Brass Bulletin 35, III / 1981 (page 44–45) · 1 min. read
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Japanese painting from the 18th century

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Japanese painting from the 18th century

Okinawa was a small kingdom founded around the 12th century. It had commercial relations with China in the Ming period (1368-1644) and was considerably influenced by Chinese culture. In the 15th century it took up relations with Japan and became officially subject to the Japanese government in the 17th century. Since then many Okinawan kings and ambassadors have visited Japan, introducing their music and their dances both at the Emperor’s court and among the country’s leading figures.

These missions sometimes numbered 170 people and they performed their music during their official procession. This painting shows a part of that procession. The participants are wearing Chinese dress and playing Chinese music. Almost all these instruments were imported into Okinawa from Central Asia via China.

The trumpet (Rapa) was used during the official procession but little is now known about this musical ritual. These historical instruments have now disappeared although it may still be possible to find some in Fukien and Sechuan in China, as is the case with the Dung-Chen (Tibetan trumpet) used by Lamaists in Tibet.

Some imitations, made in China, can be found today on the occasion of the Grand Feast of the Dragon Dance (Ryu-Odori) which takes place in Nagasaki in Japan but which came from China in the 17th century. This is an excellent opportunity to see and hear this trumpet. Its sound is shrill and powerful and is said to represent dragon cries.

The procession was painted in water colours by Tohshu Ishiguro (died 1785), an 18th-century painter, on a piece of silk approximately 20 metres long. This roll is kept in Okinawa by Mr. Kohjiro Takakura, a descendant of one of the members of the former delegation.

(This photograph was made available by the Chikuma-Shobo library.)

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