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110 artículos
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Parte 1
Articulation or bowing on the trumpet
Trumpet articulation becomes a precise study of attack, sustain, release and legato, linking tongue, breath, lips and sound in Dokshitser’s method.
Por Timofey Dokschidser
Miembro
Parte 3
A study of musical intonation
From wind quintets to brass sections, balance, overtones and perception shape intonation in ways that often diverge from measurable frequency.
Por Christopher Leuba
Miembro
Parte 1
A study of musical intonation
Resultant tones, harmonic series ratios and chord spacing challenge equal temperament, linking acoustics and practical ensemble intonation.
Por Christopher Leuba
Miembro
Parte 2
A study of musical intonation
From harmonic-series tuning to valve-slide adjustments on the horn, practical listening and resonance become more reliable guides than equal temperament alone.
Por Christopher Leuba
Miembro
Parte 2
Articulation or bowing on the trumpet
Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.
Por Timofey Dokschidser
Emory Brace Remington
A Profile
“The trombone must sing.” Ralph Sauer profiles Emory Remington—legendary teacher whose vocal approach shaped generations and redefined brass pedagogy.
Por Ralf Sauer
Ferrol, exemplary instrumental courses in Spain
Por Jean-Pierre Mathez
Gratuito
Parte 5
Practical Hints
Working from a Clarke study, a modified routine links tone stability to velocity, showing how secure sound supports precision as tempo increases.
Por James Stamp
Miembro
The subconscious, a useful friend
From yogic practices to auto-hypnosis, mental conditioning and visualisation are linked to performance, self-control, and the body's hidden responses.
Por Michel Ricquier
Parte 8
The instrumental player’s maintenance and development
The opinion of an expert
Por James Thompson
Miembro
Fundamental trombone performance technique
Teaching and application
Technique becomes musicianship when breathing, vibration, resonance, articulation and slide movement cease to be separate skills and begin working as one.
Por William F. Cramer
Miembro
Parte 1
My contacts with the United States
From a simple request to an unexpected invitation: this account dives into Indiana University—between dazzling technique and the search for true musicality.
Por Michael Höltzel
Miembro
My Experiences with Colleagues and Pupils
in 50 Years as trumpet player and trumpet teacher
Across five decades, Heinz Burum links trumpet embouchure, mouthpiece design and teaching practice to concrete cases from orchestras, pupils and colleagues.
Por Heinz Burum
Parte 7
James Stamp Master in listening
Por Jean-Christophe Wiener
National Trombone Workshop (USA)
Report on the first National Trombone Workshop (1971), highlighting pedagogy, leading performers and the legacy of Emory Remington.
Por Henry Romersa
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Professor Timofey Dokshitser
Trumpet Virtuoso and Artist from Moscow
In 1983 Moscow, Timofey Dokshitser weighs virtuosity against musicianship, opening a window onto Soviet trumpet training, orchestral life and artistic discipline.
Por Marcel Hollenstein
Reflections on the brass player
Why do brass players so often resist new music? Vinko Globokar dismantles schools, routines, and traditions—and calls for a freer musical mindset.
Por Vinko Globokar
Miembro
Vassily Gueorguievitch Brandt (1869–1923)
Biography
Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.
Por Anatoly Selianin
Collective improvisation in instrumental classes with different instruments
What if learning an instrument meant more than playing pieces? Roland Böckle promotes collective improvisation to develop listening, taste, and creativity.
Por Roland Böckle
Miembro
Serie El jazz y la trompa • Parte 3
Jazz and the Horn
Getting started
For the classically trained horn player, jazz replaces the security of the printed page with listening, swing and improvisation—and a different kind of discipline.
Por Jeffrey Agrell
Gratuito
Contemporary Hungarian Brass Music
From early decline to recent revival, Hungarian brass emerges through pedagogy, competitions and new chamber works, with Varasdy outlining key figures and shifting ensemble practices.
Por Frigyes Varasdy
Parte 4
Jazz Improvisation
The melodic minor scale 2
Por Charlie Shoemake
Miembro
Tonguing
A tiny shift in tongue movement changes speed, endurance and clarity, turning articulation from a mechanical attack into one of the trumpet player’s subtlest tools.
Por Louis Davidson
Miembro
James Stamp, subtle teaching
Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.
Por Alfred Willener