Report
181 articles
Brasses in Jazz in Austria
Special Austria
By Franz Kerschbaumer
David Ohanian departs the Canadian Brass
Interview with David Ohanian
By Jean-Pierre Mathez
Part 2
On the trail of brasses in Europe
Madrid
By Jean-Pierre Mathez
The horn in Bulgaria
Interview with Stojan Karaivanov
By Vassil Todorov
Investing in musical excellence - Hornclass international 2001
By Zdenek Divoky
Jean-François Bovard and La Compagnie d'Eustache
By Jean-Pierre Mathez
Where do brass players stand today?
By Brass Bulletin
1998 Frankfurt Music Fair
By Jean-Pierre Mathez
Narbonne 1988
2nd International Brass Quintet Competition
By Jean-Pierre Mathez
International Competition of Geneva CIEM 1973
Trombone
Report on the 1973 Geneva International Competition (CIEM) for trombone, covering performances, participants and artistic standards.
By Roland Schnorhk
Member
The tuba in Europe
Why does the tuba sound different across Europe? Robert Tucci explores national styles, instruments and orchestral traditions.
By Robert Tucci
Lip surgery - a report
A musician risks everything: Jean Douay reports on a trombonist who chose lip surgery to transform his playing—raising bold questions about technique, anatomy, and limits.
By Jean Douay
Wind Bands in Lithuania
By Algirdas Radzevicius
Ursula Amrein
musical port of the Baltic
By Jean-Pierre Mathez
Passau 1999: 6th International Competition for Brass Ensembles
By Jean-Pierre Mathez
Interview with Guelfo Nalli
By Julio Briseño
Part 2
The modern concert hall
By Sabina Pade
Staatskapelle of Dresden
Long Orchestral tradition
By Peter Damm
Brasses of the Apulia region
By Ennio Leccio
Guebwiller France
World competition for tuba & euphonium
By Jean-Pierre Mathez, Steven Mead
Lieksa Brass Week 1996
By Benny Sluchin
History of brasses in Bulgaria
By Vassil Todorov
Lahti Brass Festival - International Tuba & Euphonium Conference
By Jeremy Mathez
Member
Part 2
The Trumpet in the USA
The Piston C Trumpet in American Orchestras
American orchestral trumpeters reveal how Bach C trumpets, hall acoustics and extensive modifications shaped playing traditions in major ensembles.
By Thomas Stevens