Complete articles index
Browse Brass Bulletin articles published since 1971. Search by topic, subject, instrument, author, series or issue, with new material added as the digital edition grows.
Brno International Performer’s Competition - Horn
By Lucie Hofmanova
Kunsthistorisches Museum of Vienna
Special Austria
By Friedrich Anzenberger
Member
J. G. Albrechtsberger (1736-1809)
Concertino for chromatic trumpet
Study by Reine Dahlqvist arguing that Albrechtsberger’s 1771 Eb concertino was intended for Jew’s harp rather than keyed or slide trumpet.
By Reine Dahlqvist
Editorial
By Jean-Pierre Mathez
Member
Part 6
The Trumpet and the Cornet in Jazz and Popular Music
Special jazz techniques
Vibrato, half-valves, growls and shakes lead to a larger argument: jazz transformed trumpet technique, yet its contribution remained strikingly undervalued.
By Michel Laplace
Neruda's Concerto for Horn (or trumpet)
By Edward H. Tarr
Hamamatsu, Music capital of Japan
5th Annual International Festival and Academy for wind instruments
By Jean-Pierre Mathez
Frank Martin, The Ballade for trombone and piano
By Roland Schnohrk
Minsk 1988 - The grand national competition
Special USSR
By Jean-Pierre Mathez
Part 5
A player’s first years
The opinion of an expert
By James Thompson
Part 3
The influence of Berlioz
on contemporary 19th Century use of brass instruments
By Ernest H. Gross
Member
Part 1
The trombone in Maurice Ravel's Bolero
How should Boléro’s trombone solo be played? After 100 performances, Jean Douay challenges conventions and argues for a more supple, controlled approach.
By Jean Douay
A short history of the tango
By Abel Larrosa Cuevas
Reflections on the horn
Francis Orval reflects on horn playing, discussing tone production, breathing and the influence of French and German traditions on sound and style.
By Francis Orval
Stanko Arnold
Yugoslavia's Trumpet Virtuoso
By Jean-Pierre Mathez
Free
Transcription fundamentals
Between Bach fugues and Mozart concertos, Ralph Sauer questions where brass transcription renews a work — and where it merely imitates.
By Ralf Sauer
Free
On the sensitivity of brass instruments
Metal, pressure nodes and temperature shifts shape response, timbre and tuning, as Emile Ferron links instrument acoustics to the player’s imprint.
By Emile Ferron
Egger, maker of brass instruments
By Jean-Pierre Mathez
Member
Possibilities for development of brass instruments (1967)
Experimental study by Vinko Globokar on extended techniques for brass instruments, covering microtonality, voice-instrument interaction and new sound production methods.
By Vinko Globokar