Complete articles index
Browse Brass Bulletin articles published since 1971. Search by topic, subject, instrument, author, series or issue, with new material added as the digital edition grows.
Norbert Böpple
Master craftsman
By Jean-Pierre Mathez
Part 3
Stage fright and instrumental technique (2)
By Michel Ricquier
Bernhard Krol
At 75! A look back on a life
By Bernhard Krol
Interview with Harold Nash
A half century with the trombone on the British music scene
By Simon Hogg
Free
Friedemann Immer
A new Trumpet
Baroque tradition and modern trumpet playing converge in Friedemann Immer’s unusual double career, shaped by Bach, natural trumpet and early music.
By Jean-Pierre Mathez
Editorial
By Jean-Pierre Mathez
The early 19th-century invention-posthorn
By Albert Hiller
Free
Editorial
Mass media, record-industry economics and the return of cornet virtuosity collide in a sharp warning about fashion, manipulation and musical independence.
By Jean-Pierre Mathez
Hakan Hardenberger
The conquest of the future
By Jean-Pierre Mathez
Toulon 1995
International trombone competition
By Roland Schnohrk
Ernie Hammes - Jazz in his blood
By Jean-Pierre Mathez
Free
The double-slide trombone
museum-piece with a future?
As virtuosity reshaped 20th-century brass playing, Boris G. Manzora argued that the forgotten double-slide trombone could redefine technique and range.
By Boris G. Manzora
Editorial
By Jean-Pierre Mathez
Member
Part 1
The contrabass trombone
Picture and sketches, taking particularly into account the construction principles (1973)
From Praetorius to Wagner: Heinrich Thein traces the evolution of the contrabass trombone—revealing how history, acoustics, and design shaped this powerful orchestral voice.
By Heinrich Thein
Angelo Galletti, Hornist and collector
Of curious mind and cusrious character, this man of 84 years has never stopped examining and critiquing the world. A remarkable story about a amn and his love/hate relationship with his twin passions
By Jean-Pierre Mathez
Part 3
A look at the evolution of the valved cornet and its repertoire
By Géry Dumoulin
Clifford Brown (1930-1956)
A brief but full life
By Robert L. Watt
Being a Concert Trombone
By Ronald Barron
Free
Editorial
What began modestly in 1971 became a worldwide network, shaped by respect for brass players, shared knowledge, history and professional solidarity.
By Jean-Pierre Mathez
Member
Why pretend to be Mozart?
The concerto’s cadenza: copy of style — or bold but true?
Should a cadenza imitate the past—or speak in today’s voice? Bernhard Krol questions the tradition of stylistic imitation and argues for cadenzas that bridge past and present with authenticity.
By Bernhard Krol
From a Designer’s Diary
By Denis Wedgewood
Jacques Mauger, on 7th heaven with the trombone
By Jean-Pierre Mathez
Member
Special Finland
Brass achieves academic respectability
Once treated as marginal, Finland’s brass septet tradition entered academic research, challenging where folk practice ends and music history begins.
By Kauko Karjalainen
Part 15
Dental Clinic for Wind Players
Brass instruments and breathing
By Toshio Nemoto