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Inventor's corner

Shaping Your Own Mouthpiece

Inventor's corner

Mouthpieces are made on a lathe and so the rim surface is flat (and sits flat on a tabletop). Unfortunately our lips are not that flat. Our teeth form a more or less arched row. If we press the mouthpiece against our lips, we have to use them to form a cushion, otherwise pain and fatigue soon develop, as every brass player knows. With a flatter, wider rim you can press harder and longer but you loose control. You know the problem area that calls for the wider flatter rim but you know you should not give in because of the loss of flexibility, loss of attack etc. That problem area is in the middle of our upper lip. Many people can make a good cushion embouchure and have a strong lower lip yet still have pain and fatigue in the upper lip because, when they press, the circulation in the middle of the upper lip is reduced where the arch of the upper teeth is closest to the mouthpiece rim.

The problem is: how do we get rid of that painful area on our upper lip? One solution among trumpeters is — though guys feel no pain. Another solution is the Herbert Clarke mouthpiece (BRASS BULLETIN no 20, pp. 27-28); I copied it but it did not work; it was much too comfortable for my lower lip, which did not need help.

What I now do is this. I make an incision with a jigsaw in the outer wall of the mouthpiece rim about 2 mm (no more) below the highest point of the rim surface. I continue until the incision reaches round one third of the rim circumference. Then I take a piece of hard round wood (a pole with a 1’’ diameter) and hold it on top of the mouthpiece rim. One or two blows with a hammer are enough to create a slight depression in the rim surface. It is less than 1 mm but our sensitive upper lip will feel less pain and have more endurance. We now have only to solder what is left of the hole (use lead-free solder) — but chewing-gum or glue also work. Now you can use a medium rim with a good bite to its full advantage, with more endurance and better high notes. It takes some experimentation — and a few mouthpieces! — before you get the best result.

Brass Bulletin 48, IV / 1984 pages 99–100

All content is protected by copyright © Brass Bulletin 1984–2026

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