Interpretación
55 artículos disponibles en línea
Miembro
The use of the mind in instrumental performance
Relaxation, concentration and mental imagery reshape technical practice, linking self-confidence and instrumental control beyond physical training alone.
Por Michel Ricquier
Miembro
Natural trumpets, basic techniques
Natural trumpet playing demands more than historical equipment: Friedemann Immer sets modern technique against Baroque sound, articulation, style and authenticity.
Por Friedemann Immer
Gratuito
ASA-Method, ASA-Technic
Virtuosity grows from disciplined work on scales, articulation and reading, arguing that consistent fundamentals matter more than chasing the upper register.
Por Rolf Quinque
Gratuito
Why pretend to be Mozart?
Reply to Bernhard Krol
Should a cadenza imitate Mozart? Peter Damm argues for stylistic fidelity without imitation—at the heart of a debate with Bernhard Krol.
Por Peter Damm
Symphonic tuba playing
A warning from the orchestra: Lewis Waldeck challenges modern tuba playing—calling for a return from solo brilliance to the dark, blended power of true symphonic sound.
Por Lewis Waldeck
Miembro
Parte 1
Arnold Jacobs
Interview
Two tuba giants meet in 1979 Chicago, where Arnold Jacobs turns technique, sound, orchestral life and pedagogy into a lasting musical ethic.
Por Roger Bobo
Miembro
Dynamics in the 80's
From Reykjavik to the Hollywood Bowl, rising concert hall scale and amplified culture reshape orchestral sound, leaving acoustic limits exposed.
Por Roger Bobo
Miembro
Parte 2
Ornaments in 18th-century Horn Concertos?
Essential ornaments
Natural horn technique left little room for excess: Peter Damm sets 18th-century ornamentation against the practical limits of range, style and notation.
Por Peter Damm
Gratuito
The Trumpet in the Works of Jean-Philippe Rameau
From court entertainments to operatic dances, Rameau’s trumpet writing reveals uncommon technical demands and a broader palette of Baroque brass practice.
Por Albert Hiller
Gratuito
Which Horn for which Music?
Article discussing the choice of horn according to repertoire, comparing instruments, sound ideals and stylistic requirements.
Por Hermann Baumann
Miembro
Parte 1
The trombone in Maurice Ravel's Bolero
How should Boléro’s trombone solo be played? After 100 performances, Jean Douay challenges conventions and argues for a more supple, controlled approach.
Por Jean Douay
Gratuito
The Trombone in the Sacred Works of W. A. Mozart
In Mozart’s sacred music, the trombone moved beyond choral reinforcement to striking solo roles that preserve the sound and practice of eighteenth-century Salzburg.
Por Benny Sluchin
Gratuito
The trombone in Belgium
Published in memory of its author, this article reflects on the trombone tradition in Belgium and his lasting contribution.
Por Albert Mertens
Miembro
Modern editions of original 17th-century brass ensemble music
Seventeenth-century brass music regained its place in the repertoire, but modern editions often altered the original keys, instrumentation and balance between voices.
Por Klaus Winkler
Miembro
Why pretend to be Mozart?
The concerto’s cadenza: copy of style — or bold but true?
Should a cadenza imitate the past—or speak in today’s voice? Bernhard Krol questions the tradition of stylistic imitation and argues for cadenzas that bridge past and present with authenticity.
Por Bernhard Krol
Miembro
The alto trombone and contemporary concepts of trombone timbre
Alto trombone timbre from Vienna to Brahms, orchestral balance, period practice, and why bright brass sounds gradually disappeared.
Por William E. Runyan
Miembro
Special Hungary
International Trumpet Competition, Budapest 1984
Special Hungary
Budapest 1984 exposed a striking gap between technical brilliance and musical maturity, while three leading trumpeters challenged what competitions truly reward.
Por Timofey Dokschidser, Philip Jones, Théo Mertens
Miembro
The Leningrad School of Horn Playing
From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.
Por Frøydis Ree Wekre
Gratuito
Sergey Nikolaevich Yeryomin (1903-1975)
The Distinguished Soviet Trumpeter and Teacher
Between Soviet military bands, the Bolshoi and the Moscow Conservatory, Yeryomin helped shape a trumpet tradition in which virtuosity remained a means, not an end.
Por Yuri Usov
Miembro
Parte 3
The Haydn Trumpet Concerto
Haydn’s trumpet concerto becomes a study of manuscript detail, performance choices, and the fragile ways listeners receive a familiar work.
Por Alfred Willener
Gratuito
Relaxation and musical performance
Breath, fingers and muscular tension form a hidden technical chain in wind playing, as Michel Ricquier links virtuosity to bodily awareness.
Por Michel Ricquier
Miembro
Mikhail Innokentiévitch Tabakov (1877-1958)
Founder of the Soviet trumpet school
A towering figure of trumpet history: Tabakov shaped generations—including the legendary Timofei Dokchitzer—and laid the foundations of the Soviet trumpet school.
Por G. Orvid, S. Riaouzov
Gratuito
Editorial
Beyond technique and instruction, musical growth depends on trusted relationships, where friendship becomes both a measure of progress and a safeguard against isolation.
Por Jean-Pierre Mathez
Gratuito
Editorial
Between disciplined practice and creative folly, musicianship emerges where scales and systems give way to imagination, instinct and the unsettling freedom to think.
Por Jean-Pierre Mathez