Articulación
23 artículos disponibles en línea
Miembro
Parte 1
Articulation or bowing on the trumpet
Trumpet articulation becomes a precise study of attack, sustain, release and legato, linking tongue, breath, lips and sound in Dokshitser’s method.
Por Timofey Dokschidser
Miembro
Parte 2
Articulation or bowing on the trumpet
Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.
Por Timofey Dokschidser
Emory Brace Remington
A Profile
“The trombone must sing.” Ralph Sauer profiles Emory Remington—legendary teacher whose vocal approach shaped generations and redefined brass pedagogy.
Por Ralf Sauer
Miembro
Parte 4
The Trumpet and the Cornet in Jazz and Popular Music
The instrument for jazz
Jazz trumpet playing balances equipment, embouchure and articulation, as changing sound ideals reshape mouthpieces, technique and the physical approach to playing.
Por Michel Laplace
Miembro
Fundamental trombone performance technique
Teaching and application
Technique becomes musicianship when breathing, vibration, resonance, articulation and slide movement cease to be separate skills and begin working as one.
Por William F. Cramer
Gratuito
Parte 1
The trombone in Jazz and Popular Music
Jazz did not invent the modern trombone: early virtuosos, New Orleans players and changing techniques reveal a more complex path toward flexibility and legato.
Por Michel Laplace
Miembro
Parte 2
Cesare Bendinelli (1542-1617)
The Trumpet Method
The first trumpet method rediscovered: Edward H. Tarr reveals how Bendinelli’s 1614 treatise reshapes our understanding of trumpet technique, signals, and ensemble art.
Por Edward H. Tarr
Miembro
Parte 6
The Trumpet and the Cornet in Jazz and Popular Music
Special jazz techniques
Vibrato, half-valves, growls and shakes lead to a larger argument: jazz transformed trumpet technique, yet its contribution remained strikingly undervalued.
Por Michel Laplace
Miembro
Vassily Gueorguievitch Brandt (1869–1923)
Biography
Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.
Por Anatoly Selianin
Miembro
Serie El jazz y la trompa • Parte 3
Jazz and the Horn
Getting started
For the classically trained horn player, jazz replaces the security of the printed page with listening, swing and improvisation—and a different kind of discipline.
Por Jeffrey Agrell
Miembro
Parte 2
The Haydn Trumpet Concerto
André, Wobisch, Dokshitzer, Stringer and others reveal how tempo, phrasing, ornamentation and cadenzas reshape Haydn's trumpet concerto.
Por Alfred Willener
Miembro
Tonguing
A tiny shift in tongue movement changes speed, endurance and clarity, turning articulation from a mechanical attack into one of the trumpet player’s subtlest tools.
Por Louis Davidson
Phonetics in the articulation and expression of the language of music
Rethinking articulation: Francis Orval challenges traditional teaching—revealing how phonetics, language, and psychology shape sound, phrasing, and musical expression.
Por Francis Orval
Miembro
Natural trumpets, basic techniques
Natural trumpet playing demands more than historical equipment: Friedemann Immer sets modern technique against Baroque sound, articulation, style and authenticity.
Por Friedemann Immer
Miembro
Maurice Ravel and the new trombone
Dance-band trombonists reshaped orchestral expectations in the 1920s and 30s, leaving their mark on Ravel’s Boléro and a generation of players.
Por Michel Laplace
Miembro
Parte 2
Ornaments in 18th-century Horn Concertos?
Essential ornaments
Natural horn technique left little room for excess: Peter Damm sets 18th-century ornamentation against the practical limits of range, style and notation.
Por Peter Damm
Gratuito
Parte 1
Practical Hints
Built around Herbert L. Clarke’s Technical Studies, these practice routines refine flexibility, intonation and note placement through structured brass exercises.
Por James Stamp
Miembro
Oscillatory Mechanism of the Glotis in Horn Playing
A horn note may begin before it is heard, as subtle vocal-fold oscillations appear to prepare the airflow that the lips will ultimately shape.
Por Philippe-Henri Dejonker, Francis Orval, R. Miller, R. Sneppe
Miembro
Parte 2
Playing and singing simultaneously on brass instruments
From interval production and tone generation to contemporary repertoire, simultaneous playing and singing becomes a demanding extension of brass technique.
Por Benny Sluchin
Miembro
The attack
Precision often begins with doing less, not more—a principle Louis Davidson places at the heart of trumpet playing with surprising practical consequences.
Por Louis Davidson
Miembro
Parte 3
Ornaments in 18th-century Horn Concertos?
Deliberate divisions
Improvisation, articulation and ornament were once inseparable: Peter Damm recovers an 18th-century horn practice later narrowed by increasingly precise notation.
Por Peter Damm
Miembro
Blowing as a body function
Breathing habits, posture and body mechanics converge in a practical view of tone production, where William F. Cramer questions prevailing assumptions.
Por William F. Cramer
Gratuito
On the question of articulation in the horn concertos by W. A. Mozart
How should Mozart really sound? Peter Damm questions traditional editions and reveals how articulation—often missing—must be rebuilt through style, listening, and musical judgment.
Por Peter Damm