Sonido

Tarr, Edward H.

The Baroque trumpet, the high trumpet and the so-called Bach trumpet

Edward H. Tarr examines the Baroque trumpet and clarifies the origins and meaning of the so-called “Bach trumpet.”

Baumann, Hermann

Which Horn for which Music?

Article discussing the choice of horn according to repertoire, comparing instruments, sound ideals and stylistic requirements.

Aebi, Willi

The inner acoustics of the horn

Study of the horn’s inner acoustics, explaining how its structure and air column influence tone production and intonation.

Tarr, Edward H.

The Baroque trumpet, the high trumpet and the so-called Bach trumpet

Continuation of Edward H. Tarr’s study on the Baroque trumpet, examining the high trumpet and further clarifying the concept of the “Bach trumpet.”

Krueger, Harold E.

An American trumpet player's impressions of european brass performances

An American trumpet player reflects on European brass traditions, comparing education, amateur practice and professional performance across both continents.

Bouché, Robert

The column of air

A System of Breathing for Brass Players

Explains the role of the air column in brass playing, focusing on breath support, airflow control and their impact on tone, articulation and sound quality.

Lloyd, Leno

Lip vibration characteristics

of the trombone embouchure in performance

Study of lip vibration in trombone performance, analyzing embouchure behavior and its impact on sound production and control.

Saxton, Earl S.

Horn singing

Earl S. Saxton advocates a “singing” approach to horn playing, emphasizing tone production through vibration, breath control and vocal-inspired technique.

Tucci, Robert

The tuba in Europe

Why does the tuba sound different across Europe? Robert Tucci explores national styles, instruments and orchestral traditions.

Fulkerson, James

Low register development for the trombone

Should you really drop the jaw for low notes? James Fulkerson challenges this idea and proposes a more stable approach to extend the low register.

Höltzel, Michael

My contacts with the United States

From a simple request to an unexpected invitation: this account dives into Indiana University—between dazzling technique and the search for true musicality.

Willener, Alfred

Advices from an expert brass clinician: Robert Pichaureau, Paris

What if everything you control is wrong? This radical approach to brass playing shifts focus away from the embouchure — back to the true origin of breath and sound.

Mathez, Jean-Pierre

Editorial

Is sound something you control—or something you become? Jean-Pierre Mathez challenges technique, fashion, and pedagogy: sonority is a lifelong conquest of freedom.

Stancil, Daniel D.

Use of a spectral model in developing concepts of tuba timbre

Can great tuba sound be measured? This groundbreaking study turns timbre into data — offering a visual model that could transform how players hear and shape their sound.

Krumpfer, Hans-Joachim

Problems of teaching methods in brass instruction

Talent isn’t enough. Krumpfer argues that brass teaching must align physiology, psychology, and method—only then can young players reach their true potential.

Perrins, Barrie

Some thoughts on the euphonium and euphonium technique

The euphonium revealed: Barrie Perrins explores its history, technique, and expressive power—making a compelling case for its place as one of brass’s most versatile solo voices.

Orvid, G. · Riaouzov, S.

Mikhail Innokentiévitch Tabakov (1877-1958)

Founder of the Soviet trumpet school

A towering figure of trumpet history: Tabakov shaped generations—including the legendary Timofei Dokchitzer—and laid the foundations of the Soviet trumpet school.

Bloch, Colin

The bell-tuning trumpet

Colin Bloch examines bell- and slide-tuned trumpets, comparing intonation patterns through controlled tests and outlining structural causes behind observed deviations.

Selianin, Anatoly

Vassily Gueorguievitch Brandt (1869–1923)

Biography

Sélianine traces Brandt’s life and artistry, from Bolshoi virtuoso to influential pedagogue, revealing the foundations of a distinctly Russian trumpet tradition.

Ree Wekre, Frøydis

The Leningrad School of Horn Playing

From St. Petersburg to the Soviet era, generations of horn players shaped a distinctive approach to sound, interpretation, and orchestral playing.

Poncet, Jacques

On the sensitivity of brass instruments

Cold-hammered hunting horns retain a tactile memory of sound and playing, leading Jacques Poncet to question how brass instruments evolve in use.

Runyan, William E.

The alto trombone and contemporary concepts of trombone timbre

Alto trombone timbre from Vienna to Brahms, orchestral balance, period practice, and why bright brass sounds gradually disappeared.

Stevens, Thomas

The Trumpet in the USA

Gadgets I

From Schilke soundposts to piccolo trumpet extensions, American performers turned technical frustrations into specialized tools for modern playing.

Bobo, Roger

Dynamics in the 80's

From Reykjavik to the Hollywood Bowl, rising concert hall scale and amplified culture reshape orchestral sound, leaving acoustic limits exposed.

Laplace, Michel

The founders of the French Trumpet School

Merri Franquin, Eugène Foveau and Raymond Sabarich

Franquin, Foveau and Sabarich appear through their Paris careers, teaching legacies, recordings and role in shaping modern French trumpet playing.

Dokschidser, Timofey

Articulation or bowing on the trumpet

Trumpet articulation becomes a precise study of attack, sustain, release and legato, linking tongue, breath, lips and sound in Dokshitser’s method.

