Enfoque

Bonanni, Filippo

Gabinetto Armonico by Filippo Bonanni, Rome 1723

22 Illustrations

Selection of illustrations and excerpts from Gabinetto Armonico (1723), offering a visual insight into early instruments and musical practice.

Spruit, J. E.

The Fellowship of the Minstrels

Exploration of the medieval minstrel’s world, from marginalization and suspicion to the creation of fellowships that offered protection and structure.

Von Glasenapp, Franz Georg

Drollery in the medieval representation of musical subjects

Study of medieval drolleries in musical imagery, exploring humorous and symbolic representations of musicians and instruments in Gothic art.

Janetzky, Kurt

Impossible?

Kurt Janetzky challenges the notion of the “impossible” in brass playing, arguing that technical limits evolve and that demanding repertoire—past or present—should never be dismissed as unplayable.

Krol, Bernhard

Why pretend to be Mozart?

The concerto’s cadenza: copy of style — or bold but true?

Should a cadenza imitate the past—or speak in today’s voice? Bernhard Krol questions the tradition of stylistic imitation and argues for cadenzas that bridge past and present with authenticity.

Damm, Peter

Why pretend to be Mozart?

Reply to Bernhard Krol

Should a cadenza imitate Mozart? Peter Damm argues for stylistic fidelity without imitation—at the heart of a debate with Bernhard Krol.

Willener, Alfred

Montreux 1976 - First international brass congress

Montreux 1976: beyond the spectacle. Between virtuosity, ego, and isolation, Alfred Willener questions the very meaning of the brass world.

Bobo, Roger

Comments on the First International Brass Congress

Montreux 1976

National styles or personal voice? Roger Bobo finds in Montreux that individuality prevails—yet notes the absence of key traditions.

Mathez, Jean-Pierre

Editorial

Between tradition and innovation: brass players must move beyond routine and embrace new musical directions to remain relevant in the music of tomorrow.

Höltzel, Michael

My contacts with the United States

About horns and how to play them

Double horn, descant, natural horn — which path? This article explores American vs German approaches and what it means to train a complete horn player.

Tarr, Edward H.

Cesare Bendinelli (1542-1617)

Biography

Cesare Bendinelli (1542–1617), imperial trumpeter and teacher, shaped a tradition and wrote the first trumpet method — a key document of Renaissance brass playing.

Mathez, Jean-Pierre

Editorial

Mouthpiece, instrument, practice—what’s really holding you back? A reflection on doubt, competition, and finding the inner balance that shapes true musicianship.

Fenigstein, Victor

Scraps of Thoughts and Memories concerning “Passages” for trumpet and strings

Between waiting and movement, Passages reimagines soloist and orchestra—inviting exploration, listening, and the acceptance of the unexpected.

Hickman, David

Herbert L. Clarke (1867-1945)

Boyhood Years

From forbidden beginnings to cornet legend: Herbert L. Clarke’s early years reveal a path shaped by setbacks, persistence, and decisive discoveries.

Mathez, Jean-Pierre

Editorial

Is sound something you control—or something you become? Jean-Pierre Mathez challenges technique, fashion, and pedagogy: sonority is a lifelong conquest of freedom.

Bobo, Roger

From the pen of Roger Bobo

A bold statement from Roger Bobo: limiting yourself to your instrument’s repertoire is musical imprisonment — true musicianship begins beyond boundaries.

Mathez, Jean-Pierre

Editorial

Research shapes music. This editorial highlights key scholars, welcomes new contributors, and calls on readers to support Brass Bulletin’s growing international reach.

Karjalainen, Kauko

The brass septet tradition in Finland

A hidden tradition revealed: over 200 Finnish brass septets shaped regional music life—blending military roots, festivals, and composers like Sibelius into a living legacy.

Mathez, Jean-Pierre

Editorial

More than a magazine: a call to musicians. This editorial reveals Brass Bulletin’s mission—to inspire, connect, and survive through the support of its readers.

Glover, Stephen L.

Early trumpet music in Schwerin

Hidden sources revealed: Stephen Glover uncovers early trumpet music in Schwerin—offering new insights into wind bands, performance practice, and the evolution of brass.

Agrell, Jeffrey

Zen and the Art of Horn playing

Beyond technique: Jeffrey Agrell explores the clash between intellect and intuition—arguing that true musical expression begins where analysis ends.

Mathez, Jean-Pierre

Editorial

A life that shaped a century: Jean-Pierre Mathez introduces the extraordinary rise of Maurice André—an artist whose brilliance transformed the modern trumpet.

Mathez, Jean-Pierre

Editorial

A warning from the machine: Jean-Pierre Mathez reflects on Kaufmann’s robot—questioning whether technology is shaping music… or slowly replacing the human artist.

