Edouard Gros
9 Articles by Edouard Gros
Brass Bulletin 50 - 2 / 1985
Gros, Edouard
How and why I became a musician
A father determined to keep his son from music unwittingly gives him the foundations for a life shaped by orchestras, discipline and an irresistible vocation.
pp. 69–73
Brass Bulletin No 50 · 1985
Tuba· Professional life
Brass Bulletin 51 - 3 / 1985
Gros, Edouard
How and why I became a musician
A teenage double bassist in 1920s Lausanne turns family resistance, scout orchestras and hard-earned engagements into the beginnings of a professional life.
pp. 5–13
Brass Bulletin No 51 · 1985
Tuba· Professional life· Orchestral playing
Brass Bulletin 52 - 4 / 1985
Gros, Edouard
How and why I became a musician
As cinema orchestras vanished and radio reshaped musical life, Edouard Gros learned that survival could mean changing instruments, cities and expectations.
pp. 39–46
Brass Bulletin No 52 · 1985
Tuba· Professional life· History· Auditions· Jazz
Brass Bulletin 53 - 1 / 1986
Gros, Edouard
How and why I became a musician
In Geneva on the eve of war, Edouard Gros navigates Ansermet’s demanding orchestra, summer trumpet engagements and the sudden upheaval of military mobilisation.
pp. 81–85
Brass Bulletin No 53 · 1986
Tuba· Professional life· History· Orchestral playing· Freelance
Brass Bulletin 54 - 2 / 1986
Gros, Edouard
How and why I became a musician
In wartime Switzerland, a military assignment, a conductor's confusion and an abandoned instrument unexpectedly changed the course of Edouard Gros's musical career.
pp. 69–73
Brass Bulletin No 54 · 1986
Tuba· Professional life· Orchestral playing
Brass Bulletin 55 - 3 / 1986
Gros, Edouard
How and why I became a musician
In wartime Switzerland, an unexpected encounter in Basel gives Edouard Gros his first F tuba, opening a new musical path amid military service and orchestral rivalries.
pp. 15–19
Brass Bulletin No 55 · 1986
Tuba· Encounters· History
Brass Bulletin 56 - 4 / 1986
Gros, Edouard
How and why I became a musician
Edouard Gros recalls wartime variety work in Geneva, intensive tuba practice and the audition that led to a secure orchestral post and 32 years in Berne.
pp. 39–43
Brass Bulletin No 56 · 1986
Tuba· Encounters· Professional life· Auditions· Orchestral playing
Brass Bulletin 63 - 3 / 1988
Gros, Edouard
Interpretation class
pp. 65
Brass Bulletin No 63 · 1988
Short story
Brass Bulletin 65 - 1 / 1989
Gros, Edouard
Stories
Leopold Stokowski. Klecki's temper. "Adolphe!". Keilberth, a kick in the rear. Rubinstein's nerves.
pp. 105–113
Brass Bulletin No 65 · 1989
Short story