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Ornaments in 18th-century Horn Concertos

Peter Damm

Brass Bulletin No. 42–45 · 1983–1984

4 parts · 4 digitized Complete
  1. Ornaments in 18th-century Horn Concertos?

    Part 1

    Ornaments in 18th-century Horn Concertos?

    Brass Bulletin No. 42 · 1983 · pp. 12–15

    Performance once depended as much on informed invention as on written notes, and early horn concertos still carry that forgotten freedom in plain sight.

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  2. Ornaments in 18th-century Horn Concertos?

    Part 2

    Ornaments in 18th-century Horn Concertos?

    Essential ornaments

    Brass Bulletin No. 43 · 1983 · pp. 34–43

    Natural horn technique left little room for excess: Peter Damm sets 18th-century ornamentation against the practical limits of range, style and notation.

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  3. Ornaments in 18th-century Horn Concertos?

    Part 3

    Ornaments in 18th-century Horn Concertos?

    Deliberate divisions

    Brass Bulletin No. 44 · 1983 · pp. 48–52

    Improvisation, articulation and ornament were once inseparable: Peter Damm recovers an 18th-century horn practice later narrowed by increasingly precise notation.

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  4. Ornaments in 18th-century Horn Concertos?

    Part 4

    Ornaments in 18th-century Horn Concertos?

    Changes and modifications of tempo

    Brass Bulletin No. 45 · 1984 · pp. 46–54

    Tempo, dynamics and cadenzas expose how much an 18th-century horn concerto once depended on choices that modern notation and instruments can easily obscure.

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