Approccio
91 articoli disponibili online
Membro
Wynton Marsalis
Interview
At Montreux in 1987, Wynton Marsalis condemns commercial pop culture and defends the transmission of jazz traditions through education and close attention to its masters.
Di Jean-Pierre Mathez
Can jazz performance be taught?
A profile of Charlie Shoemake
Di Thomas Stevens
Gratuito
Editorial
Music teaching depends on more than routine: in 1984, Jean-Pierre Mathez argues that living contact with artists keeps transmission open to new generations.
Di Jean-Pierre Mathez
Membro
Brass and Strings
A note on personality types among musicians
Behind the formal discipline of the symphony orchestra, contrasting views of brass and string players reveal enduring questions about personality, class and musical culture.
Di John Davies
Parte 2
Sampling? A hard rality !
Di Thomas Stevens
Gratuito
Why pretend to be Mozart?
Reply to Bernhard Krol
Should a cadenza imitate Mozart? Peter Damm argues for stylistic fidelity without imitation—at the heart of a debate with Bernhard Krol.
Di Peter Damm
Membro
Parte 1
Cesare Bendinelli (1542-1617)
Biography
Cesare Bendinelli (1542–1617), imperial trumpeter and teacher, shaped a tradition and wrote the first trumpet method — a key document of Renaissance brass playing.
Di Edward H. Tarr
Gratuito
Comments on the First International Brass Congress
Montreux 1976
National styles or personal voice? Roger Bobo finds in Montreux that individuality prevails—yet notes the absence of key traditions.
Di Roger Bobo
Gratuito
Parte 1
Herbert L. Clarke (1867-1945)
Boyhood Years
From forbidden beginnings to cornet legend: Herbert L. Clarke’s early years reveal a path shaped by setbacks, persistence, and decisive discoveries.
Di David Hickman
Parte 1
Tubes - Tritones - Theses
Di Patrice Sciortino
Gratuito
Brass Players in Rome
Behind Rome’s musical prestige, RAI brass players describe shrinking salaries, insecure orchestral careers and the compromises required simply to remain musicians.
Di Jean-Pierre Mathez
Gratuito
Editorial
Between disciplined practice and creative folly, musicianship emerges where scales and systems give way to imagination, instinct and the unsettling freedom to think.
Di Jean-Pierre Mathez
Gratuito
Editorial
Mass media, record-industry economics and the return of cornet virtuosity collide in a sharp warning about fashion, manipulation and musical independence.
Di Jean-Pierre Mathez
Membro
Why pretend to be Mozart?
The concerto’s cadenza: copy of style — or bold but true?
Should a cadenza imitate the past—or speak in today’s voice? Bernhard Krol questions the tradition of stylistic imitation and argues for cadenzas that bridge past and present with authenticity.
Di Bernhard Krol
Membro
Special Finland
Brass achieves academic respectability
Once treated as marginal, Finland’s brass septet tradition entered academic research, challenging where folk practice ends and music history begins.
Di Kauko Karjalainen
Gratuito
Scraps of Thoughts and Memories concerning “Passages” for trumpet and strings
Between waiting and movement, Passages reimagines soloist and orchestra—inviting exploration, listening, and the acceptance of the unexpected.
Di Victor Fenigstein
Gratuito
The brass septet tradition in Finland
A hidden tradition revealed: over 200 Finnish brass septets shaped regional music life—blending military roots, festivals, and composers like Sibelius into a living legacy.
Di Kauko Karjalainen
Gratuito
The Midwinter Horn
De Midwinterhoorn
A Christmas horn tradition from eastern Netherlands preserves ancient construction, ritual and performance, linking rural practice with Leopold Mozart's Sinfonia pastorella.
Di Herman Jeurissen
Parte 2
Tubes - Tritones - Theses
Di Patrice Sciortino
Membro
The Fellowship of the Minstrels
Exploration of the medieval minstrel’s world, from marginalization and suspicion to the creation of fellowships that offered protection and structure.
Di J. E. Spruit
Suppose they had an orchestra audition and nobody won?
Di Thomas Stevens
Gratuito
Musical Piracy
Plagiarism, Photocopying
Long before digital piracy, publishers and performers were already confronting plagiarism, photocopying and blurred artistic ownership across the brass world.
Di Jean-Pierre Mathez
Gratuito
Women and brass: 3 Portraits
Barbara Stone, Betty Anderson, Kate Kaminga
Three British and Dutch conductors moved from brass band performance to leadership roles, confronting a scene still largely shaped by male traditions.
Di Markus S. Bach
Composer Interpreter Teacher Student
Clains and demands in musical life today
What is the musician’s role today? Willi Gohl questions creation, teaching, and society—and argues for a more human, free, and living music.
Di Willi Gohl