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115 artículos
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Serie El jazz y la trompa • Parte 3
Jazz and the Horn
Getting started
For the classically trained horn player, jazz replaces the security of the printed page with listening, swing and improvisation—and a different kind of discipline.
Por Jeffrey Agrell
Parte 3
The art of chamber music
Por Christoph Müller
Parte 6
DSA - Digital analysis of intonation and sound
Subjective perception of the wind player
Por Robert Meissner
Miembro
Tonguing
A tiny shift in tongue movement changes speed, endurance and clarity, turning articulation from a mechanical attack into one of the trumpet player’s subtlest tools.
Por Louis Davidson
Miembro
James Stamp, subtle teaching
Intonation, held notes and mouthpiece work shape James Stamp's subtle approach to trumpet playing, where listening and physical economy guide technique.
Por Alfred Willener
Gratuito
Basics in breathing
An Outline to a Better Sound
From breathing awareness to sound production, practical exercises link physical relaxation, air control and rhythmic precision in everyday brass playing.
Por Joel Elias
Phonetics in the articulation and expression of the language of music
Rethinking articulation: Francis Orval challenges traditional teaching—revealing how phonetics, language, and psychology shape sound, phrasing, and musical expression.
Por Francis Orval
Miembro
Natural trumpets, basic techniques
Natural trumpet playing demands more than historical equipment: Friedemann Immer sets modern technique against Baroque sound, articulation, style and authenticity.
Por Friedemann Immer
Gratuito
ASA-Method, ASA-Technic
Virtuosity grows from disciplined work on scales, articulation and reading, arguing that consistent fundamentals matter more than chasing the upper register.
Por Rolf Quinque
Indeterminate instrumentation
A Way of Extending Instrumental Technic
Can technique go beyond notation? James Fulkerson explores new instrumental possibilities and argues that improvisation is key to expanding both technique and musical thinking.
Por James Fulkerson
Miembro
Advices from an expert brass clinician: Robert Pichaureau, Paris
What if everything you control is wrong? This radical approach to brass playing shifts focus away from the embouchure — back to the true origin of breath and sound.
Por Alfred Willener
The tuba in the brass quintet
Por Mel Culbertson
Miembro
Maurice Ravel and the new trombone
Dance-band trombonists reshaped orchestral expectations in the 1920s and 30s, leaving their mark on Ravel’s Boléro and a generation of players.
Por Michel Laplace
Miembro
My teeth
A dentist visit that changed everything: René Périnelli reveals how his teeth directly shaped his trumpet playing.
Por René Périnelli
Miembro
Sophrology and Music
For brass players, physical tension and concert anxiety can become habitual obstacles, while sophrology offers a different approach to posture, memory and performance.
Por Robert Ischer
Miembro
Lip vibration characteristics
of the trombone embouchure in performance
Study of lip vibration in trombone performance, analyzing embouchure behavior and its impact on sound production and control.
Por Leno Lloyd
Symphonic tuba playing
A warning from the orchestra: Lewis Waldeck challenges modern tuba playing—calling for a return from solo brilliance to the dark, blended power of true symphonic sound.
Por Lewis Waldeck
Miembro
The inner acoustics of the horn
Study of the horn’s inner acoustics, explaining how its structure and air column influence tone production and intonation.
Por Willi Aebi
Early music: A new approach with Bruce Dickey
Por Robert Ischer
Gratuito
Parte 6
Practical Hints
A progressive adaptation of Clarke’s No. 91 uses slurs, accents and dynamic shaping to build speed while preserving tone stability and control.
Por James Stamp
Stopping technique in the Mozart horn concertos
Por Thomas Müller
General remarks on the role of the teeth for wind instrument players
Your teeth are part of your instrument: a dental expert explains how they shape sound, technique and long-term health.
Por Jean-Paul Rocca
Gratuito
Parte 1
Practical Hints
Built around Herbert L. Clarke’s Technical Studies, these practice routines refine flexibility, intonation and note placement through structured brass exercises.
Por James Stamp
Miembro
Oscillatory Mechanism of the Glotis in Horn Playing
A horn note may begin before it is heard, as subtle vocal-fold oscillations appear to prepare the airflow that the lips will ultimately shape.
Por Philippe-Henri Dejonker, Francis Orval, R. Miller, R. Sneppe