Trombone
All articles related to Trombone
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Part 1
The trombone in Jazz and Popular Music
Jazz did not invent the modern trombone: early virtuosos, New Orleans players and changing techniques reveal a more complex path toward flexibility and legato.
By Michel Laplace
Branimir Slokar
A happy trombonist
By Jean-Pierre Mathez
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The Trombone in the Sacred Works of W. A. Mozart
In Mozart’s sacred music, the trombone moved beyond choral reinforcement to striking solo roles that preserve the sound and practice of eighteenth-century Salzburg.
By Benny Sluchin
Rudolf Josel
Austrian trombone master
By Wolfgang Suppan
Porcia 1994
International Trombone Competition
By Benny Sluchin
Free
Vladislav Mykhaylovich Blazhevich (1881-1942)
Trombonist, Composer and Teacher
From village band to the Moscow Conservatoire and the Bolshoi, a lifelong commitment to performance, teaching and wind music shaped Soviet trombone tradition.
By Viktor Sumerkin
Prague 1997 celebration of young talents?
By Jean-Pierre Mathez
Carl Traugott Queisser
God of the trombone
By Sebastian Krause
Part 1
The 18th Century Trombone
Rumors of its death were premature
By J. Richard Raum
Palmer Traulsen
One of the great masters of the Scandinavian trombone school
By Michael Lind
Joannès Rochut (1881-1952)
Trombonist of the Boston symphony Orchestra
Behind a cornerstone of trombone teaching lies Rochut’s path between Paris and Boston, lost manuscripts, orchestral life and the enduring Bordogni legacy.
By David Fetter
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Trombone workshops
In Nashville, Copenhagen and Metz, trombone workshops took strikingly different forms, exposing the artistic ambitions and practical tensions behind a growing movement.
By Benny Sluchin
Frank Martin, The Ballade for trombone and piano
By Roland Schnohrk
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Part 1
Anton Hansen (1877-1947)
Father of trombone playing in Scandinavia
From Nørrebro cafés to the Royal Orchestra, Anton Hansen’s early years reveal the shift from valve to slide trombone in Scandinavian orchestras.
By Per Gade
Ivan Meylemans, a trombone from out of the blue
By Jean-Pierre Mathez
Glenn Ferris - Profile
Beyond fame and labels: Glenn Ferris rejects the music business game—defining a raw, uncompromising vision of creativity, freedom, and what it means to truly play.
By Lee Underwood
On the Sackbut or Harmonic Trumpet
From Pierre Trichet’s Traité des Instruments de Musique (c. 1640)
A seventeenth-century description of the sackbut captures its moving slide, chromatic freedom and bass role at a moment when the instrument was still being defined.
By Pierre Trichet
Part 2
The trombone according to orchestration treatises (France 1700-1914)
By Raymond Lapie
Toulon 1995
International trombone competition
By Roland Schnohrk
Free
Science and Technology in Trombone Teaching
What if tone production depended less on instinct than on understanding how the instrument, the lips and the air function as one interconnected system?
By Sergej Gorovoj
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Reminiscence of trombonists of the past
Echoes of the past: Werner Beyer traces great trombonists from the 17th century to Wagner’s era—revealing how tradition, players, and instruments shaped the modern orchestra.
By Werner Beyer
Anatoly Skobelev - Russian Grand Master of the trombone
By Victor Batashev
The ingenious Free-Flow rotary valve of René Hagmann
By Jean-Pierre Mathez
John Smithies, trombonist & enigma
By John Humphries