Insegnamento
110 articoli
Membro
The use of the mind in instrumental performance
Relaxation, concentration and mental imagery reshape technical practice, linking self-confidence and instrumental control beyond physical training alone.
Di Michel Ricquier
Gratuito
Basics in breathing
An Outline to a Better Sound
From breathing awareness to sound production, practical exercises link physical relaxation, air control and rhythmic precision in everyday brass playing.
Di Joel Elias
Putting the Brit into Brass
Di Jonathan Freeman-Attwood
Phonetics in the articulation and expression of the language of music
Rethinking articulation: Francis Orval challenges traditional teaching—revealing how phonetics, language, and psychology shape sound, phrasing, and musical expression.
Di Francis Orval
Gratuito
ASA-Method, ASA-Technic
Virtuosity grows from disciplined work on scales, articulation and reading, arguing that consistent fundamentals matter more than chasing the upper register.
Di Rolf Quinque
Parte 5
James Stamp Master in listening
Di Jean-Christophe Wiener
Freiburg im Breisgau, exemplary brass classes
Di Jean-Pierre Mathez
Parte 3
Jazz Improvisation
The melodic minor scale 1
Di Charlie Shoemake
Royal College of Music London
Tradition and evolution of the brass classes
Di Jean-Pierre Mathez
Parte 8
James Stamp Master in listening
Di Jean-Christophe Wiener
Membro
Advices from an expert brass clinician: Robert Pichaureau, Paris
What if everything you control is wrong? This radical approach to brass playing shifts focus away from the embouchure — back to the true origin of breath and sound.
Di Alfred Willener
Hans-Joachim Krumpfer or: teaching as a vocation
Special GDR
Di Jean-Pierre Mathez
Conservatoire National Supérieur de Musique de Lyon (CNSML)
Di Jean-Pierre Mathez
Membro
Lip vibration characteristics
of the trombone embouchure in performance
Study of lip vibration in trombone performance, analyzing embouchure behavior and its impact on sound production and control.
Di Leno Lloyd
Gratuito
Parte 6
Practical Hints
A progressive adaptation of Clarke’s No. 91 uses slurs, accents and dynamic shaping to build speed while preserving tone stability and control.
Di James Stamp
Membro
Parte 1
Arnold Jacobs
Interview
Two tuba giants meet in 1979 Chicago, where Arnold Jacobs turns technique, sound, orchestral life and pedagogy into a lasting musical ethic.
Di Roger Bobo
Can jazz performance be taught?
A profile of Charlie Shoemake
Di Thomas Stevens
Reflections on the tuba, teaching and music
Di Roger Bobo
Gratuito
Viktor Venglowski
Musician and Teacher
From the Leningrad Philharmonic to the Conservatoire, one trombonist shaped repertoire, ensembles and generations of players across the Soviet Union.
Di Sergej Gorovoj
[email protected]
The present student & professor population at the RAM
Di Leyla Guines, John Wallace
Gratuito
Parte 1
Practical Hints
Built around Herbert L. Clarke’s Technical Studies, these practice routines refine flexibility, intonation and note placement through structured brass exercises.
Di James Stamp
Parte 7
The instrumental player’s maintenance and development
The opinion of an expert
Di James Thompson
Parte 5
A player’s first years
The opinion of an expert
Di James Thompson
Parte 2
Basic instruction: a lottery?
Maintaining and developing acquired skills
Di Jean-Pierre Mathez