Complete articles index
Browse Brass Bulletin articles published since 1971. Search by topic, subject, instrument, author, series or issue, with new material added as the digital edition grows.
United Philharmonic Orchestra Vienna
A tonal concept unites the brass section
By Gerhard Zechmeister
Savoir de quelle note on parle
(only in French)
Can pitch be defined clearly without a shared reference? Ischer exposes confusion (octaves, partials/harmonics) and calls for an acoustic basis.
By Robert Ischer
An Interview with Christian Lindberg
By J. Richard Raum
Ovoid? About valves...
By Denis Wedgewood
Member
Part 2
On the early history of valves and valve instruments in Germany (1814-1833)
From invention to rivalry: the early history of rotary and piston valves reveals a battle of ideas, patents, and craftsmanship that transformed brass instruments forever.
By Herbert Heyde
Member
Special Finland
Brass achieves academic respectability
Once treated as marginal, Finland’s brass septet tradition entered academic research, challenging where folk practice ends and music history begins.
By Kauko Karjalainen
Member
Part 3
Zen and the Art of Horn playing
Between breath, reflex, and attention, Jeffrey Agrell links Zen practice with the physical and mental habits that shape brass playing.
By Jeffrey Agrell
Armin Rosin
Pioneer of the emancipation of the classical trombone in Germany
By Jean-Pierre Mathez
Member
The attack
Precision often begins with doing less, not more—a principle Louis Davidson places at the heart of trumpet playing with surprising practical consequences.
By Louis Davidson
General Brass Catalogue
A special issue for the brass world: the General Catalogue brings together instruments, music, and accessories—offering a unique global overview.
Free
Mantzaros Philharmonic Society
Corfou, Greece
A Corfu musical society founded in 1890 connects European influence, amateur tradition and a trumpet school that trained some 1,200 players.
By Gerassimos Ioannides
Part 3
On the trail of brasses in Europe
Amsterdam
By Jean-Pierre Mathez
To be «Lead Trumpet» in a Jazz Orchestra
Glenn Stuart explores the demanding role of the lead trumpet in a jazz orchestra, combining leadership, endurance and musical vision to shape the sound of the entire band.
By Glenn Stuart
Member
Horn singing
Earl S. Saxton advocates a “singing” approach to horn playing, emphasizing tone production through vibration, breath control and vocal-inspired technique.
By Earl S. Saxton
4th International "Maurice André" Trumpet Competition (2000)
By Jean-Pierre Mathez
1999 Frankfurt Music Fair
By Jean-Pierre Mathez
Four musician knights
The fresco of the Hall of Barons in the Castle of Manta
By Carlo Arfinengo
Member
Part 4
Herbert L. Clarke (1867-1945)
His Career
From struggle to legend: Part 4 traces Herbert L. Clarke’s rise from hardship to global fame—touring, recording, teaching, and shaping modern cornet playing.
By David Hickman
“Whisper mutes” in the test lab
By Benny Sluchin
The Royal Academy of Music and its tradition
By John Humphries
Schubertian Trombones
By J. Richard Raum
Member
Handel Horn Duo located in South America
A lost 18th-century horn tutor resurfacing through South America completes a Handel duet and preserves strikingly practical advice on horn playing.
By Edward H. Tarr
Member
Part 7
Instrument Makers in USA
Martin (G. Leblanc Corporation)
In 1970s Wisconsin, industrial efficiency transformed brass instrument production, yet traditional craftsmanship still had a place on the factory floor.
By Stephan Suter
Part 4
School of trumpet in Liège
By Rosario Macaluso