Repertorio
145 artículos
Gratuito
Michel Becquet
Interview
A young Michel Becquet challenges orchestral habits, champions the trombone as a solo voice and reflects on competitions, repertoire, teaching and sound.
Por Benny Sluchin
Gratuito
Parte 1
The Baroque trumpet, the high trumpet and the so-called Bach trumpet
Edward H. Tarr examines the Baroque trumpet and clarifies the origins and meaning of the so-called “Bach trumpet.”
Por Edward H. Tarr
Miembro
Parte 1
From musical wallpaper to the twelve-note row
The trombone in the chamber ensemble at the beginning of modern music (1913-1934)
Between 1913 and 1934, the trombone gained an unexpected place in chamber music as Satie, Milhaud and Stravinsky challenged orchestral traditions with jazz and new sounds.
Por Michael Struck-Schloen
Miembro
Parte 1
Ornaments in 18th-century Horn Concertos?
Performance once depended as much on informed invention as on written notes, and early horn concertos still carry that forgotten freedom in plain sight.
Por Peter Damm
Parte 2
From musical wallpaper to the twelve-note row
The trombone in the chamber ensemble at the beginning of modern music (1913-1934)
Por Michael Struck-Schloen
Miembro
Brass in the Operas of Berlioz
Berlioz turned a changing brass section into a dramatic force, using horns, trombones, cornets and saxhorns to shape colour, distance, ceremony and fear.
Por Benjamin Perl
The Alto Trombone in the 20th Century Orchestra
Por Benny Sluchin
Miembro
Parte 2
Music in an American Frontier Communal Society
Aurora Colony
Music shaped daily life in Aurora’s communal colony, from civic ceremonies and political events to touring brass bands that carried its identity across the American West.
Por Deborah M. Olsen
Miembro
The classical solo concerto for trombone and its interpreters in the 19th century
From Queisser to Ferdinand David: the rise—and disappearance—of the classical trombone concerto in the 19th century reveals a forgotten golden age of virtuosity.
Por Werner Beyer
Miembro
Contemporary systems and trends for the tuba
New music, new rules: Daniel Perantoni explores extended techniques, graphic notation and the evolving language of the tuba.
Por Daniel Perantoni
Stanley Friedman sound from the pen...
Por Jean-Pierre Mathez
Trumpet and percussion, a dynamic combination
+ Music and Zen, interview with Patrick Lehmann and Simone Wolf-Lehmann
Por Jean-Pierre Mathez
Parte 1
The influence of Berlioz
on contemporary 19th Century use of brass instruments
Por Ernest H. Gross
Men's chorus and winds
Special Austria
Por Elisabeth Anzenberger-Ramminger
Julien-François Zbinden, Composer
Por Jean-Pierre Mathez
Boosey & Hawkes
A spectacular revival
Por Jean-Pierre Mathez
Neruda's Concerto for Horn (or trumpet)
Por Edward H. Tarr
Gratuito
Parte 4
Ornaments in 18th-century Horn Concertos?
Changes and modifications of tempo
Tempo, dynamics and cadenzas expose how much an 18th-century horn concerto once depended on choices that modern notation and instruments can easily obscure.
Por Peter Damm
Snapshot: the American Brass Quintet in Europe
Report on the American Brass Quintet’s tour in Europe, highlighting performances, reception and the ensemble’s role in chamber brass music.
Por Jean-Pierre Mathez
Parte 2
The Alto Trombone
In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria
Por J. Richard Raum
Gratuito
Emile Joseph Trognée (1868-1942)
Discovery of unpublished trumpet studies
Forgotten in Leningrad for decades, Trognée’s unpublished trumpet studies reconnect the Belgian virtuoso with a European tradition his Russian career had obscured.
Por Anatoly Selianin
Parte 2
Trombone and Organ, a Dialog
Por Klaus Winkler
Gratuito
Transcription fundamentals
Between Bach fugues and Mozart concertos, Ralph Sauer questions where brass transcription renews a work — and where it merely imitates.
Por Ralf Sauer
R. Nak & His Tokyo Bach Band
Por Michio Sugihara