Complete articles index
Browse Brass Bulletin articles published since 1971. Search by topic, subject, instrument, author, series or issue, with new material added as the digital edition grows.
Part 1
School of trumpet in Liège
By Rosario Macaluso
Free
Horn and Harp
Virtuoso showpieces once filled concert halls, yet today the rare pairing of horn and harp preserves a forgotten musical world shaped by performers themselves.
By Ch. Bernsdorff-Engelbrecht
Member
Part 2
Playing and singing simultaneously on brass instruments
From interval production and tone generation to contemporary repertoire, simultaneous playing and singing becomes a demanding extension of brass technique.
By Benny Sluchin
Part 8
DSA - Digital analysis of intonation and sound
By Robert Meissner
Chinese musicians in Okinawa
By Fujio Nakayama
Member
My teeth
A dentist visit that changed everything: René Périnelli reveals how his teeth directly shaped his trumpet playing.
By René Périnelli
Member
Part 1
The contrabass trombone
Picture and sketches, taking particularly into account the construction principles (1973)
From Praetorius to Wagner: Heinrich Thein traces the evolution of the contrabass trombone—revealing how history, acoustics, and design shaped this powerful orchestral voice.
By Heinrich Thein
Jens Lindemann, lips of gold...
By Jean-Pierre Mathez
Free
Special Finland
The brass band tradition in Finland
Finland’s brass-band tradition grew from imperial reform into a nationwide phenomenon, before an equally systematic transformation brought the era to an end.
By Holger Fransman
Editorial
By Jean-Pierre Mathez
Part 3
The importance of music education in society today
By Heinz Preiss
Member
Part 4
The Trumpet in the USA
Gadgets II
Mouthpiece backbores for piccolo and C trumpet are compared through practical performer testing, linking equipment choices to sound, volume and intonation.
By Thomas Stevens
Member
The Euphonium in America
A Short History
Euphonium terminology, bore sizes, and band instrumentation shifted across Europe and America, from Sax and Conn to Gilmore, Sousa, and Fennell.
By Robert Reifsnyder
Editorial
By Jean-Pierre Mathez
Part 1
Exclusive interview with Esa-Pekka Salonen
Maestro Hornist
By Robert L. Watt
The national Orchestra of Spain
By Salvador Navarro-Martinez
Thomas Harper Junior (1816-1898)
Travelling Through Time
By John Hutchins
Editorial
By Jean-Pierre Mathez
Part 1
The horn in Madrid in the 18th century
Exclusive revelations in the natural horn in Spain (Valencia & Madrid)
By Javier Bonet Manrique
Is there more to stage fright than just anxiety?
By John Hipple
Part 10
Dental Clinic for Wind Players
Irregular teeth formations and brass playing
By Toshio Nemoto
B.E.R.P ?
Interview with Mario Guarneri
By Jean-Pierre Mathez
Brass in Britain from the earliest times
By John Humphries
Member
Individuality and Uniformity in Brass Players
As international standards reshape brass playing, musical individuality risks giving way to imitation, leaving tradition, ensemble work and personal conviction at stake.
By Hans-Joachim Drechsler