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Tuba

All articles related to Tuba

Melvyn Poore Free
No. 46 • 1984 Digitized

Melvyn Poore

Tuba britannica

A tuba becomes a laboratory for circular breathing, reeds, strange mutes and music theatre as Melvyn Poore pushes beyond the orchestral role assigned to it.

By Thomas Aitken

Encounters Contemporary Music Solo playing
No. 105 • 1999 Awaiting digitization

Schloss Kremsegg: Serpent in C

By Siegfried Kristofl

History
The tuba, Benjamin of the brass family
No. 17 • 1977 Digitized

The tuba, Benjamin of the brass family

Where does the tuba come from? From serpent to ophicleide to saxhorns, this article traces a lesser-known path to the modern instrument.

By Emilie Mende

History Equipment Historical instruments Instrument making Valves
Tuba and Euphonium today Free
No. 23 • 1978 Digitized

Tuba and Euphonium today

A new era for low brass: Willy Kurath explores how modern tuba and euphonium design—driven by innovation and collaboration—redefines sound, technique, and solo potential.

By Willi Kurath

Equipment Instrument making Valves Intonation
No. 111 • 2000 Awaiting digitization

Simon Styles - gentleman and tuba player

By Jeremy Mathez

Encounters
Cleveland Orchestra Audition in 1966 Free
No. 31 • 1980 Digitized

Cleveland Orchestra Audition in 1966

George Szell’s demanding 1966 audition process unfolds through orchestral excerpts, dynamic extremes and the search for absolute ensemble precision.

By Ronald T. Bishop

Encounters Professional life Auditions Orchestral playing Intonation
No. 71 • 1990 Awaiting digitization

The tuba in Germany

Meeting with Dietrich Unkrodt

By Jean-Pierre Mathez

Report
No. 75 • 1991 Awaiting digitization

The development of the Vienna concert Tuba

By Gerhard Zechmeister

Equipment
Free
No. 21 • 1978 Digitized

Symposium 1978

Eyes toward the future

Beyond the instrument: Roger Bobo calls for open minds at Symposium ’78—urging tubists to seek inspiration, question identity, and look boldly toward the future.

By Roger Bobo

Event Ideas
No. 122 • 2003 Awaiting digitization

25 tubas... 1 cimbasso - 20 years developing tubas while playing them

By Daryl Smith

Equipment
How and why I became a musician
No. 54 • 1986 Digitized

Part 5

How and why I became a musician

In wartime Switzerland, a military assignment, a conductor's confusion and an abandoned instrument unexpectedly changed the course of Edouard Gros's musical career.

By Edouard Gros

Professional life Orchestral playing
Henri Renart (1887-1979)
No. 32 • 1980 Digitized

Henri Renart (1887-1979)

Interview

Henri Renart looks back on a remarkable musical life, from the wind bands of northern France to Paris’s leading orchestras, performing under renowned conductors while witnessing decades of change in performance, recording, teaching, and brass playing.

By Robert Coutet

Encounters Professional life French school Orchestral playing Auditions
A guide to commercial tuba playing in the Los Angeles area Free
No. 25 • 1979 Digitized

A guide to commercial tuba playing in the Los Angeles area

Hollywood reality check: Tommy Johnson reveals what it really takes to become a commercial tuba player in Los Angeles—skill, versatility… and patience.

By Tommy Johnson

Professional life Technique Freelance Jazz
Free
No. 23 • 1978 Digitized

Symphonic tuba playing

A warning from the orchestra: Lewis Waldeck challenges modern tuba playing—calling for a return from solo brilliance to the dark, blended power of true symphonic sound.

By Lewis Waldeck

Technique Repertoire Sound Interpretation Orchestral playing
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