Ferron, Emile

On the sensitivity of brass instruments

Metal, pressure nodes and temperature shifts shape response, timbre and tuning, as Emile Ferron links instrument acoustics to the player’s imprint.

Sluchin, Benny

A Trombone Martyr

Auguste Léonard de la Tuilerie

A Paris apothecary turned trombone evangelist challenges 19th-century musical habits, imagining the slide trombone as the future voice of harmony.

Elias, Joel

Basics in breathing

An Outline to a Better Sound

From breathing awareness to sound production, practical exercises link physical relaxation, air control and rhythmic precision in everyday brass playing.

Leuba, Christopher

A study of musical intonation

Resultant tones, harmonic series ratios and chord spacing challenge equal temperament, linking acoustics and practical ensemble intonation.

Mathez, Jean-Pierre

Empire Brass Quintet

Portrait in brief

From New York to Boston, five brass players built a chamber music identity rooted in Ewald, early music and a string-quartet approach to ensemble sound.

Stevens, Thomas

The Trumpet in the USA

Gadgets II

Mouthpiece backbores for piccolo and C trumpet are compared through practical performer testing, linking equipment choices to sound, volume and intonation.

Bobo, Roger

Arnold Jacobs

Interview

Two tuba giants meet in 1979 Chicago, where Arnold Jacobs turns technique, sound, orchestral life and pedagogy into a lasting musical ethic.

Leuba, Christopher

A study of musical intonation

From harmonic-series tuning to valve-slide adjustments on the horn, practical listening and resonance become more reliable guides than equal temperament alone.

Ferron, Emile

Harmonics or partials?

Behind every brass note lies a compromise between acoustical theory and instrument design, as E. Ferron questions what players call a harmonic.

Leuba, Christopher

A study of musical intonation

From wind quintets to brass sections, balance, overtones and perception shape intonation in ways that often diverge from measurable frequency.

Cramer, William F.

Blowing as a body function

Breathing habits, posture and body mechanics converge in a practical view of tone production, where William F. Cramer questions prevailing assumptions.

Ferron, Emile

Instrument Making and the Ear

From hearing physiology to workshop testing, E. Ferron links instrument design, acoustics and perception, where no two ears judge sound in quite the same way.

Sluchin, Benny

Playing and singing simultaneously on brass instruments

From Weber and Vivier to contemporary solo works, singing into the brass instrument becomes a multiphonic technique shaped by notation, acoustics, and practice.

Goodwin, John

Brass instrument research at Surrey University

Acoustics, materials, bore design, and player perception meet in Surrey research linking laboratory measurements with the realities of brass performance.

Sluchin, Benny

Playing and singing simultaneously on brass instruments

From interval production and tone generation to contemporary repertoire, simultaneous playing and singing becomes a demanding extension of brass technique.

Sumerkin, Viktor

Pyotr Naumovich Volkov (1877-1933)

First trombone professor at St. Petersburg Conservatory

From imperial St. Petersburg to Soviet Leningrad, Volkov shaped a distinctive Russian trombone tradition through performance, teaching and generations of pupils.

Sluchin, Benny

Playing and singing simultaneously on brass instruments

From Weber's Concertino to Berlioz's chord writing, acoustic principles explain how combination tones emerge from simultaneous playing and singing on brass.

Bowsher, J. M. · Watkinson, P. S.

Manufacturers' Opinions about Brass Instruments

Between workshop lore and acoustic certainty, brass makers’ claims expose a restless debate over metal, finish, resonance, and playing quality.

Mathez, Jean-Pierre

Yamaha, an ambitious giant

Behind the rise of a future industrial giant lies an unexpected lesson in craftsmanship, cultural exchange and the discipline that reshaped wind instrument making.

Holland, Jack

An Introduction to "In Tune"

the Scale of Just Intonation

Long before electronic tuners, brass players faced a choice between mathematical order and acoustic truth, with consequences that still shape ensemble playing today.

Lewy, Rudolf

The Wrong Brass?

Between blind fidelity and reckless modernisation, instrument substitutions force performers to decide when the score’s wording serves—or betrays—the music.

Dejonker, Philippe-Henri · Orval, Francis · Miller, R. · Sneppe, R.

Oscillatory Mechanism of the Glotis in Horn Playing

A horn note may begin before it is heard, as subtle vocal-fold oscillations appear to prepare the airflow that the lips will ultimately shape.

Gorovoj, Sergej

Science and Technology in Trombone Teaching

What if tone production depended less on instinct than on understanding how the instrument, the lips and the air function as one interconnected system?

Laplace, Michel

The Trumpet and the Cornet in Jazz and Popular Music

The pluralism of the so-called “modern” forms (1945 to the present)

Bebop, Miles Davis and the rise of the flugelhorn mark a postwar jazz landscape in which trumpet playing splintered into competing sounds and ideals.

Perl, Benjamin

Brass in the Operas of Berlioz

Berlioz turned a changing brass section into a dramatic force, using horns, trombones, cornets and saxhorns to shape colour, distance, ceremony and fear.