Complete articles index
Browse Brass Bulletin articles published since 1971. Search by topic, subject, instrument, author, series or issue, with new material added as the digital edition grows.
Bremen 1994
International Trumpet Days
By Jean-Pierre Mathez
Free
Part 1
How and why I became a musician
A father determined to keep his son from music unwittingly gives him the foundations for a life shaped by orchestras, discipline and an irresistible vocation.
By Edouard Gros
Jon Sass
A giant tuba, a giant on the tuba
By Jean-Pierre Mathez
ITG Conference '92
Rotterdam 14-17 June 1992
By Jean-Pierre Mathez
Member
The attack
Precision often begins with doing less, not more—a principle Louis Davidson places at the heart of trumpet playing with surprising practical consequences.
By Louis Davidson
Pierre Vilhardin de Belleau, trumpeter to Louis XV
By Henry Parramon
Evolution of the trumpet ensembles
By Jean-Pierre Mathez
Editorial
By Jean-Pierre Mathez
Member
Part 2
On the early history of valves and valve instruments in Germany (1814-1833)
From invention to rivalry: the early history of rotary and piston valves reveals a battle of ideas, patents, and craftsmanship that transformed brass instruments forever.
By Herbert Heyde
Hakan Hardenberger
Star of the north
By Jean-Pierre Mathez
Part 1
DSA - Digital analysis of intonation and sound
By Robert Meissner
Member
Part 3
Music in an American Frontier Communal Society
Aurora Colony
Aurora’s bands, chamber groups and restored instruments show how communal faith, German heritage and American public life met in sound, from parlors to parades.
By Deborah M. Olsen
Men's chorus and winds
Special Austria
By Elisabeth Anzenberger-Ramminger
Narbonne 1988
2nd International Brass Quintet Competition
By Jean-Pierre Mathez
Freiburg im Breisgau, exemplary brass classes
By Jean-Pierre Mathez
If somebody kills his nerve
By Wilfried Buck
Stanley Friedman sound from the pen...
By Jean-Pierre Mathez
Indeterminate instrumentation
A Way of Extending Instrumental Technic
Can technique go beyond notation? James Fulkerson explores new instrumental possibilities and argues that improvisation is key to expanding both technique and musical thinking.
By James Fulkerson
Free
Editorial
As concert life shifts away from brass, the future of the instrument depends on artistic standards, thoughtful programming and the commitment of every performer.
By Jean-Pierre Mathez
Free
Cleveland Orchestra Audition in 1966
George Szell’s demanding 1966 audition process unfolds through orchestral excerpts, dynamic extremes and the search for absolute ensemble precision.
By Ronald T. Bishop
Saratov 1988 - Seminar for professional brass players
Special USSR
By Anatoly Selianin
Rudolf Josel
Austrian trombone master
By Wolfgang Suppan
Narbonne 1992
4th International Brass Quintet Competition
By Jean-Pierre Mathez
Part 17
Dental Clinic for Wind Players
Tips for teachers in examining for dental problems
By Toshio Nemoto