Perrins, Barrie

What is a Brass Band?

Barrie Perrins traces the 19th-century origins, instrumentation and social role of the brass band—from industrial roots to international musical life.

Bobo, Roger

Tuba Editorial

Roger Bobo reflects on orchestral auditions, examining imbalance between candidates and positions and questioning training, selection criteria and prospects for aspiring tubists.

Ree Wekre, Frøydis

Being a woman brass player... So what?

Frøydis Ree Wekre reflects on women in brass playing, examining physical assumptions, psychological factors, and practical realities across performance and professional life.

Mathez, Jean-Pierre

Editorial

Virtuosity is framed less as method than perception, opposing formula-driven teaching and pointing to attentive listening as the ground for technical clarity and artistic control

Stevens, Thomas

The Trumpet in the USA

Across competitions, teaching and equipment in the U.S., trumpet practice exposes clashing ideas of musicality, raising the question of shared standards beyond national styles

Mathez, Jean-Pierre

John Fletcher

Interview

From brass bands to chamber ensembles, John Fletcher reflects on the rapid rise of young British tubists and the changing role of the instrument.

Agrell, Jeffrey

Zen and the Art of Horn playing

Between breath, reflex, and attention, Jeffrey Agrell links Zen practice with the physical and mental habits that shape brass playing.

Mathez, Jean-Pierre

Editorial

From cultural codes to personal sincerity, Jean-Pierre Mathez questions how musicians recognise truth across styles, traditions and musical languages.

Mathez, Jean-Pierre

Women and Brass

Statements

Female brass players in British orchestras describe auditions, section dynamics and the pressure of proving themselves beyond musical ability.

Mathez, Jean-Pierre

Editorial

At the dawn of the 1980s, Brass Bulletin challenges institutional habits, avant-garde rigidity and brass pedagies through a direct appeal to younger musicians.

Bobo, Roger

Dynamics in the 80's

From Reykjavik to the Hollywood Bowl, rising concert hall scale and amplified culture reshape orchestral sound, leaving acoustic limits exposed.

Agrell, Jeffrey

Zen and the Art of Horn playing

From meditation to distance running, horn playing becomes a way of quieting mental noise, linking breath, concentration, and daily life.

Douay, Jean

A woman trombonist, Yvelise Girard

Women and Brass

From Paris conservatories to police bands, a young trombonist confronts isolation, scrutiny and ambition as women slowly enter the brass world.

Hoza, Vaclav

Tower-watchmen and night-watchmen in Bohemia

From Hussite suspicion of musicians to tower signals over Bohemian towns, horns and trumpets shaped civic life, danger warnings and ritual memory.

Ricquier, Michel

The use of the mind in instrumental performance

Relaxation, concentration and mental imagery reshape technical practice, linking self-confidence and instrumental control beyond physical training alone.

Janetzky, Kurt

300 Years of the Horn in Bohemia

An unsigned portrait from the Dresden court links the rise of Bohemian horn playing to the ceremonial world of Baroque hunting culture.

Sluchin, Benny

A Trombone Martyr

Auguste Léonard de la Tuilerie

A Paris apothecary turned trombone evangelist challenges 19th-century musical habits, imagining the slide trombone as the future voice of harmony.

Bach, Markus S.

Women and brass: 3 Portraits

Barbara Stone, Betty Anderson, Kate Kaminga

Three British and Dutch conductors moved from brass band performance to leadership roles, confronting a scene still largely shaped by male traditions.

Mathez, Jean-Pierre

Editorial

Progress by Stages

Between technical routine and lived experience, musical growth emerges through setbacks, observation and the gradual shaping of an individual voice.

Ringger, Rolf Urs

Serious Music this Side of the Ghetto

Between Darmstadt serialism and neo-tonality, the place of serious music in society is questioned through Berg, Schönberg and the post-war avant-garde.

Mathez, Jean-Pierre

Editorial

10 Years of Brass Bulletin

Ten years after its launch, a small specialist publication reaches readers in more than sixty countries, reflecting how a shared artistic community took shape across borders.

Davies, John

Brass and Strings

A note on personality types among musicians

Behind the formal discipline of the symphony orchestra, contrasting views of brass and string players reveal enduring questions about personality, class and musical culture.

Ricquier, Michel

The subconscious, a useful friend

From yogic practices to auto-hypnosis, mental conditioning and visualisation are linked to performance, self-control, and the body's hidden responses.

Mathez, Jean-Pierre

Editorial

Beyond technique and instruction, musical growth depends on trusted relationships, where friendship becomes both a measure of progress and a safeguard against isolation.

Olsen, Deborah M.

