James Stamp Master in listening

James Stamp required his students to play his warm-ups and studies with the same emphasis on tone quality and musicality that they would give to the playing of a concerto

Part 3

By Jean-Christophe Wiener

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James Stamp Master in listening

Part 1

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Part 2

Buzzing: practicing with the lips alone

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Part 3 — Currently reading

James Stamp required his students to play his warm-ups and studies with the same emphasis on tone quality and musicality that they would give to the playing of a concerto

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Part 4

Small details make a big difference...

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James Stamp Master in listening

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