Contexto musical
90 artículos disponibles en línea
Gratuito
Viktor Venglowski
Musician and Teacher
From the Leningrad Philharmonic to the Conservatoire, one trombonist shaped repertoire, ensembles and generations of players across the Soviet Union.
Por Sergej Gorovoj
Miembro
Parte 2
Playing and singing simultaneously on brass instruments
From interval production and tone generation to contemporary repertoire, simultaneous playing and singing becomes a demanding extension of brass technique.
Por Benny Sluchin
Miembro
Philip Jones
Interview
From South London bands to the Philharmonia, Philip Jones recalls his musical upbringing, orchestral life and the rise of brass ensembles in post-war Britain.
Por Jean-Pierre Mathez
Miembro
Parte 3
Playing and singing simultaneously on brass instruments
From Weber's Concertino to Berlioz's chord writing, acoustic principles explain how combination tones emerge from simultaneous playing and singing on brass.
Por Benny Sluchin
Gratuito
Mantzaros Philharmonic Society
Corfou, Greece
A Corfu musical society founded in 1890 connects European influence, amateur tradition and a trumpet school that trained some 1,200 players.
Por Gerassimos Ioannides
Gratuito
A major chamber music work for brass?
Quintet, by Peter Maxwell Davies
A BBC studio session turns Maxwell Davies’s brass quintet into a test of virtuosity, balance and whether brass could claim a new place in chamber music.
Por Thomas Aitken
Parte 1
Does Jazz still have a soul?
Por Michel Laplace
The Annual Competitions of the Paris Conservatoire
From commissioned works to jury voting, a long-standing examination tradition reveals how brass players progressed through the Paris Conservatoire.
Por Benny Sluchin
Gratuito
1981 Geneva International Competition
Readers Letters
Philip Jones responds to the Geneva 1981 debate, arguing for fairer jury decisions, balanced repertoire, and the enduring value of international trumpet competitions.
Por Philip Jones
Gratuito
Parte 1
The Trumpet and the Cornet in Jazz and Popular Music
Before Louis Armstrong became the defining figure, jazz already carried competing traditions of tone, style and technique shaped by cornet players across New Orleans and beyond.
Por Michel Laplace
Miembro
Possibilities for development of brass instruments (1967)
Experimental study by Vinko Globokar on extended techniques for brass instruments, covering microtonality, voice-instrument interaction and new sound production methods.
Por Vinko Globokar
Gratuito
Unknown Treasures for Trumpet Ensembles
Processional Music from 18th century Bavaria
Forgotten Bavarian monastery archives preserve hundreds of ceremonial trumpet works, where local tradition and practical performance survived long after their cultural world disappeared.
Por Albert Hiller
Miembro
Modern editions of original 17th-century brass ensemble music
Seventeenth-century brass music regained its place in the repertoire, but modern editions often altered the original keys, instrumentation and balance between voices.
Por Klaus Winkler
Gratuito
The mute belt
In Stockhausen's demanding trumpet works, six different mutes had to be changed while performing from memory, turning a practical problem into a new stage technique.
Por Markus Stockhausen
Gratuito
Editorial
Mass media, record-industry economics and the return of cornet virtuosity collide in a sharp warning about fashion, manipulation and musical independence.
Por Jean-Pierre Mathez
La trompeta universal de Gabriele Cassone
Instrumentos barrocos, Berio y música italiana olvidada conviven en Cassone dentro de una concepción singularmente amplia del trompetista moderno.
Por Jean-Pierre Mathez
Gratuito
Vladislav Mykhaylovich Blazhevich (1881-1942)
Trombonist, Composer and Teacher
From village band to the Moscow Conservatoire and the Bolshoi, a lifelong commitment to performance, teaching and wind music shaped Soviet trombone tradition.
Por Viktor Sumerkin
Miembro
Harry James (1916-1983)
Young Man With A Horn
Harry James stood between jazz virtuosity and popular showmanship, turning the trumpet into a mass-audience voice without losing the respect of classical players.
Por Michel Laplace
Gratuito
Serious Music this Side of the Ghetto
Between Darmstadt serialism and neo-tonality, the place of serious music in society is questioned through Berg, Schönberg and the post-war avant-garde.
Por Rolf Urs Ringger
Miembro
Amateur wind-band repertoire in Central Europa since 1950
After 1950, Central Europe’s amateur wind bands became a testing ground where inherited traditions, modern composition, popular music and education collided.
Por Wolfgang Suppan
Gratuito
Melvyn Poore
Tuba britannica
A tuba becomes a laboratory for circular breathing, reeds, strange mutes and music theatre as Melvyn Poore pushes beyond the orchestral role assigned to it.
Por Thomas Aitken
Gratuito
A guide to commercial tuba playing in the Los Angeles area
Hollywood reality check: Tommy Johnson reveals what it really takes to become a commercial tuba player in Los Angeles—skill, versatility… and patience.
Por Tommy Johnson
Gratuito
Miroslav Kejmar
Portrait in brief
From Bach’s Brandenburg Concerto to Czech contemporary music, the Prague trumpeter combined Baroque precision with orchestral versatility across Europe.
Por Jean-Pierre Mathez
Gratuito
John Fletcher
Interview
From brass bands to chamber ensembles, John Fletcher reflects on the rapid rise of young British tubists and the changing role of the instrument.
Por Jean-Pierre Mathez