpretation
Laplace, Michel
The Trumpet and the Cornet in Jazz and Popular Music
The “Classical” Period 1927-1945 — The Golden Age of the Trumpet
Between Armstrong’s rise and bebop’s arrival, the trumpet became jazz’s dominant voice, reshaping technique, orchestras, sound, mutes and virtuosity.
Brass Bulletin No 43 · 1983
Trumpet· Cornet à pistons· History· Repertoire· Jazz· Improvisation
Damm, Peter
Ornaments in 18th-century Horn Concertos?
Deliberate divisions
Improvisation, articulation and ornament were once inseparable: Peter Damm recovers an 18th-century horn practice later narrowed by increasingly precise notation.
Brass Bulletin No 44 · 1983
Horn· History· Repertoire· Ornaments· Improvisation
Perl, Benjamin
Brass in the Operas of Berlioz
Berlioz turned a changing brass section into a dramatic force, using horns, trombones, cornets and saxhorns to shape colour, distance, ceremony and fear.
Brass Bulletin No 45 · 1984
History· Repertoire· Orchestral playing· Sound
Hübler, Klaus-K.
The Polyphonic Trombone
A suggested notation system
When trombone slide, overtones, breath and valves become independent musical voices, conventional notation reaches its limits and a new system becomes necessary.
Brass Bulletin No 45 · 1984
Trombone· Repertoire· Technique· Contemporary Music
Damm, Peter
Ornaments in 18th-century Horn Concertos?
Changes and modifications of tempo
Tempo, dynamics and cadenzas expose how much an 18th-century horn concerto once depended on choices that modern notation and instruments can easily obscure.
Brass Bulletin No 45 · 1984
Horn· History· Repertoire· Ornaments· Interpretation
Aitken, Thomas
A major chamber music work for brass?
Quintet, by Peter Maxwell Davies
A BBC studio session turns Maxwell Davies’s brass quintet into a test of virtuosity, balance and whether brass could claim a new place in chamber music.
Brass Bulletin No 45 · 1984
Repertoire· Backstage· Contemporary Music· Brass Ensemble
Sluchin, Benny
The Trombone in the Sacred Works of W. A. Mozart
Brass Bulletin No 46 · 1984
Trombone· Repertoire
Hiller, Albert
The trumpet in the north German postal service of the 19th century
Brass Bulletin No 47 · 1984
Trumpet· History· Equipment· Repertoire
Laplace, Michel
Maurice Ravel and the new trombone
Brass Bulletin No 47 · 1984
Trombone· Repertoire
Varasdy, Frigyes
Brass Chamber Music in Hungary
Brass Bulletin No 48 · 1984
Repertoire
Suppan, Wolfgang
Amateur wind-band repertoire in Central Europa since 1950
Brass Bulletin No 49 · 1985
Repertoire
Tarr, Edward H.
Handel Horn Duo located in South America
Brass Bulletin No 49 · 1985
Horn· Repertoire
Winkler, Klaus
Bibliography of works for trombone and organ
Brass Bulletin No 51 · 1985
Trombone· Repertoire
Selianin, Anatoly
Emile Joseph Trognée (1868-1942)
Discovery of unpublished trumpet studies
Brass Bulletin No 51 · 1985
Trumpet· Repertoire· History
Winkler, Klaus
Modern editions of original 17th-century brass ensemble music
Brass Bulletin No 53 · 1986
Repertoire
Tarr, Edward H.
The Coiled Hunting Instrument by J. W. Haas
Bad Säckingen Trumpet Museum
Brass Bulletin No 54 · 1986
Horn· Trumpet· History· Equipment· Repertoire
Struck-Schloen, Michael
Between Furniture Music and Twelve-Note Concerto
The trombone in the chamber ensemble at the beginning of modern music (1913-1934)
Brass Bulletin No 55 · 1986
Repertoire
Laplace, Michel
Tubas in Jazz and Popular Music
Brass Bulletin No 56 · 1986
Tuba· Report· Repertoire
Struck-Schloen, Michael
Between Furniture Music and Twelve-Note Concerto
The trombone in the chamber ensemble at the beginning of modern music (1913-1934)
Brass Bulletin No 56 · 1986
Trombone· Repertoire
Damm, Peter
Did Bach write the "corne da caccia" part in the B minor Mass for Gottfried Reiche?
