Constructores de instrumentos
30 artículos
Gratuito
Parte 1
The Art of the Musical Instrument Maker
Encyclopédie méthodique — Paris 1795
A 1795 encyclopedia captures brass and wind instruments at a moment when their language, character and expressive roles were understood rather differently.
Por Anonyme
Gratuito
Parte 9
Instrument makers in USA
Yamaha Music Products
In Grand Rapids, Japanese precision met American manufacturing, as Yamaha balanced imported components, skilled craftsmanship and the demands of a growing brass instrument market.
Por Stephan Suter
Gratuito
Parte 8
Instrument Makers in USA
Getzen
Two devastating factory fires, rapid reconstruction and a growing export market shaped Getzen’s rise in Wisconsin, where craftsmanship met industrial ambition.
Por Stephan Suter
Gratuito
Parte 2
The Art of the Musical Instrument Maker
Encyclopédie méthodique — Paris 1795
In 1795, musical instruments were thought to need no further invention, yet their materials, construction and acoustic possibilities remained open to experimentation.
Por Anonyme
Parte 3
The Art of the Musical Instrument Maker
Encyclopédie méthodique — Paris 1795
Por Anonyme
Miembro
Yamaha, an ambitious giant
Behind the rise of a future industrial giant lies an unexpected lesson in craftsmanship, cultural exchange and the discipline that reshaped wind instrument making.
Por Jean-Pierre Mathez
Gratuito
Instrument Making and the Ear
From hearing physiology to workshop testing, E. Ferron links instrument design, acoustics and perception, where no two ears judge sound in quite the same way.
Por Emile Ferron
Gratuito
Parte 6
The Trumpet in the USA
Diverse makers
As trumpet makers rethink their standard instruments, Monette, Malone and Blackburn bring leadpipe design into a new dialogue between players and workshops.
Por Thomas Stevens
Gratuito
Parte 6
Instrument Makers in USA
Holton (G. Leblanc Corporation)
In Elkhorn, Wisconsin, traditional craftsmanship meets industrial production, while Holton confronts the delicate balance between innovation and musicians’ conservatism.
Por Stephan Suter
Gratuito
Renold Schilke at Frankfurt
Interview
Jean-Pierre Mathez reports on Renold Schilke’s views at Frankfurt, addressing fair organisation, maker–musician collaboration, and shifting market dynamics shaped by demand and quality criteria.
Por Jean-Pierre Mathez
Miembro
Parte 7
Instrument Makers in USA
Martin (G. Leblanc Corporation)
In 1970s Wisconsin, industrial efficiency transformed brass instrument production, yet traditional craftsmanship still had a place on the factory floor.
Por Stephan Suter
Miembro
Steve Lewis, Hornmaker
Old World Craftsmanship plus New World Technology
In 1980s Chicago, Steve Lewis joined Old World bench craft to modern precision, building horns one by one around the player, the metal and a distinctive sound.
Por Jeffrey Agrell
Miembro
Brass instruments from the musical town of Graslitz
From 18th-century Graslitz to postwar Bavaria, brass makers rebuilt a vanished musical industry around Miraphone, preserving craft through exile and industrial change.
Por Rudolf Limmer
Miembro
The history of the big York-Hirsbrunner Tuba
The instrument maker's point of view
A legendary orchestral tuba became the starting point for rethinking how craftsmanship, industrial methods and musical results rarely follow the same path.
Por Peter Hirsbrunner
Miembro
Five generations of mouthpiece specialists
From Höchstädt to Markneukirchen and beyond, five generations of Schmidts shaped brass mouthpiece design through craft, anatomy and evolving orchestral demands.
Por Werner Christoph Schmidt
Gratuito
Parte 1
Instrument Makers in USA
American brass making in the mid-1980s stood between workshop tradition and industrial change, with ten firms offering a striking cross-section of the trade.
Por Stephan Suter
United Philharmonic Orchestra Vienna
A tonal concept unites the brass section
Por Gerhard Zechmeister
Václav F. Cerveny (1819-1896)
Famous instrument maker
A pioneer of brass design: V. F. Červený shaped modern wind instruments—challenging Adolphe Sax and defining the rich sound of the Austrian school.
Por Vaclav Hoza
Miembro
The stamps on Sax instruments
Sax instrument stamps reveal makers, addresses, patents and distinctions, giving collectors concrete clues for dating instruments across three generations.
Por M. Haine, I. De Keyser
Gratuito
Editorial
Behind a musician’s instrument lies a quiet industrial battle, as European, American and Japanese makers compete to shape the future of brass playing.
Por Jean-Pierre Mathez
Gratuito
On the sensitivity of brass instruments
Metal, pressure nodes and temperature shifts shape response, timbre and tuning, as Emile Ferron links instrument acoustics to the player’s imprint.
Por Emile Ferron
Miembro
Parte 5
Instrument Makers in USA
S. W. Lewis Orchestral Horns
For Steven Lewis, building a horn begins with playing it: craftsmanship, acoustic compromise and observation shape instruments made for musicians rather than theory.
Por Stephan Suter
Miembro
The contrabass sackbut
a modern copy
A reconstructed 17th-century contrabass sackbut revives forgotten low brass practice, from Venetian polychoral music to modern performance challenges.
Por Richard Lister
Gratuito
Parte 3
Instrument Makers in USA
C. G. Conn Ltd. Abilene, Texas
For Conn, regaining lost ground in brass instrument making means more than automated production: workshop skills and stable working conditions also count.
Por Stephan Suter