Trombón
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Parte 1
The trombone in Maurice Ravel's Bolero
How should Boléro’s trombone solo be played? After 100 performances, Jean Douay challenges conventions and argues for a more supple, controlled approach.
Por Jean Douay
In search of a new trombone
Por Branimir Slokar
International Competition of Geneva CIEM 1973
Trombone
Report on the 1973 Geneva International Competition (CIEM) for trombone, covering performances, participants and artistic standards.
Por Roland Schnorhk
Parte 2
The trombone in Jazz and Popular Music
The classical Armstrong period (1927-1945)
Jazz trombone changed rapidly between 1927 and 1945, as Armstrong’s influence, big-band playing and new techniques transformed both its language and sound.
Por Michel Laplace
An historical perspective of the alto trombone
Por Saeki Shigeki
Schubertian Trombones
Por J. Richard Raum
Parte 3
The Moravian brotherhood trombone choirs: neither Moravian nor choirs
Por Ken Shifrin
Munich 1995
International ARD Trombone Competition
Por Jean-Pierre Mathez
Akim Alexeyevich Kozlov
A Trombone Artist
Behind decades of orchestral excellence, one trombonist shaped a school of playing whose influence reached far beyond Leningrad and the concert hall.
Por Anatoly Barantsev
Roland Schnorhk, Orchestral Soloist
Por Jean-Pierre Mathez
Guebwiller 1999
International competition for tenor trombone and bass trombone
Por Michio Sugihara
Gratuito
The Polyphonic Trombone
A suggested notation system
When trombone slide, overtones, breath and valves become independent musical voices, conventional notation reaches its limits and a new system becomes necessary.
Por Klaus-K. Hübler
Great, but forgotten trombonists: some biographical sketches
Por David M. Guion
Joachim Eggert (1779-1813) - Trombone Pioneer
Por Avishai Kallai
Bob Brookmeyer
What note do you want to play ?
Por Willem Ouwerkerk
Parte 2
The contrabass trombone
Picture and sketches, taking particularly into account the construction principles (1973)
Inside the workshop of innovation: Heinrich Thein reveals how rethinking every detail—from valves to bell—transforms the contrabass trombone into a modern orchestral instrument
Por Heinrich Thein
Dany Bonvin
Trombone in the blood
Por Jean-Pierre Mathez
Parte 1
The trombone according to orchestration treatises (France 1700-1914)
Por Raymond Lapie
Parte 3
Anton Hansen (1877-1947)
Father of trombone playing in Scandinavia
From Sibelius to Paris, Anton Hansen’s later career links Scandinavian trombone playing with French repertoire, teaching, and orchestral reform.
Por Per Gade
Joseph Alessi
A dream career
Por Heinz Fadle
The trombone with 6 independent valves
Technical analysis of the trombone with six independent valves, examining its mechanics, extended range and potential for new repertoire.
Por Edmond Leloir
Gratuito
Parte 1
The trombone in Jazz and Popular Music
Jazz did not invent the modern trombone: early virtuosos, New Orleans players and changing techniques reveal a more complex path toward flexibility and legato.
Por Michel Laplace
Branimir Slokar
A happy trombonist
Por Jean-Pierre Mathez
Gratuito
The Trombone in the Sacred Works of W. A. Mozart
In Mozart’s sacred music, the trombone moved beyond choral reinforcement to striking solo roles that preserve the sound and practice of eighteenth-century Salzburg.
Por Benny Sluchin