Entonación
32 artículos disponibles en línea
Miembro
The trombone: changing times, changing slide positions
From Virgiliano to Praetorius and Eisel, early sources reshape long-held assumptions about trombone tuning, slide positions and historical playing practice.
Por Howard Weiner
Miembro
Parte 3
A study of musical intonation
From wind quintets to brass sections, balance, overtones and perception shape intonation in ways that often diverge from measurable frequency.
Por Christopher Leuba
Miembro
Parte 1
A study of musical intonation
Resultant tones, harmonic series ratios and chord spacing challenge equal temperament, linking acoustics and practical ensemble intonation.
Por Christopher Leuba
Gratuito
Frequency and Pitch
A = 440 became the international standard only in 1939, after centuries of competing pitches that shaped orchestral practice, instrument making and musical notation.
Por Benny Sluchin
And approach the realm of making beautiful music
A rare and powerful call from maestro Roger Bobo: at the height of the “Tuba Explosion”, he challenges players to define — at last — the ideal instrument.
Por Roger Bobo
Gratuito
Editorial
So your trumpet plays in tune
Keyboard tuning, just intonation and string phrasing place brass players between conflicting pitch systems, as Thomas Stevens outlines practical compromises.
Por Thomas Stevens
Miembro
Good intonation on the trombone
The trombone’s fixed positions meet the compromises of natural harmonics, as Raymond Fonsèque proposes a different logic for pitch across major and minor keys.
Por Raymond Fonseque
Miembro
Parte 2
A study of musical intonation
From harmonic-series tuning to valve-slide adjustments on the horn, practical listening and resonance become more reliable guides than equal temperament alone.
Por Christopher Leuba
Gratuito
A Trombone Martyr
Auguste Léonard de la Tuilerie
A Paris apothecary turned trombone evangelist challenges 19th-century musical habits, imagining the slide trombone as the future voice of harmony.
Por Benny Sluchin
Snapshot: the American Brass Quintet in Europe
Report on the American Brass Quintet’s tour in Europe, highlighting performances, reception and the ensemble’s role in chamber brass music.
Por Jean-Pierre Mathez
Miembro
The bell-tuning trumpet
Colin Bloch examines bell- and slide-tuned trumpets, comparing intonation patterns through controlled tests and outlining structural causes behind observed deviations.
Por Colin Bloch
Gratuito
Instrument Making and the Ear
From hearing physiology to workshop testing, E. Ferron links instrument design, acoustics and perception, where no two ears judge sound in quite the same way.
Por Emile Ferron
Miembro
The F/Bb horn with whole-tone ascending 3rd valve
A different horn, a different approach: Francis Orval explores how an ascending 3rd valve reshapes technique, intonation and response.
Por Francis Orval
Gratuito
Parte 6
The Trumpet in the USA
Diverse makers
As trumpet makers rethink their standard instruments, Monette, Malone and Blackburn bring leadpipe design into a new dialogue between players and workshops.
Por Thomas Stevens
Miembro
James Stamp, subtle teaching
Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.
Por Alfred Willener
Gratuito
Parte 1
Practical Hints
Built around Herbert L. Clarke’s Technical Studies, these practice routines refine flexibility, intonation and note placement through structured brass exercises.
Por James Stamp
Miembro
Parte 3
Playing and singing simultaneously on brass instruments
From Weber's Concertino to Berlioz's chord writing, acoustic principles explain how combination tones emerge from simultaneous playing and singing on brass.
Por Benny Sluchin
Miembro
Parte 4
The Trumpet in the USA
Gadgets II
Mouthpiece backbores for piccolo and C trumpet are compared through practical performer testing, linking equipment choices to sound, volume and intonation.
Por Thomas Stevens
Gratuito
Manufacturers' Opinions about Brass Instruments
Between workshop lore and acoustic certainty, brass makers’ claims expose a restless debate over metal, finish, resonance, and playing quality.
Por J. M. Bowsher, P. S. Watkinson
Gratuito
Cleveland Orchestra Audition in 1966
George Szell’s demanding 1966 audition process unfolds through orchestral excerpts, dynamic extremes and the search for absolute ensemble precision.
Por Ronald T. Bishop
Gratuito
On the sensitivity of brass instruments
Metal, pressure nodes and temperature shifts shape response, timbre and tuning, as Emile Ferron links instrument acoustics to the player’s imprint.
Por Emile Ferron
Miembro
The trombone: changing times, changing slide positions
Did trombonists always use seven positions? Heinrich Huber reveals how history, theory and early music reshaped the slide.
Por Heinrich Huber
Miembro
Akim Alexeyevich Kozlov
A Trombone Artist
Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.
Por Anatoly Barantsev
Miembro
The Pitch Finder
A 1980 attempt to make trumpet intonation mechanical shifts familiar pitch corrections from the embouchure to the fingers, with striking consequences for playing.
Por Jack Holland