Insegnamento
110 articoli
Membro
Parte 1
Articulation or bowing on the trumpet
Trumpet articulation becomes a precise study of attack, sustain, release and legato, linking tongue, breath, lips and sound in Dokshitser’s method.
Di Timofey Dokschidser
Membro
Parte 3
A study of musical intonation
From wind quintets to brass sections, balance, overtones and perception shape intonation in ways that often diverge from measurable frequency.
Di Christopher Leuba
Membro
Parte 1
A study of musical intonation
Resultant tones, harmonic series ratios and chord spacing challenge equal temperament, linking acoustics and practical ensemble intonation.
Di Christopher Leuba
Membro
Parte 2
A study of musical intonation
From harmonic-series tuning to valve-slide adjustments on the horn, practical listening and resonance become more reliable guides than equal temperament alone.
Di Christopher Leuba
Membro
Parte 2
Articulation or bowing on the trumpet
Trumpet articulation becomes a full performing language, from détaché and staccato to legato, glissando, dynamics and score interpretation.
Di Timofey Dokschidser
Emory Brace Remington
A Profile
“The trombone must sing.” Ralph Sauer profiles Emory Remington—legendary teacher whose vocal approach shaped generations and redefined brass pedagogy.
Di Ralf Sauer
Ferrol, exemplary instrumental courses in Spain
Di Jean-Pierre Mathez
Gratuito
Parte 5
Practical Hints
Working from a Clarke study, a modified routine links tone stability to velocity, showing how secure sound supports precision as tempo increases.
Di James Stamp
Membro
The subconscious, a useful friend
From yogic practices to auto-hypnosis, mental conditioning and visualisation are linked to performance, self-control, and the body's hidden responses.
Di Michel Ricquier
Parte 8
The instrumental player’s maintenance and development
The opinion of an expert
Di James Thompson
Membro
Fundamental trombone performance technique
Teaching and application
Technique becomes musicianship when breathing, vibration, resonance, articulation and slide movement cease to be separate skills and begin working as one.
Di William F. Cramer
Membro
Parte 1
My contacts with the United States
From a simple request to an unexpected invitation: this account dives into Indiana University—between dazzling technique and the search for true musicality.
Di Michael Höltzel
Membro
My Experiences with Colleagues and Pupils
in 50 Years as trumpet player and trumpet teacher
Across five decades, Heinz Burum links trumpet embouchure, mouthpiece design and teaching practice to concrete cases from orchestras, pupils and colleagues.
Di Heinz Burum
Parte 7
James Stamp Master in listening
Di Jean-Christophe Wiener
National Trombone Workshop (USA)
Report on the first National Trombone Workshop (1971), highlighting pedagogy, leading performers and the legacy of Emory Remington.
Di Henry Romersa
Membro
Professor Timofey Dokshitser
Trumpet Virtuoso and Artist from Moscow
In 1983 Moscow, Timofey Dokshitser weighs virtuosity against musicianship, opening a window onto Soviet trumpet training, orchestral life and artistic discipline.
Di Marcel Hollenstein
Reflections on the brass player
Why do brass players so often resist new music? Vinko Globokar dismantles schools, routines, and traditions—and calls for a freer musical mindset.
Di Vinko Globokar
Membro
Vassily Gueorguievitch Brandt (1869–1923)
Biography
Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.
Di Anatoly Selianin
Collective improvisation in instrumental classes with different instruments
What if learning an instrument meant more than playing pieces? Roland Böckle promotes collective improvisation to develop listening, taste, and creativity.
Di Roland Böckle
Membro
Serie Il jazz e il corno • Parte 3
Jazz and the Horn
Getting started
For the classically trained horn player, jazz replaces the security of the printed page with listening, swing and improvisation—and a different kind of discipline.
Di Jeffrey Agrell
Gratuito
Contemporary Hungarian Brass Music
From early decline to recent revival, Hungarian brass emerges through pedagogy, competitions and new chamber works, with Varasdy outlining key figures and shifting ensemble practices.
Di Frigyes Varasdy
Parte 4
Jazz Improvisation
The melodic minor scale 2
Di Charlie Shoemake
Membro
Tonguing
A tiny shift in tongue movement changes speed, endurance and clarity, turning articulation from a mechanical attack into one of the trumpet player’s subtlest tools.
Di Louis Davidson
Membro
James Stamp, subtle teaching
Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.
Di Alfred Willener