Brass Bulletin 106, II / 1999
(page 114–119)
All content is protected by copyright © Brass Bulletin 1999–2026
All content is protected by copyright © Brass Bulletin 1999–2026
James Stamp Master in listening
Part 7
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Series in this article
James Stamp Master in listening
Part 1
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Part 2
Buzzing: practicing with the lips alone
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Part 3
James Stamp required his students to play his warm-ups and studies with the same emphasis on tone quality and musicality that they would give to the playing of a concerto
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Part 4
Small details make a big difference...
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Part 5
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Part 6
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Part 7 — Currently reading
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Part 8 – End
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