Brass Bulletin No. 39
III / 1982
84
9 articles
Original inserts
World News Journal FreeOut of print
Brass Bulletin No. 39
III / 1982
Contents
Editorial
Free accessJean-Pierre Mathez
Behind a musician’s instrument lies a quiet industrial battle, as European, American and Japanese makers compete to shape the future of brass playing.
Early Brass Instruments and Restoration
Free accessUrsula Menzel
Restoring historic brass instruments means deciding what to preserve, what to undo and how modern methods can serve objects shaped by another musical age.
James Stamp, subtle teaching
Alfred Willener
Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.
A Miracle Pill for Stage Fright?
Wilfried Buck
What happens when performance anxiety is treated like a medical condition rather than a musical one, and where does that boundary ultimately lead?
The French Hunting horn, its history, its technique and its music
Daniel Bourgue
Centuries-old hunting signals still shape performance today, where technique, ritual and oral tradition preserved a musical language unlike any other brass practice.
The Streitwieser Foundation Historic Trumpet Museum
Free accessSue Scott
A private collection built through one musician's lifelong search became an unexpected center for brass history, where every instrument carries a story beyond its display.
The hunting horn
Free accessJacques Poncet
Long-held beliefs about the French hunting horn are challenged as forgotten playing practices and Baroque traditions reshape its early history and repertoire.
Thoughts on the Bass Trombone
Free accessJean Gotthold
Long before modern standards took hold, bass trombones existed in many forms, raising questions that still shape orchestral writing and performance today.
Jean-Baptiste Prin (1669-1742)
A tromba marine virtuoso
Albert Hiller
A forgotten string instrument leads to an unexpected treasury of Baroque trumpet music, challenging long-held assumptions about repertoire and performance.