Ornaments in 18th-century Horn Concertos
Peter Damm
Brass Bulletin N. 42–45 · 1983–1984
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Parte 1
Ornaments in 18th-century Horn Concertos?
Brass Bulletin N. 42 · 1983 · pp. 12–15
Performance once depended as much on informed invention as on written notes, and early horn concertos still carry that forgotten freedom in plain sight.
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Parte 2
Ornaments in 18th-century Horn Concertos?
Essential ornaments
Brass Bulletin N. 43 · 1983 · pp. 34–43
Natural horn technique left little room for excess: Peter Damm sets 18th-century ornamentation against the practical limits of range, style and notation.
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Parte 3
Ornaments in 18th-century Horn Concertos?
Deliberate divisions
Brass Bulletin N. 44 · 1983 · pp. 48–52
Improvisation, articulation and ornament were once inseparable: Peter Damm recovers an 18th-century horn practice later narrowed by increasingly precise notation.
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Parte 4
Ornaments in 18th-century Horn Concertos?
Changes and modifications of tempo
Brass Bulletin N. 45 · 1984 · pp. 46–54
Tempo, dynamics and cadenzas expose how much an 18th-century horn concerto once depended on choices that modern notation and instruments can easily obscure.
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