Playing and Singing
Benny Sluchin
Brass Bulletin N.º 35–37 · 1981–1982
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Parte 1
Playing and singing simultaneously on brass instruments
Brass Bulletin N.º 35 · 1981 · pp. 5–11
From Weber and Vivier to contemporary solo works, singing into the brass instrument becomes a multiphonic technique shaped by notation, acoustics, and practice.
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Parte 2
Playing and singing simultaneously on brass instruments
Brass Bulletin N.º 36 · 1981 · pp. 18–25
From interval production and tone generation to contemporary repertoire, simultaneous playing and singing becomes a demanding extension of brass technique.
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Parte 3
Playing and singing simultaneously on brass instruments
Brass Bulletin N.º 37 · 1982 · pp. 20–28
From Weber's Concertino to Berlioz's chord writing, acoustic principles explain how combination tones emerge from simultaneous playing and singing on brass.
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