Complete articles index
Browse Brass Bulletin articles published since 1971. Search by topic, subject, instrument, author, series or issue, with new material added as the digital edition grows.
Part 1
The trombone according to orchestration treatises (France 1700-1914)
By Raymond Lapie
Member
Valsalva Maneuver - Why?
A familiar breathing technique becomes a source of resistance and tension, as William F. Cramer argues instead for an open throat and freer airflow.
By William F. Cramer
Editorial
By Jean-Pierre Mathez
Franz (Frantisek) Schollar and the Russian school of horn playing
By Vitali Bujanovsky
The Ferron impedance regulator
By Daniel Bourgue
General remarks on the role of the teeth for wind instrument players
Your teeth are part of your instrument: a dental expert explains how they shape sound, technique and long-term health.
By Jean-Paul Rocca
Part 1
The C. G. Conn Company
By Jean-Pierre Mathez
Clifford Brown (1930-1956)
A brief but full life
By Robert L. Watt
Jean Douay
Trombone in the heart of France
By Jean-Pierre Mathez
Member
Problems of teaching methods in brass instruction
Talent isn’t enough. Krumpfer argues that brass teaching must align physiology, psychology, and method—only then can young players reach their true potential.
By Hans-Joachim Krumpfer
The American Horn Quartet
By Jean-Pierre Mathez
Peter Damm
For the love of music
By Jean-Pierre Mathez
The Symphony Orchestra of the National Academy of St. Cecilia in Rome
By Marco Moroni
Part 1
Dental Clinic for Wind Players
The effect of oral environment in playing brass instruments
By Toshio Nemoto
Free
Instrument Making and the Ear
From hearing physiology to workshop testing, E. Ferron links instrument design, acoustics and perception, where no two ears judge sound in quite the same way.
By Emile Ferron
The Annual Competitions of the Paris Conservatoire
From commissioned works to jury voting, a long-standing examination tradition reveals how brass players progressed through the Paris Conservatoire.
By Benny Sluchin
25 tubas... 1 cimbasso - 20 years developing tubas while playing them
By Daryl Smith
Member
Part 4
Jean-Baptiste Arban (1825-1889) Biography
IV. The Conflict
Fame or duty—can you have both? At the height of his career, Jean-Baptiste Arban is forced to choose between international success and his post at the Paris Conservatoire… and pays the price.
By Jean-Pierre Mathez
Part 2
The role of the (contra)bass trombone in the Vienna sound
By Gerhard Zechmeister
Editorial
By Jean-Pierre Mathez
Part 7
James Stamp Master in listening
By Jean-Christophe Wiener
Member
Part 2
The Haydn Trumpet Concerto
André, Wobisch, Dokshitzer, Stringer and others reveal how tempo, phrasing, ornamentation and cadenzas reshape Haydn's trumpet concerto.
By Alfred Willener
A dream?
A Visit to a mouthpiece maker
By Markus Stockhausen
Editorial
By Jean-Pierre Mathez