Brass Bulletin No 56 · 1986
Horn· History· Repertoire· Historical instruments
Winkler, Klaus
Trombone and Organ, a Dialog
Brass Bulletin No 56 · 1986
Trombone· Repertoire
Stevens, Thomas
Can jazz performance be taught?
A profile of Charlie Shoemake
Brass Bulletin No 57 · 1987
Repertoire· Teaching· Jazz· Ideas
Winkler, Klaus
Trombone and Organ, a Dialog
Brass Bulletin No 57 · 1987
Trombone· Repertoire
Damm, Peter
Did Bach write the "corne da caccia" part in the B minor Mass for Gottfried Reiche?
Brass Bulletin No 57 · 1987
Horn· History· Repertoire· Historical instruments
Laplace, Michel
Tubas in Jazz and Popular Music
Brass Bulletin No 57 · 1987
Tuba· Report· Repertoire
Shoemake, Charlie
Jazz Improvisation
Major scalem chord-scale relationship
Brass Bulletin No 58 · 1987
Repertoire· Teaching
Damm, Peter
Did Bach write the "corne da caccia" part in the B minor Mass for Gottfried Reiche?
Brass Bulletin No 58 · 1987
Horn· History· Repertoire· Historical instruments
Shoemake, Charlie
Jazz Improvisation
The harmonic minor scale
Brass Bulletin No 59 · 1987
Repertoire· Teaching
Shoemake, Charlie
Jazz Improvisation
The melodic minor scale 1
Brass Bulletin No 60 · 1987
Repertoire· Teaching
Shoemake, Charlie
Jazz Improvisation
The melodic minor scale 2
Brass Bulletin No 61 · 1988
Repertoire· Teaching
Müller, Thomas
Stopping technique in the Mozart horn concertos
Brass Bulletin No 62 · 1988
Horn· Technique· Repertoire
Culbertson, Mel
The tuba in the brass quintet
Brass Bulletin No 63 · 1988
Tuba· Technique· Repertoire
Hiller, Albert
Unknown trumpet works which deserve attention
Joseph Riepel (1709-1782), Concerto in D major
Brass Bulletin No 63 · 1988
Trumpet· Repertoire
Gross, Ernest H.
The influence of Berlioz
on contemporary 19th Century use of brass instruments
Brass Bulletin No 67 · 1989
History· Repertoire
Mathez, Jean-Pierre
Alexander Arutiunian
Interview
Brass Bulletin No 67 · 1989
Report· Encounters· Repertoire
Gross, Ernest H.
The influence of Berlioz
on contemporary 19th Century use of brass instruments
Brass Bulletin No 68 · 1989
History· Repertoire
Baumann, Hermann
The Horn and Piano Duo
Brass Bulletin No 69 · 1990
Horn· Repertoire· Teaching
Mathez, Jean-Pierre
Julien-François Zbinden, Composer
Brass Bulletin No 69 · 1990
Encounters· Repertoire
Gross, Ernest H.
The influence of Berlioz
on contemporary 19th Century use of brass instruments
Brass Bulletin No 69 · 1990
History· Repertoire
Tarr, Edward H.
Neruda's Concerto for Horn (or trumpet)
Brass Bulletin No 70 · 1990
Horn· Trumpet· Repertoire
Gross, Ernest H.
The influence of Berlioz
on contemporary 19th Century use of brass instruments
Brass Bulletin No 70 · 1990
History· Repertoire
Mathez, Jean-Pierre
Bernhard Krol (1920-2013)
Composer
Brass Bulletin No 70 · 1990
Encounters· Repertoire
Raum, J. Richard
The Alto Trombone
In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria
Brass Bulletin No 72 · 1990
Trombone· History· Repertoire
Hermann, Emil
Carnival of Venice at the age of more than 125!
