Trombón
Todos los artículos relacionados con Trombón
Gratuito
Alto Trombone - New Modell
A forgotten solution to Baroque virtuosity meets modern orchestral demands, where historical ideals and practical performance no longer follow the same path.
Por Heinrich Thein, Max Thein
The alto trombone and contemporary concepts of trombone timbre
Alto trombone timbre from Vienna to Brahms, orchestral balance, period practice, and why bright brass sounds gradually disappeared.
Por William E. Runyan
Gratuito
Thoughts on the Bass Trombone
Long before modern standards took hold, bass trombones existed in many forms, raising questions that still shape orchestral writing and performance today.
Por Jean Gotthold
Enrique Crespo - seducer and musician in one
Por Jean-Pierre Mathez
Sigismund Neukomm (1778-1858) and the trombone
Por Raymond Lapie
Emory Brace Remington
A Profile
“The trombone must sing.” Ralph Sauer profiles Emory Remington—legendary teacher whose vocal approach shaped generations and redefined brass pedagogy.
Por Ralf Sauer
Parte 3
The trombone in Jazz and Popular Music
Pluralism of expression since 1945
Bebop, cool jazz, free jazz and neo-classicism transformed the trombone after 1945, as new players, techniques and instruments pushed its boundaries.
Por Michel Laplace
Geneva 1988 - Trombone Competition
Prizes: 1st Jonas Bylund, 2nd Steven Witser, 3rd Joël Vaïsse
Por Jean-Pierre Mathez
Slokar Quartet ... since 25 years
Por Jean-Pierre Mathez
André Lafosse (1890-1975)
Master of Trombone
Por Jean Douay
Parte 3
The Alto trombone
In the 18th Century Sacred Chamber Music from the Abbeys of Göttweig and Melk, Austria
Por J. Richard Raum
The trombone: changing times, changing slide positions
Did trombonists always use seven positions? Heinrich Huber reveals how history, theory and early music reshaped the slide.
Por Heinrich Huber
Parte 2
The solo trombone of the bohemian baroque
Por Ken Shifrin
Interview with Harold Nash
A half century with the trombone on the British music scene
Por Simon Hogg
International Competition for Trombone Branimir Slokar
2002, Grenchen (Switzerland)
Por Jeremy Mathez
Gratuito
Parte 2
The trombone in Maurice Ravel's Boléro
Boléro as ordeal: Jean Douay reveals stage fright, pressure, and the weight of the final solo—where one moment can elevate or undermine the entire orchestra.
Por Jean Douay
Tokyo Trombone Quartet
Por Kenji Tamiya
Trombone Quartets
Por Benny Sluchin
Gratuito
Viktor Venglowski
Musician and Teacher
From the Leningrad Philharmonic to the Conservatoire, one trombonist shaped repertoire, ensembles and generations of players across the Soviet Union.
Por Sergej Gorovoj
Lip vibration characteristics
of the trombone embouchure in performance
Study of lip vibration in trombone performance, analyzing embouchure behavior and its impact on sound production and control.
Por Leno Lloyd
Gratuito
Interview with Miles Anderson
Jean-Pierre Mathez traces Miles Anderson’s path from early training to orchestral and freelance work, expanding on the tension between livelihood and artistic pursuit.
Por Jean-Pierre Mathez
Parte 1
The solo trombone of the bohemian baroque
Por Ken Shifrin
Branimir Slokar, development of a new trombone
Por Jean-Pierre Mathez
Low register development for the trombone
Should you really drop the jaw for low notes? James Fulkerson challenges this idea and proposes a more stable approach to extend the low register.
Por James Fulkerson