Complete articles index
Browse Brass Bulletin articles published since 1971. Search by topic, subject, instrument, author, series or issue, with new material added as the digital edition grows.
Part 2
Homage to Dizzy Gillespie (1917-1992)
By Michel Laplace
Editorial
By Jean-Pierre Mathez
Circular Breathing for Brass Player
By Kevin H. Thompson
Royal College of Music London
Tradition and evolution of the brass classes
By Jean-Pierre Mathez
Free
Editorial
Between tradition and innovation: brass players must move beyond routine and embrace new musical directions to remain relevant in the music of tomorrow.
By Jean-Pierre Mathez
Jacques Mauger, on 7th heaven with the trombone
By Jean-Pierre Mathez
Free
Tuba and Euphonium today
A new era for low brass: Willy Kurath explores how modern tuba and euphonium design—driven by innovation and collaboration—redefines sound, technique, and solo potential.
By Willi Kurath
Member
Vassily Gueorguievitch Brandt (1869–1923)
Biography
Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.
By Anatoly Selianin
The tuba in the brass quintet
By Mel Culbertson
Part 2
On the trail of the medieval slide trumpet
By David M. Guion
Member
Part 2
Anton Hansen (1877-1947)
Father of trombone playing in Scandinavia
Berlin, Leipzig and Copenhagen diary pages show Hansen testing slide-trombone ideals against Weschke, orchestral practice and Carl Nielsen.
By Per Gade
Conrad and Johann Bauer
two trombone players
By Bert Noglik
Georges Gay
Big Band trumpet player
By Jean-Pierre Mathez
Free
Editorial
Editorial of Brass Bulletin No. 3 presenting new collaborators and affirming the magazine’s independence and community-driven mission.
By Jean-Pierre Mathez
Instrumental performance and the bodily motor system
By Joachim E. Lahme
Free
On record reviews
Is criticism constructive? Objective?
When taste and feeling dominate record reviews, criticism risks becoming arbitrary; Uwe Wolf argues instead for interpretations grounded enough to sustain debate.
By Uwe Wolf
History and development of permanent exhaling
By Wladimir Katchmartchik
Part 4
The importance of music education in society today
By Heinz Preiss
Thierry Caens
A great vintage of French trumpet
By Jean-Pierre Mathez
ROTAX®
The rotary valve with the ideal tube geometry
By Willi Kurath
Member
The powdered tuba or the strange illness of Stanley Cooper¹
A gifted tubist develops an alarming appetite for his instrument, as Jean-Pierre Mathez turns orchestral life into a darkly absurd tale of musical solidarity.
By Jean-Pierre Mathez
Part 3
James Stamp Master in listening
James Stamp required his students to play his warm-ups and studies with the same emphasis on tone quality and musicality that they would give to the playing of a concerto
By Jean-Christophe Wiener
Part 4
A player’s first years
The opinion of an expert
By Horst Rapp
Member
James Stamp, subtle teaching
Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.
By Alfred Willener