Brass Bulletin No 72 · 1990
History· Repertoire
Mathez, Jean-Pierre
Jan Koetsier
Composer for the glory of the brasses
Brass Bulletin No 72 · 1990
Encounters· Repertoire
Raum, J. Richard
The Alto Trombone
In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria
Brass Bulletin No 73 · 1991
Trombone· History· Repertoire
Mathez, Jean-Pierre
Trumpet and percussion, a dynamic combination
+ Music and Zen, interview with Patrick Lehmann and Simone Wolf-Lehmann
Brass Bulletin No 73 · 1991
Trumpet· Repertoire
Mathez, Jean-Pierre
Valery Strukow
Moscow composer
Brass Bulletin No 73 · 1991
Repertoire
Hiller, Albert
Unknown trumpet works which deserve attention
Anonymous (early classical), Concerto in D major
Brass Bulletin No 73 · 1991
Trumpet· Repertoire
Raum, J. Richard
The Alto trombone
In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria
Brass Bulletin No 74 · 1991
Trombone· History· Repertoire
Lapie, Raymond
Sigismund Neukomm (1778-1858) and the trombone
Brass Bulletin No 75 · 1991
Trombone· Repertoire
Krumpfer, Hans-Joachim
1796-1908: the long sleep of the Haydn trumpet concerto...
Brass Bulletin No 75 · 1991
Trumpet· History· Repertoire
Sluchin, Benny
The Alto Trombone in the 20th Century Orchestra
Brass Bulletin No 75 · 1991
Trombone· History· Repertoire
Mathez, Jean-Pierre
Sir Peter Maxwell Davies
Fire in the music
Brass Bulletin No 76 · 1991
Repertoire· Encounters
Lapie, Raymond
The trombone and chamber music in France
Brass Bulletin No 76 · 1991
Trombone· History· Repertoire
Sluchin, Benny
Trombone Quartets
Brass Bulletin No 79 · 1992
Trombone· Report· Repertoire
Anzenberger-Ramminger, Elisabeth
Men's chorus and winds
Special Austria
Brass Bulletin No 80 · 1992
Report· Repertoire
Anzenberger, Friedrich
Trumpet methods of the 19th century
Brass Bulletin No 80 · 1992
Trumpet· History· Repertoire
Mathez, Jean-Pierre
Jost Meier
Swiss composer
Brass Bulletin No 81 · 1993
Encounters· Repertoire
Douay, Jean
Georges Delerue (1925-1992)
One of the most famous French composers
Brass Bulletin No 81 · 1993
Encounters· Repertoire
Mathez, Jean-Pierre
Ivan Jevtic
Blood, fire and music
Brass Bulletin No 82 · 1993
Encounters· Repertoire
Stevens, Thomas
Yes! We have no repertoire!
Brass Bulletin No 83 · 1993
Trumpet· Repertoire
Mathez, Jean-Pierre
Vinko Globokar
The Rebel
Brass Bulletin No 84 · 1993
Encounters· Repertoire
Anzenberger, Friedrich
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Brass Bulletin No 85 · 1994
Trumpet· Cornet à pistons· History· Repertoire· Teaching
Mathez, Jean-Pierre
Boosey & Hawkes
A spectacular revival
Brass Bulletin No 85 · 1994
Report· Repertoire· Equipment
Anzenberger, Friedrich
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Brass Bulletin No 86 · 1994
Trumpet· Cornet à pistons· History· Repertoire· Teaching
Anzenberger, Friedrich
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Brass Bulletin No 87 · 1994
Trumpet· Cornet à pistons· History· Repertoire· Teaching
Dibb, Jeremy · Hogg, Simon
The trombone of Gustav Holst (1874-1934)
Brass Bulletin No 88 · 1994
Trombone· History· Repertoire
Güttler, Ludwig
The corno da caccia in the music of J. S. Bach
Brass Bulletin No 91 · 1995
Horn· Trumpet· Repertoire
Mathez, Jean-Pierre
Harri Lidsle
Master stroke of a young Finnish tubist
Brass Bulletin No 92 · 1995
Tuba· Report· Encounters· Repertoire
Kircheis, Michael
Discovery of the 'Turmsonaten' written in 1803
Brass Bulletin No 93 · 1996
History· Repertoire
Bobo, Roger
Reflections on the tuba, teaching and music
Brass Bulletin No 94 · 1996
Tuba· Equipment· Teaching· Repertoire
Anzenberger, Friedrich
Rediscovered trumpet fanfares
Brass Bulletin No 94 · 1996
Trumpet· History· Repertoire
Mathez, Jean-Pierre
Evolution of the trumpet ensembles
Brass Bulletin No 94 · 1996
Trumpet· Repertoire
Mathez, Jean-Pierre
Stanley Friedman sound from the pen...
