Le traduzioni italiane originali di Brass Bulletin iniziano con il n. 60.

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Rivista internazionale degli ottoni

1971–2003

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Articoli, interviste, ricerche e documenti storici

Harry James (1916-1983)
Membro N. 45 · 1984

Harry James (1916-1983)

Young Man With A Horn

Di Michel Laplace

Harry James stood between jazz virtuosity and popular showmanship, turning the trumpet into a mass-audience voice without losing the respect of classical players.

Tromba Cornetta a pistoni Carriera Storia
On the Sackbut or Harmonic Trumpet (ca 1640)
Membro N. 45 · 1984

On the Sackbut or Harmonic Trumpet (ca 1640)

Di Pierre Trichet

A seventeenth-century description of the sackbut captures its moving slide, chromatic freedom and bass role at a moment when the instrument was still being defined.

Trombone Storia Equipaggiamento
Editorial

Editorial

Di Jean-Pierre Mathez

N. 45 · 1984

Miles Davis

Miles Davis

Di Robert L. Watt

N. 81 · 1993

The Trumpet and the Cornet in Jazz and Popular Music

The Trumpet and the Cornet in Jazz and Popular Music

Di Michel Laplace

N. 44 · 1983

Con le loro parole

Voci dall’archivio

N. 33 · 1981

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Accesso illimitato a tutti gli articoli, download dei PDF storici e aggiornamenti settimanali dell’archivio — a partire da CHF 5 al mese.

Abbonati

Citazioni frizzanti dal mondo degli ottoni

Which Horn for which Music?

Should today's hornist avail himself, then, of a corno da caccia for Bach, an invention horn for Mozart, an F horn for Brahms? I do — but only on the condition that the rest of the ensemble is likewise using historical instruments. Otherwise, the same effect would result as when a carriage of the turn of the century were to be coupled to a modern diesel locomotive...

— Hermann Baumann

N. 3 1972

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The Trumpet in the USA

Many years ago, William Vacchiano of the New York Philharmonic purchased a Bach D trumpet which played horribly sharp in pitch. When he complained to Vincent Bach, the latter, in his own inimitable style, responded by saying Vacchiano didn’t know how to play the instrument properly! So Vacchiano put the instrument in a closet and never played it. Twenty years later he discovered the instrument had been improperly fitted with an E♭ trumpet leadpipe!

— Thomas Stevens

N. 43 1983

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Vedi tutte le storie

Altre letture

Herbert L. Clarke (1867-1945)

Tromba

Herbert L. Clarke (1867-1945)

Di David Hickman

Zen and the Art of Horn playing

Corno

Zen and the Art of Horn playing

Di Jeffrey Agrell

Anton Hansen (1877-1947)

Trombone

Anton Hansen (1877-1947)

Di Per Gade

The Euphonium in America

Eufonio

The Euphonium in America

Di Robert Reifsnyder

Tuba

And approach the realm of making beautiful music

Di Roger Bobo

Editorial

Editorial

Di Jean-Pierre Mathez

Volti dall’archivio

Momenti storici immortalati nelle pagine del Journal di Brass Bulletin.

Spirits Untouched !

Mauro Maur • Patrick Fabert • Thierry Caens • Guy Touvron

Brass Bulletin No. 36 1981

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I più letti

  1. N. 41 · 1983

    The attack

    Precision often begins with doing less, not more—a principle Louis Davidson places at the heart of trumpet playing with surprising practical consequences.

    Di Louis Davidson

  2. N. 40 · 1982

    The history of the big York-Hirsbrunner Tuba

    A legendary orchestral tuba became the starting point for rethinking how craftsmanship, industrial methods and musical results rarely follow the same path.

    Di Peter Hirsbrunner

  3. N. 39 · 1982

    James Stamp, subtle teaching

    Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.

    Di Alfred Willener

  4. N. 41 · 1983

    The Wrong Brass?

    Between blind fidelity and reckless modernisation, instrument substitutions force performers to decide when the score’s wording serves—or betrays—the music.

    Di Rudolf Lewy

  5. N. 37 · 1982

    Pyotr Naumovich Volkov (1877-1933)

    From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.

    Di Viktor Sumerkin

  6. N. 41 · 1983

    10 Outstanding Trumpet Players in the Los Angeles Area

    Behind the polished sound of Los Angeles studio trumpet playing stood remarkably similar training, disciplined routines, and a craft shaped by constant stylistic demands.

    Di Boyde Hood

Sfoglia per strumento

La famiglia degli ottoni

Tromba

Vedi tutto →
Harry James (1916-1983) N. 45

Harry James (1916-1983)

Young Man With A Horn

Michel Laplace N. 45 · 1984

The Trumpet and the Cornet in Jazz and Popular Music N. 44

The Trumpet and the Cornet in Jazz and Popular Music — Parte 3

The pluralism of the so-called “modern” forms (1945 to the present)

Michel Laplace N. 44 · 1983

Tonguing N. 44

Tonguing

Louis Davidson N. 44 · 1983

Corno

Vedi tutto →
Ornaments in 18th-century Horn Concertos? N. 44

Ornaments in 18th-century Horn Concertos? — Parte 3

Deliberate divisions

Peter Damm N. 44 · 1983

Round the Horn N. 44

Round the Horn

Hamburg 1982

Michael Höltzel N. 44 · 1983

Ornaments in 18th-century Horn Concertos? N. 43

Ornaments in 18th-century Horn Concertos? — Parte 2

Essential ornaments

Peter Damm N. 43 · 1983

Trombone

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On the Sackbut or Harmonic Trumpet (ca 1640) N. 45

On the Sackbut or Harmonic Trumpet (ca 1640)

Pierre Trichet N. 45 · 1984

Science and Technology in Trombone Teaching N. 41

Science and Technology in Trombone Teaching

Sergej Gorovoj N. 41 · 1983

Akim Alexeyevich Kozlov N. 40

Akim Alexeyevich Kozlov

A Trombone Artist

Anatoly Barantsev N. 40 · 1982

Tuba

Vedi tutto →
The history of the big York-Hirsbrunner Tuba N. 40

The history of the big York-Hirsbrunner Tuba

The instrument maker's point of view

Peter Hirsbrunner N. 40 · 1982

Arnold Jacobs N. 34

Arnold Jacobs — Parte 2

Interview

Roger Bobo N. 34 · 1981

Arnold Jacobs N. 33

Arnold Jacobs — Parte 1

Interview

Roger Bobo N. 33 · 1981

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