Music in an American Frontier Communal Society

Aurora Colony

In a German communal settlement on the Oregon frontier, bands, choirs and original compositions shaped daily life as strongly as faith, work and education.

Sommerhalder, Max

Working with the Posaunenchor

From Württemberg youth groups to mass brass gatherings in Ulm, a community tradition links faith, education and amateur brass playing across generations.

Searfoss, David P.

The Audition System

Why American Musicians Emigrate?

Behind orchestral vacancies in North America, travel costs, subjective selection and hidden hiring practices help explain a growing flow of musicians abroad.

Nakayama, Fujio

Japanese painting from the 18th century

An 18th-century Okinawan scroll preserves a ceremonial procession where Chinese-derived instruments, including the rapa trumpet, marked diplomatic exchange with Japan.

Olsen, Deborah M.

Music in an American Frontier Communal Society

Aurora Colony

Music shaped daily life in Aurora’s communal colony, from civic ceremonies and political events to touring brass bands that carried its identity across the American West.

Mathez, Jean-Pierre

Editorial

International Competitions - Time, a perishable commodity...

From competition juries to the accelerating pace of modern life, Jean-Pierre Mathez questions the judgments and pressures shaping musicians and their careers

Olsen, Deborah M.

Music in an American Frontier Communal Society

Aurora Colony

Aurora’s bands, chamber groups and restored instruments show how communal faith, German heritage and American public life met in sound, from parlors to parades.

Mathez, Jean-Pierre

Editorial

As music becomes increasingly industrialized, Jean-Pierre Mathez argues for restoring local musical communities where composers, performers and audiences shape a shared identity.

Jeurissen, Herman

The Midwinter Horn

De Midwinterhoorn

A Christmas horn tradition from eastern Netherlands preserves ancient construction, ritual and performance, linking rural practice with Leopold Mozart's Sinfonia pastorella.

Willener, Alfred

The Haydn Trumpet Concerto

Haydn’s trumpet concerto becomes a study of manuscript detail, performance choices, and the fragile ways listeners receive a familiar work.

Agrell, Jeffrey

Listening

Musical listening begins where judgment ends, as Jeffrey Agrell questions habits of criticism, recordings and expectation that shape every performance.

Ehmann, Wilhelm

100 Years of Kuhlo's Posaunenchor Book

A century-old brass choir book reveals how revivalist faith, Bach chorales, folk song, and practical notation reshaped church music.

Mathez, Jean-Pierre

Editorial

As costs rose and ambitions grew, an editorial from 1983 captures the fragile balance between sustaining an international brass journal and preserving its vision.

Mathez, Jean-Pierre

Yamaha, an ambitious giant

Behind the rise of a future industrial giant lies an unexpected lesson in craftsmanship, cultural exchange and the discipline that reshaped wind instrument making.

Mathez, Jean-Pierre

Editorial

When careers pause and certainty fades, real progress begins in private, where discipline, friendship and chamber music reshape what it means to be a musician.

Mathez, Jean-Pierre

Musical Piracy

Plagiarism, Photocopying

Long before digital piracy, publishers and performers were already confronting plagiarism, photocopying and blurred artistic ownership across the brass world.

Mathez, Jean-Pierre

Editorial

One magazine disappeared as another opened its pages, turning economic necessity into a rare act of editorial solidarity that reshaped the brass press.

Mathez, Jean-Pierre

Editorial

Mass media, record-industry economics and the return of cornet virtuosity collide in a sharp warning about fashion, manipulation and musical independence.

Mathez, Jean-Pierre

Brass Players in Rome

Behind Rome’s musical prestige, RAI brass players describe shrinking salaries, insecure orchestral careers and the compromises required simply to remain musicians.

Mathez, Jean-Pierre

Editorial

Music teaching depends on more than routine: in 1984, Jean-Pierre Mathez argues that living contact with artists keeps transmission open to new generations.

Mathez, Jean-Pierre

Editorial

Between disciplined practice and creative folly, musicianship emerges where scales and systems give way to imagination, instinct and the unsettling freedom to think.

Mathez, Jean-Pierre

Editorial

Bloomington’s brass congress raises an awkward question: can international exchange flourish when one country’s institutions, calendar and priorities set the terms?

Mathez, Jean-Pierre

Special Hungary

The most beautiful instruments of the National and Military Museums

Special Hungary

Budapest’s museum collections bring together Roman and Baroque trumpets, ceremonial instruments and military imagery, preserving sounds and symbols across centuries.

Mathez, Jean-Pierre

Wynton Marsalis

Interview

At 26, Wynton Marsalis confronts jazz education, popular culture and artistic integrity with convictions as uncompromising as his approach to the trumpet.