Brass Bulletin No 96 · 1996
Trumpet· Encounters· Repertoire
Trevor, Herbert
Cyfartha Castle: The origin of the species
The repertoire of the Cyfartha Band is unique among all known sources for brass music
Brass Bulletin No 97 · 1997
Repertoire
Turner, Kerry
The Art of the Third Horn Player
The unsung hero
Brass Bulletin No 97 · 1997
Horn· Repertoire· Ideas
Freeman-Attwood, Jonathan
Putting the Brit into Brass
Brass Bulletin No 101 · 1998
Repertoire· Teaching
Miller, Amos · Horn, Christopher
Modern British composers & British brass playing
Brass Bulletin No 101 · 1998
Repertoire
Mowat, Christopher
Brass Ensemble Music Publications from Great Britain
Brass Bulletin No 101 · 1998
Repertoire
Stevens, Thomas
About my “48 Lyric Studies”
Brass Bulletin No 102 · 1998
Trumpet· Repertoire· Teaching
Lapie, Raymond
A sensational dicovery: 12 brass quintets (1850) by Jean Bellon
Brass Bulletin No 109 · 2000
Repertoire
Divoky, Zdenek
Antonio Rosetti and the Millenium
Brass Bulletin No 109 · 2000
Horn· Repertoire
Mathez, Jean-Pierre
Robert Davis King (1914-1999)
Brass Bulletin No 109 · 2000
Encounters· Repertoire
Lapie, Raymond
A sensational dicovery: 12 brass quintets (1850) by Jean Bellon
Brass Bulletin No 110 · 2000
Repertoire
Mathez, Jean-Pierre
The art of chamber music
Brass Bulletin No 113 · 2001
Technique· Repertoire
Schnohrk, Roland
Frank Martin, The Ballade for trombone and piano
Brass Bulletin No 113 · 2001
Trombone· Repertoire
Mathez, Jean-Pierre
The art of chamber music
Brass Bulletin No 114 · 2001
Technique· Repertoire
Sugihara, Michio
R. Nak & His Tokyo Bach Band
Brass Bulletin No 114 · 2001
Report· Repertoire
Kövesdi, Levente
A voyage with Roland Szentpali, Hungarian tubist and composer
Brass Bulletin No 116 · 2001
Tuba· Encounters· Repertoire
Tapani, Esa
Communication between performers and composer
Brass Bulletin No 117 · 2002
Repertoire
Müller, Christoph
The art of chamber music
Brass Bulletin No 117 · 2002
Technique· Repertoire
Spanish Brass Luur Metalls
The art of chamber music
Rehearsal technique of Spanish Brass Luur Metalls
Brass Bulletin No 118 · 2002
Technique· Repertoire
Friedman, Stanley
The Composer Adrift
Brass Bulletin No 120 · 2002
Repertoire
Runyan, William E.
Keyed and valved bugles, cornets and trumpets in french grand opera
Brass Bulletin No 122 · 2003
Trumpet· Cornet à pistons· History· Repertoire