Complete articles index
Browse Brass Bulletin articles published since 1971. Search by topic, subject, instrument, author, series or issue, with new material added as the digital edition grows.
Member
The bell-tuning trumpet
Colin Bloch examines bell- and slide-tuned trumpets, comparing intonation patterns through controlled tests and outlining structural causes behind observed deviations.
By Colin Bloch
Jon Sass - Confidences of a happy tuba player
By Jon Sass
Member
Special Finland
A brief survey of the history of the Finnish brass music
Finland’s brass identity grew between Russian military traditions and Western orchestral models, turning competing influences into a distinctive national voice.
By Simo Kanerva
Part 2
The importance of music education in society today
By Heinz Preiss
Part 2
Does Jazz still have a soul?
By Michel Laplace
Théo Mertens
Portrait
By Jean-Pierre Mathez
Part 2
The history of King & Benge instruments
By Jean-Pierre Mathez
Trombone Attachements - Trends and development
By Benny Sluchin
Costa-Rica: contact!
By Jean-Pierre Mathez
Michael Thompson, Off-the-cuff commentary
By Jean-Pierre Mathez
Part 7
The instrumental player’s maintenance and development
The opinion of an expert
By James Thompson
Thomas Rowlandson (1756-1827), Erotico-satirical drawings
By John Wallace
Part 2
James Stamp Master in listening
Buzzing: practicing with the lips alone
By Jean-Christophe Wiener
Member
Part 2
Herbert L. Clarke (1867-1945)
Crucial Years
From illness and doubt to early triumph: Clarke’s “crucial years” reveal a fragile path—where talent, chance, and setbacks nearly drove a future legend away from music.
By David Hickman
Fred Mills, exit Canadian Brass, new future
By Jean-Pierre Mathez
German Brass, Talent and Dynamite
By Jean-Pierre Mathez
Mouthpieces made from precious woods
By Maurice Benterfa
Member
Part 2
The trombone in Jazz and Popular Music
The classical Armstrong period (1927-1945)
Jazz trombone changed rapidly between 1927 and 1945, as Armstrong’s influence, big-band playing and new techniques transformed both its language and sound.
By Michel Laplace
Free
The Audition System
Why American Musicians Emigrate?
Behind orchestral vacancies in North America, travel costs, subjective selection and hidden hiring practices help explain a growing flow of musicians abroad.
By David P. Searfoss
Bernhard Krol
At 75! A look back on a life
By Bernhard Krol
Free
Why pretend to be Mozart?
Reply to Bernhard Krol
Should a cadenza imitate Mozart? Peter Damm argues for stylistic fidelity without imitation—at the heart of a debate with Bernhard Krol.
By Peter Damm
Free
The Oldest Concert Band in Japan
Founded in 1895 by a local banker, Ichinomiya’s municipal band survived war and changing musical traditions, preserving a remarkable chapter of Japan’s musical history.
By Michio Sugihara
Free
Interview with Hans Pizka
From Vienna horn traditions and natural-horn training to orchestral style and pedagogy, Hans Pizka reflects on the foundations of horn playing and musical identity.
By Jeffrey Agrell
Editorial
By Jean-Pierre Mathez