Las traducciones originales al español de Brass Bulletin comienzan con el n.º 60.

BrassBulletin

Revista para los músicos de metal

1971–2003

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Artículos, entrevistas, investigaciones y documentos históricos

Harry James (1916-1983)
Miembro N.º 45 · 1984

Harry James (1916-1983)

Young Man With A Horn

Por Michel Laplace

Harry James stood between jazz virtuosity and popular showmanship, turning the trumpet into a mass-audience voice without losing the respect of classical players.

Trompeta Cornetín Carrera Historia
On the Sackbut or Harmonic Trumpet (ca 1640)
Miembro N.º 45 · 1984

On the Sackbut or Harmonic Trumpet (ca 1640)

Por Pierre Trichet

A seventeenth-century description of the sackbut captures its moving slide, chromatic freedom and bass role at a moment when the instrument was still being defined.

Trombón Historia Equipamiento
Editorial

Editorial

Por Jean-Pierre Mathez

N.º 45 · 1984

Miles Davis

Miles Davis

Por Robert L. Watt

N.º 81 · 1993

The Trumpet and the Cornet in Jazz and Popular Music

The Trumpet and the Cornet in Jazz and Popular Music

Por Michel Laplace

N.º 44 · 1983

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Voces del archivo

N.º 26 · 1979

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The Trumpet in the USA

Many years ago, William Vacchiano of the New York Philharmonic purchased a Bach D trumpet which played horribly sharp in pitch. When he complained to Vincent Bach, the latter, in his own inimitable style, responded by saying Vacchiano didn’t know how to play the instrument properly! So Vacchiano put the instrument in a closet and never played it. Twenty years later he discovered the instrument had been improperly fitted with an E♭ trumpet leadpipe!

— Thomas Stevens

N.º 43 1983

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Which Horn for which Music?

Should today's hornist avail himself, then, of a corno da caccia for Bach, an invention horn for Mozart, an F horn for Brahms? I do — but only on the condition that the rest of the ensemble is likewise using historical instruments. Otherwise, the same effect would result as when a carriage of the turn of the century were to be coupled to a modern diesel locomotive...

— Hermann Baumann

N.º 3 1972

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20th International music contest Munich 1971

Por Frieder Held

My contacts with the United States

Trompa

My contacts with the United States

Por Michael Höltzel

The trombone in Belgium

Trombón

The trombone in Belgium

Por Albert Mertens

Some thoughts on the euphonium and euphonium technique

Bombardino

Some thoughts on the euphonium and euphonium technique

Por Barrie Perrins

Tuba

Symphonic tuba playing

Por Lewis Waldeck

The Trumpet in the USA

Trompeta

The Trumpet in the USA

Por Thomas Stevens

Rostros del archivo

Momentos históricos plasmados en las páginas del Journal de Brass Bulletin.

Spirits Untouched !

Mauro Maur • Patrick Fabert • Thierry Caens • Guy Touvron

Brass Bulletin n.º 36 1981

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Más leídos

  1. N.º 41 · 1983

    The attack

    Precision often begins with doing less, not more—a principle Louis Davidson places at the heart of trumpet playing with surprising practical consequences.

    Por Louis Davidson

  2. N.º 40 · 1982

    The history of the big York-Hirsbrunner Tuba

    A legendary orchestral tuba became the starting point for rethinking how craftsmanship, industrial methods and musical results rarely follow the same path.

    Por Peter Hirsbrunner

  3. N.º 39 · 1982

    James Stamp, subtle teaching

    Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.

    Por Alfred Willener

  4. N.º 41 · 1983

    The Wrong Brass?

    Between blind fidelity and reckless modernisation, instrument substitutions force performers to decide when the score’s wording serves—or betrays—the music.

    Por Rudolf Lewy

  5. N.º 37 · 1982

    Pyotr Naumovich Volkov (1877-1933)

    From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.

    Por Viktor Sumerkin

  6. N.º 41 · 1983

    10 Outstanding Trumpet Players in the Los Angeles Area

    Behind the polished sound of Los Angeles studio trumpet playing stood remarkably similar training, disciplined routines, and a craft shaped by constant stylistic demands.

    Por Boyde Hood

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La familia de los instrumentos de metal

Trompeta

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Harry James (1916-1983) N.º 45

Harry James (1916-1983)

Young Man With A Horn

Michel Laplace N.º 45 · 1984

The Trumpet and the Cornet in Jazz and Popular Music N.º 44

The Trumpet and the Cornet in Jazz and Popular Music — Parte 3

The pluralism of the so-called “modern” forms (1945 to the present)

Michel Laplace N.º 44 · 1983

Tonguing N.º 44

Tonguing

Louis Davidson N.º 44 · 1983

Trompa

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Ornaments in 18th-century Horn Concertos? N.º 44

Ornaments in 18th-century Horn Concertos? — Parte 3

Deliberate divisions

Peter Damm N.º 44 · 1983

Round the Horn N.º 44

Round the Horn

Hamburg 1982

Michael Höltzel N.º 44 · 1983

Ornaments in 18th-century Horn Concertos? N.º 43

Ornaments in 18th-century Horn Concertos? — Parte 2

Essential ornaments

Peter Damm N.º 43 · 1983

Trombón

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On the Sackbut or Harmonic Trumpet (ca 1640) N.º 45

On the Sackbut or Harmonic Trumpet (ca 1640)

Pierre Trichet N.º 45 · 1984

Science and Technology in Trombone Teaching N.º 41

Science and Technology in Trombone Teaching

Sergej Gorovoj N.º 41 · 1983

Akim Alexeyevich Kozlov N.º 40

Akim Alexeyevich Kozlov

A Trombone Artist

Anatoly Barantsev N.º 40 · 1982

Tuba

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The history of the big York-Hirsbrunner Tuba N.º 40

The history of the big York-Hirsbrunner Tuba

The instrument maker's point of view

Peter Hirsbrunner N.º 40 · 1982

Arnold Jacobs N.º 34

Arnold Jacobs — Parte 2

Interview

Roger Bobo N.º 34 · 1981

Arnold Jacobs N.º 33

Arnold Jacobs — Parte 1

Interview

Roger Bobo N.º 33 · 1981

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