Insegnamento
110 articoli
The Annual Competitions of the Paris Conservatoire
From commissioned works to jury voting, a long-standing examination tradition reveals how brass players progressed through the Paris Conservatoire.
Di Benny Sluchin
Membro
The column of air
A System of Breathing for Brass Players
Explains the role of the air column in brass playing, focusing on breath support, airflow control and their impact on tone, articulation and sound quality.
Di Robert Bouché
Membro
Problems of teaching methods in brass instruction
Talent isn’t enough. Krumpfer argues that brass teaching must align physiology, psychology, and method—only then can young players reach their true potential.
Di Hans-Joachim Krumpfer
Parte 2
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Di Friedrich Anzenberger
Parte 1
Jazz Improvisation
Major scalem chord-scale relationship
Di Charlie Shoemake
Gratuito
Editorial
Music teaching depends on more than routine: in 1984, Jean-Pierre Mathez argues that living contact with artists keeps transmission open to new generations.
Di Jean-Pierre Mathez
Membro
Pyotr Naumovich Volkov (1877-1933)
First trombone professor at St. Petersburg Conservatory
From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.
Di Viktor Sumerkin
Let us play in tune!
Di Jean-Pierre Mathez
On my desktop...
Special USSR
Di Timofey Dokschidser
Parte 1
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Di Friedrich Anzenberger
Parte 2
Jazz Improvisation
The harmonic minor scale
Di Charlie Shoemake
Parte 2
James Stamp Master in listening
Buzzing: practicing with the lips alone
Di Jean-Christophe Wiener
Gratuito
Vladislav Mykhaylovich Blazhevich (1881-1942)
Trombonist, Composer and Teacher
From village band to the Moscow Conservatoire and the Bolshoi, a lifelong commitment to performance, teaching and wind music shaped Soviet trombone tradition.
Di Viktor Sumerkin
Parte 1
James Stamp Master in listening
Di Jean-Christophe Wiener
About my “48 Lyric Studies”
Di Thomas Stevens
Membro
Science in the service of music
Interview with René Périnelli
Where trumpet teaching once relied on intuition, René Périnelli and Jean-Jacques Greffin brought physiology, medical imaging and science into daily practice.
Di Jean-Pierre Mathez
Parte 3
French cornet methods published before Arban's Complete Grand Method for Cornet and Saxhorn
Di Friedrich Anzenberger
Parte 4
A player’s first years
The opinion of an expert
Di Horst Rapp
Membro
Akim Alexeyevich Kozlov
A Trombone Artist
Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.
Di Anatoly Barantsev
Membro
The attack
Precision often begins with doing less, not more—a principle Louis Davidson places at the heart of trumpet playing with surprising practical consequences.
Di Louis Davidson
Membro
The Leningrad School of Horn Playing
From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.
Di Frøydis Ree Wekre
Gratuito
Sergey Nikolaevich Yeryomin (1903-1975)
The Distinguished Soviet Trumpeter and Teacher
Between Soviet military bands, the Bolshoi and the Moscow Conservatory, Yeryomin helped shape a trumpet tradition in which virtuosity remained a means, not an end.
Di Yuri Usov
Gratuito
A talk with Rolf Quinque
What if strength is the wrong approach? Rolf Quinque traces his shift from force to mastery through controlled breathing, discipline, and relaxed playing.
Di Jean-Pierre Mathez
The Royal Academy of Music and its tradition
Di John Humphries